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1、中南民族大学硕士学位论文摘要本论文由体验的角度入手，在对体验内涵进行厘定的基础上，结合朱光潜前期著作中的实际，将朱光潜“体验”的特点归纳为三个方面：泛化性、融通性、断裂性，并且以为，正是这些特点，决定了朱光潜前期美学的大致面貌。在研究对象上，以朱光潜前期美学为中心，为了研究的深入，材料运用上并不限于朱光潜前期美学方面的著作，亦即也涉猎到其后期著作和那些相关的非美学作品。全文由五个部分组成。绪论部分，首先综述了近二十年来朱光潜前期美学研究的现状，提炼出本文要解决的主要问题：一是朱光潜美学思想的东西方文化归属问题；二是朱光潜美学思想与中国传统或西方思想家的关系问题；三是朱光潜前期美学思想的体系或系
2、统问题。然后结合朱光潜著作实际，提出由体验角度进行研究的观点。由前人对“体验”概念的研究，可以知道体验具有直接性和超越性的特点，接着，分析了朱光潜前期著作中的生存体验、从艺体验、审美体验，以及在中西文化交汇中所表现出来的中国传统经验、西方审美经验，在对这诸多体验类型分析的基础上，进一步提出朱光潜“体验”的独特特点：泛化性、融通性、断裂性，并且以为，正是这些特点决定了朱光潜前期美学的面貌。第一章主要由体验的泛化性角度，探究体验与朱光潜前期审美超脱观念的形成。超脱观念源于朱光潜生存中的苦闷体验，以及少年时代闭塞的书斋生活，并且这些早年经验作为先在意向结构，决定着以后超脱观念与审美途径的自然结合；不
3、过，直到无言之美，这种以审美体验来超脱现实苦闷的观念才明朗化；朱光潜在残酷现实的触发下，决心断绝个人对现实的感受性，致使超脱达到近乎极至，同时他希望将以审美体验超脱现实的观念，以理论明晰表达出来，他选择了尼采的理论，却没有达到目的。在本章中，诸多生存体验皆指向审美体验，审美体验反过来具有泛化色彩。第二章主要由体验的融通性角度，探究朱光潜在接受西方理论过程中，中国传统经验与西方审美经验的互相作用。首先以朱光潜对直觉说、距离说、移情说等西方理论的接受为例，说明中国传统经验在朱光潜接受西方理论时的基础作用；并且在朱光潜诸多专著中，由于中国传统经验的影响，其理论表述的系统性也有了很多未完成性；最后，由
4、西方话语和东方神韵这两个侧面，探讨了朱光潜体验的融通性给我们的启示。第三章主要由体验的断裂性、泛化性角度，探究了朱光潜前期审美体验理论与生活过程的连续性，以及在走向形而上过程中的断裂。朱光潜曾经直接描述自I体验与朱光潜前期美学己一两次大致类同与审美体验的生存体验，这是个人体验审美化，审美体验泛化 性的典型表现，在系统理论表述中，从艺体验等不但是其审美理论的来源，还是其评判的依据；不过，面对变迁了的社会现实，朱光潜的审美理论渐渐有些脱节，同时由于他一直忽视理论的本体论层面上的探讨，重视审美体验理论形成进程（为何体验怎样体验体验如何）中“怎样体验”的探讨，致使他的审美体验具有断裂性特点，现实隔膜与
5、理论形而上的断裂，使朱光潜从四十年代开始，自觉从现实和传统的角度，努力让自己的审美理论贴近现实，并寻求形而上依据。体验的泛化性使朱光潜前期美学贴近现实，而其体验的断裂性又使传统在朱光潜那里有了新的面貌。结语部分将全文的结论大致归纳。主要有：抓住了朱光潜前期美学中的一个概念体验（审美体验），认为朱光潜前期美学中的“体验”还具有独到的特点，即泛化性、融通性、断裂性的特点，并且以为这些独特性决定了朱光潜前期美学的大致面貌；朱光潜由现实出发提炼出问题，以求理论解决，当理论无法应付变迁了的现实时，及时思考如何对理论进行调整，我们以为这是朱光潜前期美学的大致路径；朱光潜表现出一种“内儒外道”的倾向。关键词
6、：体验；朱光潜；泛化；融通；断裂II中南民族大学硕士学位论文AbstractThe papers from the perspective of experience with the content of experience in determining the basis of preliminary works Zhuguangqian practical, Zhuguangqian“experience“ features summarized in three areas : Generalization nature, degree sexualand rifted sexual
7、, and that is precisely these characteristics that determine Zhuguangqianbroad-aesthetic appearance. In the study, prior to Zhuguangqian aesthetic center to thein-depth study, use is not limited to materials Zhuguangqian-aesthetic aspects of works,which also pursued his late works and those related
8、to non-aesthetic works.By the five components.Prolegomenon part of the first round early last Zhuguangqian aesthetic of the statusof research and refining of the main issues to be addressed here : First, the East-Westideological and cultural aesthetic Zhuguangqian attribution; Second, Zhuguangqianid
9、eological and aesthetic relationship between traditional Chinese and Western thinkers;Third Zhuguangqian-aesthetic thinking system or systems. Then works in conjunctionwith the actual Zhuguangqian proposed by the experience of the research perspective.By the predecessors of the “experience“ of the c
10、oncept of research can have a directexperience of that and beyond sexual characteristics, then analyzed Zhuguangqian earlywritings survival experience, experience in the arts, aesthetic experience, as well as incultural convergence has shown the traditional experience, the Western aestheticexperienc
11、e, many experience in this type of analysis on the basis of furtherZhuguangqian “experience“ unique characteristics : Generalization nature, degreesexual and rifted sexual, and that is precisely these characteristics determineZhuguangqian-aesthetic appearance.I mainly by the generalization of experi
12、ence perspective, experience and explorethe concept of forming Zhuguangqian-aesthetic detachment. Detached from the conceptof the life experience Zhuguangqian survival, and the study of life in juvenile facilitiesera, and these early experiences as a first in the intention structure determinessubseq
13、uent detachment concept and aesthetic of the natural channel integration;However, until the “Silent Beauty“, this aesthetic experience to the concepts before theybecome very detached reality; Zhuguangqian cruel reality in the trigger, determined tosever the susceptibility of individuals to reality,
14、a detachment reached almost went, andhe hoped that would be the concept of aesthetic experience detached reality toIII体验与朱光潜前期美学theoretical clarity of expression, he chose Nietzsches theory, but did not achieve their goals. In this chapter, many are pointing aesthetic experience survival experience,
15、aesthetic experience, in turn, has a generalization color.Chapter II mainly by the degree of sexual experience perspective intoZhuguangqian accept Western theories in the course of traditional Chinese and Westernaesthetic experience interactive experience. First instinct to Zhuguangqian to say, thed
16、istance said, empathy and other Western theories accept that as an example of howtraditional Chinese experience in the West Zhuguangqian accept the basic role of theory;And numerous monographs in Zhuguangqian, because of the impact of traditionalChinese experience, the theory that there has been a lot of systematic unfinished; Finally,Broadcast from the West words and the two sides explored Zhuguangqian experience tothe terms of our inspiration.Chapter III mainly by the rupture of experie
