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1、河北省秦皇岛2016高考英语阅读理解暑假训练（4）阅读下列四篇短文，从每小题后所给的A,B,C或D四个选项中，选出最佳选项。The multi-million pound new Library of Birmingham (LoB) will be the most visible sign of the way the city is accepting the digitalization (数字化) of everyday life. Set to open in 2013, the 188m LoB is already beginning to take shape next to
2、 the Birmingham Repertory Theatre, with which it will share some equipment. As digital media (媒介) is important toits idea, the project is already providing chances for some of the many small new local companies working at the new technologies. Brian Gambles, the LoB project director, says it is abou
3、t giving people the right tools for learning:“The aim is to mix the physical with the digital, providing 24-hour services which can be used through many different ways. It is important to enable us to reach more people, more effectively.”The digital library will, he says, be as important as the phys
4、ical one, allowing the distant use of the services, making sure that it is never closed to the public. Even before the LoB is complete, the public has been able to go online to visit the Virtual (虚拟的) LoB, designed by Baden, the Birmingham virtual worlds specialists. Not only have the public been ab
5、le to learn about the LoB, but the virtual one has also enabled those working on the LoB to understand the building and how it will work before it even opens. Two other small Birmingham-based digital companies are also working on the LoB projects. Substrat, a digital design company, is developing wh
6、at it calls an example of an “enlarged reality” project. It is about the use of an exciting smart phone, an important part of the LoB which is in the early stages of development. And The Peoples Archive is an online library of historical figures of the city being built up by a digital content compan
7、y in Cahoots, in which users will be encouraged to add to and comment on the material. Gambles says:“Technology will enable us to make the librarys content and services open to citizens as never before.”1. The underlined part “its idea” in Paragraph 3 refers to the idea of.A. the equipmentB. the pro
8、jectC. the digital mediaD. the physical library2. While visiting the Virtual LoB, the public can.A. get a general idea of the LoBB. meet many world-famous expertsC. learn how to put up a library buildingD. understand how the specialists work on the project3. Which of the following is true of the LoB
9、 when it opens? a. It offers better learning tools. b. It reaches users in different ways.c. It provides users with smart phones. d. It allows users to enrich its material.e. It gives non-stop physical and digital services.A. a, b, dB. a, c, eC. b, c, dD. b, d, e4. The text is most probably taken fr
10、om.A. a computer bookB. a library guideC. a project handbookD. a newspaper report【参考答案】1-4 BAAD【2013界广东省三模】 Mark Rothko, one of the greatest painters of the twentieth century, was born in Daugavpils, Latvia in 1903. His family immigrated to the United States in 1913, after a 12-day voyage.Mark moved
11、 to New York in the autumn of 1923 and found employment in the garment trade and settled down on the Upper West Side. It was while he was visiting someone at the Art Students League that he saw students painting a model. According to him, this was the start of his life as an artist. He was twenty ye
12、ars old and had taken some art lessons at school, so his initial experience was far from an immediate calling.In 1936, Mark Rothko began writing a book, which he never completed, about the similarities in the childrens art and the work of modern painters. The work of modernists, which was influenced
13、 by primitive art, could, according to him, be compared to that of children in that “Child art transforms itself into primitivism, which is only the child producing a copy of himself.” In this same work, he said that “The fact that one usually begins with drawing is already academic. We start with c
14、olor.”It was not long before his multiform developed into the style he is remembered for. In 1949 Rothko exhibited these new works at the Betty Parsons Gallery. For reviewer Harold Rosenberg, the paintings were unique and primitive. Rothko had, after painting his first multiform, separated himself f
15、rom the world in East Hampton on Long Island, only inviting a very few people, including Rosenberg, to view the new paintings. The discovery of his works specialty came at a period of great sorrow: his mother Kate died in October 1948. As part of this new uniformity of artistic vision, his paintings
16、 no longer had individual titles. From this point on they were simply untitled, numbered or dated. However, to assist in distinguishing one work from another, traders would sometimes add the primary colors to the name. Additionally, for the next few years, Rothko painted in oil only on large vertical tents. This was done to surround the viewer, or, in his words,
