《EmilyDickinson艾米莉狄金森实用教案》由会员分享，可在线阅读，更多相关《EmilyDickinson艾米莉狄金森实用教案（49页珍藏版）》请在金锄头文库上搜索。
1、Emily Elizabeth Dickinson was born in Amherst, a small town in the state of Massachusetts. on December 10, 1830. She was born into a Calvinist family. Her father was a very wealthy, successful and prominent lawyer and politician.But she was very passive about any social and political activities. Dic
2、kinson was educated at Amherst Academy and Mount Holyoke Female Seminary in South Hadley, Massachusetts第1页/共48页第一页，共49页。WenttoD.C.withherfather,acongressman,becauseshehadfalleninlovewithamarriedlawyer,whosoondiedofTB.Therefellinlovewithanothermarriedman,aminister.第2页/共48页第二页，共49页。becauseofthefailure
3、ofherloveaffairs,shebegantoisolateherselffromothersandlivedasolitarylife.Theonlycontactshehadwithfamilywasinwhimsical,epigrammaticletters.Sheoftenloweredsnacksandtreatsinbasketstoneighborhoodchildrenfromherwindow,carefulnevertoletthemseeherface.Shealmostalwaysworewhite.Dickinsonseldomleftherhouseand
4、visitorswerescarce.Allthroughherlife,shedidnotgetmarriedandlivedaveryquiet,lonelylifeinavillage.第3页/共48页第三页，共49页。In her family library, she had access to many religious works as well as books by Emerson, other transcendentalists and current magazinesabout 20, began to write poems The first person to
5、 notice Dickinsons talent was Thomas Wentworth Higginson. Higginson became a life long correspondent and a mentor.Dickinson had contact with few people, but one was Reverend Charles Wadsworth. Dickinson also befriended novelist Helen Jackson. 第4页/共48页第四页，共49页。Higginson advised Dickinson not to get h
6、er poetry published because of her violation of contemporary literary convention. Helen Jackson tried to convince her to get her work published but her requests were unsuccessful. She never approved of publishing her poems and requested her sister Lavinia to destroy all of her pomes Before her death
7、, only seven poems were published. But after her death, her sister found that she left a large number of poems, altogether, it was about 1800 poems. After Dickinsons death, her sister, Lavina, had Emilys poetry published and then burnt the original copies, because that was her sisters wish. 第5页/共48页
8、第五页，共49页。Emily Dickinson第6页/共48页第六页，共49页。The Homestead 1813第7页/共48页第七页，共49页。The Homestead第8页/共48页第八页，共49页。Repainted Homestead第9页/共48页第九页，共49页。The Dickinson Homestead in Amherst, Massachusetts(bedroom)第10页/共48页第十页，共49页。Dickinsons Room第11页/共48页第十一页，共49页。Dickinsons Room第12页/共48页第十二页，共49页。The Dickinson
9、Homestead in Amherst, Massachusetts(Dress)第13页/共48页第十三页，共49页。第14页/共48页第十四页，共49页。第15页/共48页第十五页，共49页。Newly Discovered Photo第16页/共48页第十六页，共49页。HerGrave第17页/共48页第十七页，共49页。DickensonsMajorWorks(1)MyLifeClosedTwicebeforeItsClose我的生命结束之前已经结束了两次(2)BecauseICouldntStopforDeath因为我不能等待死亡(3)IHeardaFlyBuzzWhenIdie
10、d我死时听到苍蝇的嗡嗡声(4)MinebytheRightoftheWhiteElection我的根据白色选举的权利(5)WildNightsWildNights狂风(kungfng)夜狂风(kungfng)夜(6)DeathisaDialoguebetween死是一场对话(7)TheSoulselectsherownSociety心灵选择了自己的友伴(8)IdiedforBeautybutwasscarce我为美而死第18页/共48页第十八页，共49页。Herpoemsthemes:basedonherownexperiences/joys/sorrowsandimagination.(1)
11、religiondoubtandbeliefaboutreligioussubjects(2)deathandimmortality(3)lovesufferingandfrustrationcausedbylove(4)physicalaspectofdesire(5)naturebenevolent(kind)andcruel(6)freewillandhumanresponsibility第19页/共48页第十九页，共49页。DickinsonsreligiouspoemsShewroteaboutherdoubtandbeliefaboutreligioussubjects.While
12、shedesiredsalvationandimmortality,shedeniedtheorthodox(正统(zhngtng)的)viewofparadise.AlthoughshebelievedinGod,shesometimesdoubtedHisbenevolence.第20页/共48页第二十页，共49页。248WhydotheyshutMeoutofHeaven?DidIsingtooloud?ButIcansayalittleMinorTimidasaBird!WouldnttheAngelstrymeJustoncemoreJustseeifItroubledthemBut
13、dontshutthedoor!Oh,ifIweretheGentlemanIntheWhiteRobeAndtheywerethelittleHandthatknockedCouldIforbid?第21页/共48页第二十一页，共49页。HerpoemsconcerningdeathandimmortalityThesepoemsarecloselyrelatedtoherreligiouspoetry,rangingoverthephysicalaswellasthepsychologicalandemotionalaspectsofdeath.Sheshowedherambiguousa
14、ttitudetowardsdeathandimmortality.Shelookedatdeathfromthepointofviewofboththelivingandthedying.Sheevenimaginedherowndeath,thelossofherownbody,andthejourneyofhersoultotheunknown.第22页/共48页第二十二页，共49页。HerlovepoemsLoveisanothersubjectDickinsondwelton.Onegroupofherlovepoemstreatsthesufferingandfrustration
15、lovecancause.Thesepoemsareclearlythereflectionofherownunhappyexperience,closelyrelatedtoherdeepestandmostprivatefeelings.Manyofthemarestrikingandoriginaldepictionsofthelongingforsharedmoments,thepainofseparation,andthefutilityoffindinghappiness.第23页/共48页第二十三页，共49页。HerLovePoemsTheothergroupoflovepoem
16、sfocusesonthephysicalaspectofdesire,inwhichDickinsondealtwith,allegorically,theinfluenceofthemaleauthoritiesoverthefemale,emphasizingthepowerofphysicalattractionandexpressingamixtureoffearandfascinationforthemysteriousmagnetismbetweensexes.However,itisthosepoemsdealingwithmarriagethathavearousedcrit
17、icalattentionfirstandshowedDickinsonsconfusionanddoubtabouttheroleofwomeninthe19thcenturyAmerica.第24页/共48页第二十四页，共49页。IHIDEmyselfwithinmyflowerIHIDEmyselfwithinmyflower,Thatwearingonyourbreast,You,unsuspecting,wearmetooAndangelsknowtherest.Ihidemyselfwithinmyflower,That,fadingfromyourvase,You,unsuspe
18、cting,feelformeAlmostalonelinessA love poem第25页/共48页第二十五页，共49页。249WildNightsWildNights!WereIwiththeeWildNightsshouldbeOurluxury!FutiletheWindsToaHeartinportDonewiththeCompassDonewiththeChart!RowinginEdenAh,theSea!MightIbutmoorTonightInThee!第26页/共48页第二十六页，共49页。HernaturepoemsMorethan500ofherpoemsareab
19、outnature,inwhichhergeneralskepticismabouttherelationshipbetweenmanandnatureiswell-expressed.Ontheonehand,shesharedwithherromanticandtranscendentalpredecessorswhobelievedthatamythicalbondbetweenmanandnatureexisted,thatnaturerevealedtomanthingsaboutmankindanduniverse.Ontheotherhand,shefeltstronglyabo
20、utnaturesinscrutability(神秘莫测(shnmmc)andindifferencetothelifeandinterestsofhumanbeings.第27页/共48页第二十七页，共49页。HernaturepoemsDickinsonmanagedtowriteaboutnatureintheaffirmationofthesheerjoyandtheappreciation,unaffectedbyphilosophicalspeculations.Heracuteobservations,herconcernforprecisedetailsandherintere
21、stinnaturearepervasive,fromsketchesofflowers,insects,birds,tothesunset,thefullydetailedsummerstorms,thechangeofseasons;fromkeenperceptiontowittyanalysis.第28页/共48页第二十八页，共49页。TWObutterflieswentoutatnoonAndwaltzedaboveastream,ThensteppedstraightthroughthefirmamentAndrestedonabeam;Andthentogetherboreawa
22、yUponashiningsea,Thoughneveryet,inanyport,Theircomingmentionedbe.Ifspokenbythedistantbird,IfmetinetherseaByfrigateorbymerchantman,Reportwasnottome.第29页/共48页第二十九页，共49页。ABirdcamedowntheWalkHedidnotknowIsawHebitanAngleworminhalvesAndatethefellow,raw.AndthenhedrankaDewFromaconvenientGrassAndthenhoppedsi
23、dewisetotheWallToletaBeetlepassHeglancedwithrapideyesThathurriedallaroundTheylookedlikefrightenedBeads,IthoughtHestirredhisVelvetHeadLikeoneindanger,Cautious,IofferedhimaCrumbAndheunrolledhisfeathersAndrowedhimsofterhomeThanOarsdividetheOcean,ToosilverforaseamOrButterflies,offBanksofNoonLeap,plashle
24、ssastheyswim.第30页/共48页第三十页，共49页。ThemesDickinsonspoemsareusuallybasedonherownexperiences,hersorrowsandjoys.ButwithinherlittlelyricsDickinsonaddressesthoseissuesthatconcernthewholehumanbeings,whichincludereligion,death,immortality,love,andnature.第31页/共48页第三十一页，共49页。Herstyle(1)poemswithouttitles(2)capi
25、tallettersemphasis(3)severeeconomyofexpression(4)directness,brevity(5)musicaldevicetocreatecadence(rhythm)(6)shortpoems,mainlytwostanzas(7)rhetorictechniques:personificationmakesomeofabstractideasvivid(8)usealotofdashes.第32页/共48页第三十二页，共49页。ArtisticfeaturesHerpoetryisuniqueandunconventionalinitsownwa
26、y.Herpoemshavenotitles,hencearealwaysquotedbytheirfirstlines.Inherpoetrythereisaparticularstresspattern,inwhichdashesareusedasamusicaldevicetocreatecadence(韵律(ynl)andcapitallettersasameansofemphasis.Mostofherpoemsborrowtherepeatedfour-line,rhymedstanzasoftraditionalChristianhymns（圣歌）,withtwolinesoff
27、our-beatmeteralternatingwithtwolinesofthree-beatmeter.Amasterofimagerythatmakesthespiritualmaterializeinsurprisingways.第33页/共48页第三十三页，共49页。ArtisticfeaturesSimpleform:Sheusedimperfectrhymes,subtlebreaksofrhythm,andidiosyncratic（特殊(tsh)癖好的）syntaxandpunctuationtocreatefascinatingwordpuzzles,whichhavepr
28、oducedgreatlydivergentinterpretationsovertheyears.Dickinsonsirregularorsometimesinvertedsentencestructureconfusesreaders.Herpoeticidiomisnotedforitslaconic（用字简洁的）brevity,directnessandplainness.Herpoemsareusuallyshort,rarelymorethantwentylines,andmanyofthemarecenteredonasingleimageorsymbolandfocusedo
29、nonesubjectmatter.Remarkableforitsvariety,subtletyandrichness.第34页/共48页第三十四页，共49页。BecauseICouldNotStopforDeathBecauseIcouldnotstopforDeathHekindlystoppedformeTheCarriageheldbutjustOurselvesAndImmortality.因为我不能停下来等待死神他和善地停下来等我那辆车只能容我们(wmen)两个还有不朽。Stanza1:Theangelofdeath,intheimageofakindperson,comesi
30、nacarriageforthesakeofImmortalityandthepoet.第35页/共48页第三十五页，共49页。WeslowlydroveHeknewnohasteAndIhadputawayMylaborandmyleisuretoo,ForHisCivility我们慢慢(mnmn)驱车，他不慌不忙我也把我的劳与闲统统丢掉一边，为了他的礼让Stanza2:Toshowmypolitenesstogodofdeath,Igaveupmyworkandmyenjoymentoflifeaswell;Igiveupmylife.第36页/共48页第三十六页，共49页。Wepasse
31、dtheSchool,whereChildrenstroveAtRecessintheRingWepassedtheFieldsofGazingGrainWepassedtheSettingSun我们走过校园，孩子们你推我搡，在休息时间，在圆形广场(gungchng)我们走过在田间凝眸的麦杆我们走过落日旁Stanza3:Thejourneyofourcarriageimpliedtheexperienceofhumanlife;schoolimpliestimeofchildhood;thefieldsofgazinggrain,foryouthandadulthood;whiletheset
32、tingsun,foroldage.第37页/共48页第三十七页，共49页。OrratherHepassedUsTheDewsdrewquiveringandchillForonlyGossamer,myGownMyTippetonlyTulle或毋宁说，他走过我们身旁寒露降，身子冻得打颤因为我的长衫落纱般我的披肩(pjin)如丝网Stanza4:Probablywemaysaythesunsetsbeforewereachthedestination-thenightfalls,deatharrives.Ifeltafearandchillyafterdeath,formyshroudist
33、hinandmyscarftoolight.Despitethedescriptionof“death”,theusualgloomyandhorrifyingatmosphereislightenedbythepoetesswiththeelegantlyflutteringclothingshedescribes.第38页/共48页第三十八页，共49页。WepausedbeforeaHousethatseemedASwellingoftheGroundTheRoofwasscarcelyvisibleTheCorniceintheGround我们停步在一所房子前，那似乎是隆起的土地一片屋顶
34、(wdn)几乎看不见屋檐在地里面第39页/共48页第三十九页，共49页。SincethentisCenturiesandyetFeelsshorterthantheDayIfirstsurmisedtheHorsesHeadsWeretowardEternity离那时已是几个(j)世纪，但好像过了还不到一天，我首次猜测到，马头在朝向永恒奔窜。Stanza5&6.Severalcenturieshadpassedsincethearrivalofdeathuponme.However,Ifeltitisshorterthanaday.OnthatdayIsuddenlyrealizedthatd
35、eathisthestartingpointforeternity,andthecarriageisheadingtowardsit.第40页/共48页第四十页，共49页。CharactersNarrator:Sheisawomanwhocalmlyacceptsdeath.Infact,sheseemstowelcomedeathasasuitorwhosheplansmarry.Death:Thesuitorwhocomescallingforthenarratortoescorthertoeternity.Immortality:Apassengerinthecarriage.Child
36、ren:Boysandgirlsatplayinaschoolyard.Theysymbolizeearlylife.第41页/共48页第四十一页，共49页。ThisisoneofDickinsonsmostcelebratedpoemsdescribingdeath.Itpossessesmanyfeaturestypicalofherpoetry.Deathisnottobefearedsinceitisanaturalpartoftheendlesscycleofnature.第42页/共48页第四十二页，共49页。Themes-DeathDeathisoneofthemaintheme
37、scoveredbythispoem.Inthispoem,Deathisagentlemanwhofollowstherulesofcourtshipthatagentlemancallingforaladywouldhavetofollow.Hecannotjustcomeandtakeher,butathirdparty,Immortality,mustcomealongandchaperontheirride,tomakesurethatDeathdoesnotdoanythingimproper.Also,Deathcannotrush,buthastodriveslowly,bec
38、auseheisnotsimplyinthebusinessofgrabbingsouls;hehastasteandsensibility.第43页/共48页第四十三页，共49页。Thedeathweseeinthispoemisnotathingtobefeared.BecauseofDickinsonsreligiousbeliefinimmortallife,thesignificanceofDeathitselfisdiminished:itisaspowerlessinthissituationasthepersonwhoisbeingcarriedawayandastrapped
39、bymannersasthedyingarebybiology.第44页/共48页第四十四页，共49页。Themes-CycleofLifeTheimagesthatdescribewhatisseeninthecarriageride,allsuggestthatlifeisacycle,thatthecradle-to-gravemotionbringsusbacktowherewestartedfrom.Themostobviousexampleofthisisthechildrenplaying“inaring”:notonlyistheringsymbolicofanendlessc
40、ircle,butthefactthatoneseeschildrentestingtheirstrengthindicatesthatthedyingspeakerhascomebacktowhereshecamefrom.Fieldsofgrainremindusofthecycleoflifebecausetheyrepeatthewholemotionyearafteryear,fromplantingtoharvesting.Thesettingsunindicatesanending,butitisonlytemporary.第45页/共48页第四十五页，共49页。Themes-T
41、imeAkeyinthispoemishowtimepassesatadifferentpaceunderdifferentcircumstances.Thetouraroundtownthattakesplacesoslowlycouldbebasedupontheoldsuperstitionaboutonesentirelifeflashingbeforeoneseyesattheinstantofdying.Ontheotherhand,itcouldbeDickinsonswayofshowingthatDeathisacomfortandthatitisasmuchapartofl
42、ifeasalloftheotherthingsthatareobserved.Afterdeath,theflowoftimechangesforthepoemsspeaker:whileamomentoncerevealedthingsthatwouldhavetakenhourstosee,centuriesnowfeelshorterthanaday.第46页/共48页第四十六页，共49页。Techniqueswellconstructed,easilyunderstood,andfilledwithmanypoeticconventions.Manyrhetoricaldevices
43、areusedinthispoem,suchaspersonification(Deathandimmortalityarepersonifiedas“He”.),imageorsymbolsespeciallyinthethirdstanza.Othersymbolsinclude“Carriage”,“House”(Ground)etc.Shealsousespunctuationformusicalityandcapitalizationforemphasis.第47页/共48页第四十七页，共49页。感谢您的欣赏(xnshng)！第48页/共48页第四十八页，共49页。内容(nirng)总结Emily Elizabeth Dickinson was born in Amherst, a small town in the state of Massachusetts. on December 10, 1830.。Justoncemore。CouldIforbid。Futilethe Winds第四十九页，共49页。
