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1、PH lighting ForeverPH featurePoul HenningsenPH lightingP o u l H e n n I n g s e n PH lighting ForeverPoul HenningsenPoul Henningsen (PH) 1894-1967P o u l H e n n I n g s e n PH lighting ForeverP o u l H e n n I n g s e n PH lighting ForeverDenmark P o u l H e n n I n g s e n PH lighting ForeverDenm
2、ark P o u l H e n n I n g s e n PH lighting ForeverP o u l H e n n I n g s e n PH lighting ForeverLocation :Area:Climate:Natural: resourcesNorthern Europe, bordering the Baltic Sea and the North Sea, on a peninsula north of Germany (Jutland); also includes two major islands (Sjaelland and Fyn) total
3、: 43,094 sq km water: 700 sq km note: includes the island of Bornholm in the Baltic Sea and the rest of metropolitan Denmark (the Jutland Peninsula, and the major islands of Sjaelland and Fyn), but excludes the Faroe Islands and Greenland land: 42,394 sq km temperate; humid and overcast; mild, windy
4、 winters and cool summers petroleum, natural gas, fish, salt, limestone, stone, gravel and sand Denmark P o u l H e n n I n g s e n PH lighting ForeverP o u l H e n n I n g s e n PH lighting Forever“From the age of 18, when I began to experiment with light, I have been searching for harmony in light
5、ing“ Poul Henningsen was born in 1894 in Ordrup, Denmark and became Denmarks first expert in lighting theory. Even though Poul Henningsens is mostly known from his lamps his talent was very diversified. He was trained at the Technical School and the Danish College of Technology, Copenhagen. Ever sin
6、ce 1920 Poul Henningsen worked as an independent architect in Copenhagen where he designed several houses, a factory, a part of Tivoli, and the interiors of two theaters. Beside working as an architect Poul Henningsen wrote articles for several newspapers and periodicals, he scripted a number of rev
7、ues for Copenhagen theaters, he wrote poems, and was the editor of the magazine “Kritisk Revy“ (Critical Revue). From his writings Poul Henningsen was known as a seriously and sharp critical of society and architecture. P o u l H e n n I n g s e n PH lighting ForeverAs a Copenhagener Poul Henningsen
8、 often drove through the city and was shock by what he saw: “When, in the evening, from the top of a tram car, you look into all the homes on the first floor, you shudder at how dismal peoples homes are. Furniture, style carpets, everything in the home is unimportant compared to the positioning of t
9、he lighting. It doesnt cost money to light a room correctly, but it does require culture.“It has always been the idea that the PH-lamp should be the lamp for the home. Due to its qualities and its modern appearance it had to be accepted first in offices and public buildings, but it is constructed wi
10、th the most difficult and noble task in mind: lighting in the home. The aim is to beautify the home and the who live there, to make the evening restful and relaxing.“ P o u l H e n n I n g s e n PH lighting ForeverIn 1924 Poul Henningsen designed his multi-shade lamp. It was the first of what later
11、became known as the “PH-lamp“.The design was based on scientific analysis of a lamp shades function. The size, shape, and position of the lamp shades determine the distribution of the light and the amount of glare.In 1925 this lamp won a competition for light fitting for the Paris World Exhibition,
12、and is known as the “Paris lamp“. Poul Henningsen maintained the principle of the Paris lamp throughout his lifetime. “The task to find a new lighting feature, where the emphasis is on the problem of glare. This is what is attempted with the PH-lamp, and much to indicate that it has been successful.
13、“ P o u l H e n n I n g s e n PH lighting ForeverPoul Henningsen did not grew up with the electric light but in the soft glow of the petroleum lamp. His constant inspiration and aim was to cultivate the electric light to achieve a similar softness but yet utilize this new powerful light source. “Hum
14、an beings are like children as soon as they get new toys they trough away their culture and the orgy starts. The electric light gave the possibility of wallowing in light“ “I do not subscribe to the idea of an ever- increasing demand for more powerful lighting intensity. It is tempting, but inartist
15、ic to continue to increase lighting intensity.“ P o u l H e n n I n g s e n PH lighting ForeverTwo of the most prevalent icons of Henningsens career are the “PH lamp,“ designed in 1924 and the “Artichoke.“ The “PH“ lamp, also known as the “Paris“ lamp for its award winning appearance at the Paris Wo
16、rld Exhibition, used tiers of shades, enabling the user to direct light in several different directions without exposing the bulb. The “Artichoke“ worked on the same principle, although it had even more panels and layers of shades. He worked in the familiar format of the table, wall and hanging lamp, concentrating on the role of the shade and pioneering the mult
