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1、THE MASONS APRON T LEARNING ZONE THE MASONS APRON CD TRACK 88 Bar 1) We start off mimicking of the rapid fiddle bowstrokes on beat 2. Try my picking hand fingering, a fast alternating thumb, first finger, thumb. You could also try ami which will need a great deal of accuracy to catch just the third
2、string. Bar 3) For the bowstroke (fiddle term) on beat 2 try the ami fingering. E B G D A E 1 58 = I II II lt 86 (A6) 411 _E=ri u Capo 2 (E13) 5 a p f 2-2-2-2 p p 1 :J 2-2 m 4-86/9 (A6/9) :J u !-2_.L-4 p i 8 (A) p 1 This is much easier to execute on the second string than it is on the third string.
3、Bar 4) Although Ive suggested you pick every note here, a combination of hammer-ons and pull-offs will also work well and youll see plenty of times where I employ legato in this arrangement. :z_l _l _l _l _.,.-, 2-E6 (06) :ZJ:j_ .= t-3 .a:L _ 2_1 l l t=-,.-2 2 o-o-o-o-o-2-0-:;:-m m m p 86/9 A6/9) a
4、m m m “ ll II r 1 I J rJ J 3 J .1 11 c:r“ _ _ J E B G D A E E B G D A E E B G D A E E B G 0 A E 4 7 10 13 11 II II “ ll II 4!) 11 II lt 1 -r 0 0 m p Emaj9 (Dmaj9) 3 r r 2 .,j 3-2 m p (f. m11) 3 r 2 2 i p 8 -4 (A) h r 5 2 2 3 m I J 3 m :J -r 2-)-2-4-m p m r J ?) .J J r 2 4 5 2 m m 8add9 (Aadd9) u l-5
5、 0 2 (E6) 2 J -r 2 _ 2 a m p E6 06) ( r-, _Q_ 3 r-, 3 4 r -r .-2 2 I 2 l m 0 8 (A) 1 I r 2 i p (8 ) m9 l=ri I :zl .-. .-. 0 2- 3 Q-0-()-Q-Q-2 2 4 4.,6 7 0 m m m p 8add91A# c:T“ r 0 2 2-2 2 2 86/9 (A6/9) 4-l-2 4 2 m p l:l r 4 4.,.6 7 u 2 !-2.,.L4 2 4-_.fJ _c:=“ r 5 I l 2 2 m _r:l ,.-2-2-2-2 (E ) 13 r
6、 “I -r Q-2 Emaj9 ( . ) DmaJ9 21 r rl :d 3 I 2-t-3 2 3 .-._ 0 2-Q-2- 2 (Aadd91G#) I 3r 2 i m p 4.:;._ 2 4-p J 2J J -“J _1_ /I Q-2-Q-2-4-J r 0 2 4 5 2-November 2012 GuitarTeclmiques 89 -ON THE CD $TRACK 88 THE MASONS APRON CD TRACK 88 Bar 9 The bass line becomes more detailed, placing some extra chall
7、enges onto the fretting hand. My fretting hand fingering suggestions (1, 2, 3, 4, etc) will help. Bar 101 Note how the fingering of the melody is changed here, in order to accommodate the bass notes. Bar 171 Most of these tunes have an A and a B section. This is where the B r u r E 8 2-()-2 2 2 G D
8、A 0 E 16 i m p u E 5 2 0 B 2 2 G D A E 22 m m m m p section begins and things calm down a little for a while. Bar 251 Now the melody is re-fingered over several strings -this will give us more of a ringing sound as the melody is played out of chord shapes as opposed to over one or two strings. This can makes things easier for the fretting hand and sometimes the picking hand as well. 2 0 2 2 2 2 m m r r 0-2-4-s- 2 2-()-2 2 i p m P P m P p m p p m P p P m P P 90 GuitarTechniques November 2012
