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1、GHOSTAn Original ScreenplayByBruce Joel RubinJuly 21, 19891.1INT. TRIBECA LOFT - DAY1The CAMERA TRACKS slowly through clouds of moving dust. Shafts of muted light pierce the dense atmosphere.An eerie netherworld envelops us.Strange ghostly forms appear and disappear in the distance.They seem like ap
2、paritions.Broken timbers and dangling cables emerge from the smoky light.We see hints of a huge demolished space.An old white plaster wall FILLS THE SCREEN.Momentary blips of light flash across it.SOUNDS of street traffic are heard dimly in the distance.With startling impact, the SOUND of a sledgeha
3、mmer explodes out of nowhere.The wall shudders.HAMMER BLOWS assault the audience.They are loud and jarring.The wall buckles.Chunks of plaster CRASH to the floor.The air fills with new swirls of white dust.The SLEDGEHAMMER smashes INTO VIEW.Beams of sunlight cut through the cracks, piercing the atmos
4、phere like searchlights in a fog.A huge section of wall falls toward camera as more plaster billows into the air.We hear voices talking.MOLLY (O.S.) What a mess!SAM (O.S.) I told you!Through jagged holes we can make out three dim figures on the other side of the wall, all wielding SLEDGEHAMMERS.SAM
5、I cant breathe.MOLLY Use your mask, dummy.One of the figures adjusts something over his face. Isolated rays of sunlight dance around him casting long shadows in the air.SAM (singing) “Volga boat., man.“Whoomph!His hammer pounds the wall.Molly laughs.2.2ANGLE2The CAMERA MOVES IN and for the first tim
6、e we see them. MOLLY JENSEN, in her late 20s, has a bandanna around her hair and a workmans mask over her nose, but we can tell from her eyes and cheekbones that she is beautiful. SAM WHEAT, in his late 30s, is also hidden behind a mask, but he has a strong forehead and handsome features.Sweat is dr
7、ipping down his brow, leaving streaks in the dust.CARL BRUNER, early 30s, removes his mask revealing a good looking young man with a fashionable two-day stubble.Both men have their shirts off.CUT TO:2AANGLE2ABLACKNESS AND A LOUD THUD.Suddenly a shaft of light penetrates the darkness.Another thud and
8、 more light. We see a hole.The hook of a crowbar enters it, grappling with something around the edges.Then, with a tug and a loud yank, a huge section of tin ceiling crashes to the floor.Huge clouds of dust fly into the air.Molly looks up, astonished.MOLLY Sam, look, theres a whole eight feet up the
9、re.SAM And about eighty years of dust.MOLLY We have all this height, Sam.We could add a second floor and put our bedroom upstairs.That would leave all this space.SAM (eyeing her curiously) For what?MOLLY For space.Just space.SAM Be great for bumper cars.(CONTINUED)3.2ACONTINUED:2ACarl laughs as he l
10、ooks at Sam.Their bodies, covered with white powder, appear as strange, ghostly figures.CARL Sam, this may be none of my business, but Im concerned youre doing too much coke.Sam glances down at his white body.They all laugh.MOLLY Hey, Sam, turn around.Sam obeys.Molly doodles on his chest, drawing a
11、bow tie and the outline of a tuxedo jacket.Her lines are quick, accomplished, and subtly erotic.CARL (offering his body) How bout me?Molly nods.She reaches out and superimposes an armless female torso over his.His stomach jumps sensually as she touches it.Molly pulls back to admire her work.He looks
12、 like a Greek statue.CARL Ill never wash again.Molly laughs.2BANGLE2BSam, Molly, and Carl are holding their sledgehammers. Molly begins to count.MOLLY All together now.One, (they strike the wall with their hammers.The wall shakes) two, (they pound again.The wall begins to give) three.In unison, they
13、 hit it once more.A massive section of plaster and metal topples to the ground.New clouds of dust fill the air.Suddenly, Sam spies an old jar lying on the floor.Something rattles inside it, a penny.(CONTINUED)3A.2BCONTINUED:2BSAM Hey, look what I found.Theres a penny inside. (he hands it to Molly) F
14、or luck in our new loft.Its a good omen.MOLLY (shaking her head, disagreeing) Youre the good omen.She glances at him lovingly.Carl looks at the two of them and grins.As the dust settles we see, for the first time, the outlines of the space they are working in.It is a huge loft over four thousand squ
15、are feet.Banks of windows run east and west.Molly steps back and admires the room.MOLLY Its gorgeous.CARL You guys lucked out.Hell, I bet you could sell it tomorrow and double your investment.MOLLY Sell it?Carl, we just bought it.CARL What I wouldnt do for a place like this.SAM Its gonna be great.4/
16、5.3(OMITTED)34EXT. MARKET SECURITY BANK whispering) Sam?She holds very still for a moment.Sam watches breathlessly, loving her, wanting her.Then quietly, hopefully, he reaches out.It is a useless gesture.In a moment of great poignancy, Molly shakes her head and walks right through him.He remains IN THE FRAME, alone.45INT. BEDROOM - DAY45Sam, stands in the corner of a large, walk-in closet, watching as Molly goes through his effects.Boxes, scattered underfoot, are filling up wit
