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1、HistoriCITY Art Historical Writing in and on Hong Kong Reading Group Venue: Asia Art Archive (Laboratory) Time: 27 Jun, 11 Jul, 8 Aug, 22 Aug & 19 Sep (Wednesday 6:30 8:30 pm) Moderator: Jaspar Lau Kin Wah The reading group is set up as both preparation work for the coming roundtable on Hong Kong Ar
2、t Historical Writing in late September, as well as an experimental project of its own. It hopes to provide a rare platform outside the academy to look upon the discipline of Art History from different aspects and on different areas, as well as encouraging dialogue and discussion to happen between ar
3、tists, art writers, curators and scholars. The present outline and proposed readings are just tentative, and we hope to improve it with input from others as we go along, turning this into a joint, collective effort. So please do not hesitate to suggest any materials you think is of interest, and/or
4、enrol and share your views on the topics with us. Reading materials will generally be prepared two weeks before the coming session at AAA. Please check out the http:/ for latest update. (Session will generally be conducted in Cantonese, or English depending on circumstances.) Tentative Outline Sessi
5、on 1 Date: 27 Jun Reading focus (1): Hong Kong Art Historical Writings Inspired by Frank Vignerons recent seminar “East Still Meets West? A Study on Hong Kong Art” (2nd June at CUHK), which compared certain writing tactics of Petra Hinterthr and Zhu Qi on Luis Chan as well as other writers on variou
6、s early Hong Kong art pioneers. We hope to extend such reading onto other existing literatures, and via them also re-examine the query that Vigneron raised towards the East/West paradigm in Hong Kong Art History. Prime References: Petra Hinterthr, Modern Art in Hong Kong (Myer Publishing, 1985) Davi
7、d Clarke, Hong Kong Art Culture and Decolonization (Hong Kong University Press, 2001). 朱琦 (Zhu Qi) :香港美術史(三聯，2005)。 李世莊(編) ：從現實到夢幻: 陳福善的藝術 (亞洲藝術文獻庫，2006)。 Jack Lee (ed.), From Reality to Fantasy: The Art of Luis Chan (Asia Art Archive, 2006). 呂澎： 20 世紀中國藝術史(北大出版社，2007) 。 Session 2 Date: 11 Jul Readi
8、ng focus (2): New Art History (to be confirmed) Prime References: A. L. Rees & F. Borzello, The New Art History (London: Camden Press Ltd., 1986). Donald Preziosi, Rethinking Art History: Mediations on a Coy Science (New Haven: Yale University Press, 1989). Vernon H. Minor, Art Historys History (New
9、 Jersey: Prentice Hall, 1993). Reading focus (3): End of Art History (to be confirmed) Prime References: Arthur Danto, After the End of Art Contemporary Art and the Pale of History (Princeton University Press, 1997) Hans Belting, Art History after Modernism (The University of Chicago Press, 2003) or
10、iginally published as Das Ende der Kunstgeschichte. Eine Revision nach zehn Jahren (1995) Session 3 Date: 8 Aug Reading focus (4): Writing, Self-reflectivity (to be confirmed) Prime Reference: James Elkins, Our Beautiful, Dry, and Distant Texts Art History as Writings (Routledge, 2000) Reading focus
11、 (5): Critic-Historian-Aesthetician Thierry de Duve (to be confirmed) Reference books: Theirry de Duve, Kant after Duchamp (MIT Press,1996) Theirry de Duve, Look! (Ludion, 2001) James Elkins (ed.), Art History Versus Aesthetics (Routledge, 2006) Session 4 Date: 22 Aug Reading focus (6): Modernity as
12、 Narrative? H. Foster, B. Buchloh, R. Krauss, Y. Bois (ed.), Art Since 1900 (Thames & Hudson, 2004) James Elkins, Master Narratives and Their Discontents (Routledge, 2005) Session 5 Date: 19 Sep (to be confirmed) Reading focus (7): Visual Arts to Visual Culture Visual Culture Questionnaire, October
13、77 (Summer, 1996), 25-70. Nichloas Mirzoeff (ed.), The Visual Culture Reader. (Routledge, 1998). Nichloas Mirzoeff, Introduction to Visual Culture (London: Routledge, 1999). Keith Moxey, Michael Ann Holly (ed.), Art History, Aesthetics, Visual Studies (Clark Studies in the Visual Arts) (Clark Art In
14、stitute, 2003). James Elkins, Visual Studies: A Skeptical Introduction (Routledge, 2003). Dealing With The Visual: Art History, Aesthetics And Visual Culture (Ashgate Publishing, 2005). Project References: GENERAL Michael Podro, The Critical Historians of Art (1982) Mark W. Roskill, What is Art Hist
15、ory?(1989) LOCAL Books Petra Hinterthr, Modern Art in Hong Kong (Myer Publishing, 1985) 正反INDIRECTION (MOST, 1993) 香港藝術館編：香港藝術家第一輯(香港：香港市政局，1995)。Hong Kong Artists. Volume 1 (1995). David Clarke, Art and Place: Essays on Art from a Hong Kong Perspective (Hong Kong, 1996) 香港藝術館編：香港藝術一九九七 香港藝術館藏品展北京廣州
16、(香港：香港 時市政局，1997)。(文樓/王無邪/鄧海超) 張惠儀：香港書畫團體研究(香港：香港中文大學藝術系，1999)。 華立強、何慶基編：香港藝術概覽(香港：國際藝評人協會香港支會，1999)。 香港藝術館編：香港藝術家第二輯(香港：康樂及文化事務署，2000)。Hong Kong Artists. Volume 2 (2000) David Clarke, Hong Kong Art Culture and Decolonization (Hong Kong University Press, 2001). 李君毅編：香港現代水墨畫文選(香港：香港中外文化推廣協會，2001)。 祁大衛、何慶基編：他人的故事
