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1、EnglishStylisticsStylisticfeaturesatthephonologicallevel1387241656508/30/20112021/8/221Whatisstylisticfeatures?lThesituationally-boundfeaturesarestylisticallysignificantfeaturesstylisticfeatures.Justaslanguageismulti-leveled,sostyleismulti-leveled:Stylisticfeaturescanbefoundattwodistinctphonological
2、/graphological,lexicogrammaticallevelsoflanguage.2021/8/222StylisticfeaturesatthePhonologicallevellOnomatopoeia(soundimitation):theuseofthesoundswhichareimitativeoftheirsenses.lSoundPatterning:referringtothematchingofidenticalorsimilarsound(s)betweentwoormorewords.Englishwordsmayconsistofoneormoresy
3、llables.lSoundpatterningisnotonlyasourceofaestheticsatisfaction,butalsoaphonologicalmeansofemphasis.Thedeviceisexploitedinprose,particularlyinnewspaperheadlines,advertisingjingles,etc.aswellasinpoetry.2021/8/223RhymelCVC-weal-woe(Alliteration)lCVC-cut-run(Assonance腹韵腹韵)lCVC-fits-starts(Consonance辅韵辅
4、韵)lCVC-time-tide(ReverseRhyme倒韵倒韵)lCVC-sing-song(Pararhyme头尾韵头尾韵)lCVC-wimp-limp(FullRhyme韵韵)lReverserhyme=repetitionofaninitialsyllaberatherthanthefinalonewhichisnecessarytofullrhyme(asinstar and starling).2021/8/224lSoundisastrongelementintheconstructionofsensation.Rhymesarepartofourchildhoodexperi
5、enceoflanguage,viasongs,nurseryrhymesandthechantsthataccompanyplays.Aswellasfullrhyme,though,thereareothertypesofrhymesthatcanbeusedwherefullrhymesmayseemtooneatandtidyorchildlike.2021/8/225AlliterationlInpoetryandprose,theuse,withinalineorphrase,ofwordsbeginningwiththesamesound,(alsoknownasheadrhym
6、eorinitialrhyme),asinTwo tired toads trotting to Tewkesbury and Tongue Twisters.ItwasacommondeviceinOldEnglishliterature,anditsusesurvivesinmanytraditionalphrases,suchasdeadasadoornailandprettyasapicture.2021/8/226Alliterationinpoeml头韵在古英语的诗歌中独领风骚，如英国史诗头韵在古英语的诗歌中独领风骚，如英国史诗“Beowulf”（贝奥武夫（贝奥武夫)、“King
7、Arthur”(亚瑟王亚瑟王)等。随着诗歌中脚韵和其他韵律的发展，头韵才等。随着诗歌中脚韵和其他韵律的发展，头韵才降到了较为次要的地位。但头韵仍旧作为一种语降到了较为次要的地位。但头韵仍旧作为一种语音修辞格，频频出现在各类语篇，特别是在英语音修辞格，频频出现在各类语篇，特别是在英语广告语篇中，它不仅赋予语言音韵美和节奏美，广告语篇中，它不仅赋予语言音韵美和节奏美，同时还渲染和烘托了语篇气氛和感情，加强了语同时还渲染和烘托了语篇气氛和感情，加强了语篇主题的表现力。篇主题的表现力。 lIs it a trick or a trysting place,Is it a mirage or mirac
8、le,(PhilipLarkin.XXVII)2021/8/227AlliterationinadvertisementlTheRelentlessPursuitofPerfection.(Lexusautomobile)lFlexicarekeepsyouFlexibleandActiveAlways.lSlim，stylish，silver.（扫描仪广告）（扫描仪广告）BigBucksforBiggerAdslUnrivalledquality,Unbeatableprices,Unreservedservice.l优良的品质优良的品质优惠的价格优惠的价格优质的服务（优质的服务（“三优三优
9、”牌牌家具家具）l这则广告的英语译文让我想起了牛津大学为再版的这则广告的英语译文让我想起了牛津大学为再版的牛津英语词典所做的广告词牛津英语词典所做的广告词：“Thereareonlytwowordsforitunbeatableandunbelievable.”lAlliedIrishBank:BritainsbestbusinessbanklGreyhound:Greyhoundgoinggreat.lFila:Functional.Fashionable.Formidable.2021/8/228AlliterationinnewspaperheadlineslTomakeheadline
10、scatchyandrhythmic,journalistshaveborrowedalliterationfrompoetry.Thetwoheadlinesbelow,fromSportingNandtheofficialwebsiteofthe2002Olympics,usealliteration.lCurlingstonestartslidingMondaySwisssensationsoarstowin2021/8/229AlliterationinProverbslTheproofofthepuddingistheeating.欲知布丁味，就得亲口尝。lHewholaughsla
11、st,laughslongest.谁笑到最后，谁笑得最好。lTimeandtidewaitfornoman.lRemorsebegetsreform.lDontmakeamountainoutofamolehill.lGreatbarkersarenobiters.lLookbeforeyouleap.lPracticemakesperfect.lHowcanItellwhatIthinktillIseewhatIsay?(E.MForster)(HowardsEnd),散文2021/8/2210Alliterationinspeechlpeoplealsomakeuseofthepronun
12、ciationfeaturesoflanguagetocreatebeautyofrhythm.Forinstance,theinitialconsonantsoundlikedhasaimplicationofgreatforceorweight.AsChurchillsaidinhisspeech:lI have to declare the decision of His Majestys Governmentand I feel sure it is a decision in which the great Dominions will in due course concurfor
13、 we must speak out now at once, without a days delay.l(Churchill)lInthisexample,thedindeclare,decision,Dominion,day,delay,makesChurchillsspeechpersuasiveandpowerful.2021/8/2211Assonance=vowelrhymelAssonanceisrepetitionofvowelsoundstocreateinternalrhymingwithinphrasesorsentences,andtogetherwithallite
14、rationandconsonanceservesasoneofthebuildingblocksofverse.Assonanceismoreafeatureofversethanprose.lHearthemellowweddingbells.EdgarAllanPoe,TheBellslonaproudroundcloudinawhitehighnight-e.e.cummings,if a cheerrulest Elephantangelchild should sit2021/8/2212AssonanceinproverbslAssonancecanalsobeusedinfor
15、mingproverbs,oftenaformofshortpoetry.lAllroadsleadtoRome.One mad action is not enough to prove a mad Man.lInthisproverb,theassonanceinmad,manreinforcestherhythmoflanguage,catchesreadersorlistenersattention,andimpressesatruthinpeoplesmemorybystrongsound.2021/8/2213CONSONANCEinpoemlHe took no suck whe
16、n shook buds sing togetherBut he is come in cold as workhouse weather(JohnShort.Carol.)Thosewhoknowtheleast,obeythebest.知道内情越多，越不在乎.(GeorgeFarquhar)英国剧作家。主要作品有:戏剧爱情与瓶子（loveandabottle）。招兵官(TheRecruitingOfficer)2021/8/2214PararhymelTermcoinedbyEdmundBlundentodescribeaformofnearrhymewheretheconsonantsi
17、ntwodifferentwordsareexactlythesamebutthevowelsvary.PararhymeisparticularlyafeatureofthepoetryofWilfredOwen.Forexample,inOwensunfinishedpoemStrange Meeting wefindlinesendingwithwordssuchasgroanedandgroinedandhallandHell.Pararhymeismorecommonlyknownasdoubleconsonance.lPicknPack(shopname)lTitfortatisf
18、airplay.人不犯我，我不犯人；人若犯我，我必犯人。2021/8/2215PararhymeforliteratureLettheboytryalongthisbayonet-blade(a)Howcoldthesteelis,andkeenwithhungerofblood;(a)Bluewithallmalice,likeamadmansflash;(b)Andthinlydrawnwithfamishingflesh.(b)l-fromArms and the BoybyWilfredOwenlThepara-rhymehastwoeffects.lItgivesthepoemasl
19、ightlyjarringedge,throwingthereaderslightlyoffbalance-itisunexpected.lAlsointhispoem,itformsstronglinksbetweenthebladeandtheblood,andthemadmansflashdrawnontheflesh.Theconnectionsbetweentheitemsandtheactionsarestrengthenedbythisuseofthelanguage.2021/8/2216FullrhymelPerfectrhyme,alsocalled,fullrhyme,e
20、xactrhyme,andtruerhyme,iswhenthelaterpartofthewordorphraseisidenticalsoundingtoanother.AsthedaysgobyIcannothelpbutsigh2021/8/2217NurseryrhymelEenie,meanie,minie,mocatchatigerbyhistoeifitsquealslethimgoEenie,meanie,minie,mo.2021/8/2218Full-RhymeinadvertisementslNothingLeftbutTheft.(rhymebetweenleftan
21、dtheft)lbeanzmeanzHeinzlGowell,goShell(Shelloil)2021/8/2219Full-rhymeinproverbslAnappleadaykeepsthedoctoraway.lAfallintoapit,againinyourwit.Afriendinneedisafriendindeed.Bettertoaskthewaythangoastray.Birdsofafeatherflocktogether.Nopains,nogains.Ninetypercentofinspirationisperspiration.lOffenseisthebe
22、stdefense.进攻是最好的防御。2021/8/2220RhymeinsloganlAsloganisaformofverballogo.Inaprintad,itusuallyappearsjustbeneathorbesidethebrandnameorlogo.Aslogansumsupwhatonestandfor,onesspecialty,thebenefit,andonesmarketingposition,andonescommitment.Oneofthebesttechniquesforbringinginthebrandnameistomakethesloganrhy
23、mewithit.Anadsloganisbetterifitreflectsthebrandspersonality.Bythiskindofrhyming,thebrandnameishighlighted.Theadsloganisthushighlypurposed.Itcandifferentiateasloganfromothersbythebrandnameandthespecialrhymingwhichistheidentityoftheslogan.lHaigScotch:Dontbevague.AskforHaig.lQuavers:TheflavourofaQuaver
24、isneverknowntowaver.lViakal:ItstheViakalfizzthatdoesthebizz!lJaguar:Grace,space,pace.2021/8/2221FullrhymeinSloganlBetterdeadthanRedananti-Communistslogan.lGodmadeAdamandEve,notAdamandSteve-anti-gaysloganusedbyChristianswhoopposehomosexualityonreligiousgrounds.lDoctorsneedtobepreserved,notreserved.-s
25、loganusedbymedicalstudents,doctors,andlawyersinIndiawhentheyprotestedinNewDelhiagainsttheraisedquotasforlower-castestudentsmedicalcollegesfrom22.5to49.5%2021/8/2222SoundpatterninpoemsFootMeterSonnetHeroiccoupletsBlankverse2021/8/2223Foot（音步）音步是詩行中按一定規律出現的輕音節和重音節的不同組合成的韻律最小單位。liambic-risingbinary.ltr
26、ochaic-fallingbinary.lanapaestic-risingternary.ldactylic-fallingternary.lAndbythenumberoffeetintheline.ldimeter=2trimeter=3tetrameter=4lpentameter=5hexameter=62021/8/22241.抑扬格音步抑扬格音步(iambicfoot,iambus)l一輕讀音節後跟一個重讀音節即構成抑揚格。它是英語本身最基本的節奏單位，也是英詩的最重要、最常用的音步。隨便說一句話，其基本音步就是抑揚格，如Itstimethechildrenwenttobed.
27、這句話有四個抑揚格音步。WelllearnapoembyKeats,有三個抑揚格音步。一些著名英詩體都是抑揚格，如民遙體，十四行詩，雙韻體，哀歌等。2021/8/22252.揚抑格音步揚抑格音步(trochaicfoot,trochee）由一個重讀音節後跟一個輕讀音節構成。lNever,happy,heartless,topsy-turvylWilliamMorristaughthimEnglish.lDouble,double,toilandtrouble,Fireburnsandcauldronbubble.-Shakespeare(1564-1616)不惮劳苦不惮烦，釜中沸沫已成烂。-莎
28、士比亚2021/8/2226l這種音步是十六世紀以後才出現的;後是主要在無六韻體和其他詩體中與抑揚格配合使用，使全詩韻律有所變化，表現動作的突然性，或起強調作用。在句首的揚抑格常使讀者感到突然與駭異，有振聾發聵的效果。如丁尼先生的鷹詩，絕大多數音步是抑揚格，而第2行和第3行的兩個揚抑格短語“Closeto”和“Ringedwith”更顯得十分故出，強調了鷹居高臨下的雄偉姿態。2021/8/2227lTheEagle（AFragment）byTennysonHeclaspsthecragwithcrookedhands;Closetothesuninlonelylands,Ringedwitht
29、heazureworld,hestands.Thewrinkledseabeneathhimcrawls:Hewatchesfromhismountainwalls,Andlikeathunderbolthefalls.2021/8/2228抑抑揚格抑抑揚格(anapaesticfoot,anapaest)，由兩個輕音節後跟一個重音節組成。lWewillgo.lIvebeenworkinginChinaforfortyyears.2021/8/2229lSongfortheLudditeslAstheLibertyladsoertheseaBoughttheirfreedom,andcheap
30、lywithblood,Sowe,boys,weWilldiefighting,orlivegree,AnddownwithallkingsbutKingLudd!Whenthewebthatweweaveiscomplete,Andtheshuttleexchangedforthesword,WewillflingthewindingsheetOerthedespotatourfeet,Anddyeitdeepinthegorehehaspourd.Thoughblackashisheartitshue,Sincehisveinsarecorruptedtomud,Yetthisisthed
31、ewWhichthetreeshallrenewOfLiberty,plantedbyLudd!l-GeorgeGordonByron(1788-1824)2021/8/2230l盧德派之歌盧德派之歌海外的自由的兒郎買到了自由-用鮮血我們，不自由便陣亡!除了我們的盧德王，把一切國王都消滅!等我們把布匹織出，梭子換成了利劍，就要把這塊屍布擲向腳下的獨夫，用他的腥血來染遍!他腥血和心一樣黑，血管腐爛如泥土把血水拿來當露水，澆灌盧德所栽培-我們的自由之樹!l拜倫於1816年僑居意大利期間寫成這篇戰鬥檄文，抒發了詩人對人對自由的嚮往和對工人鬥爭的敬意。從原文上劃分的音步可以看出，這首詩以抑抑揚格為主體
32、。這種音步朗讀時，語調有明顯的起伏。有兩個輕讀音節在先，使後面的重音節自然得到強調，彷彿是一種澎湃起伏哀怨憤怒之聲，與這首詩的主題相輔承。2021/8/2231揚抑抑揚抑抑(dactylicfoot,dactyl)，由一個重音節後跟兩個輕讀音節組成。這種音步令語氣聽來像命令像宣言，多用在格言、警句、諺語中。lYesterday,happily,thoroughly,merrily2021/8/2232ThegatheringOfThePeopleAStormSonglGatheryesilently,EvenasthesnowHeapeththeavalanche:Gatheryeso!Gat
33、heryeso.Inthewideglareofday,Sternlyandtranquilly;Meltnotaway!Flakebyflakegather;BindyethewholeFirmlytogether-Onefromandonesoul!Areyeallgatherd?Weldedinone?Harktothethunder-shout!Nowrollyeon!-WilliamJamesLinton(1812-1899)l暴暴風風雨之歌雨之歌悄悄集悄悄集結結吧，吧，就像那雪花，就像那雪花，積積一一場場雪崩雪崩就就這麼這麼集集結結吧！吧！就就這麼這麼集集結結吧，吧，光天化日下，光
34、天化日下，堅決堅決而沉著，而沉著，可不要融化！可不要融化！一片又一片，一片又一片，整整個團結緊個團結緊，成一成一個個形形體體，有一有一個靈個靈魂！魂！全都已全都已經經集集齊齊？結結成了整成了整體體？且且聽聽雷雷聲聲吼，吼，奮奮勇勇滾滾上去！上去！林頓是憲章派著名詩人，林頓是憲章派著名詩人，18381838年起積極參年起積極參加憲章派活動。例如是他的一首著名政加憲章派活動。例如是他的一首著名政治鼓動詩，譜成了曲在憲章派的集會上治鼓動詩，譜成了曲在憲章派的集會上唱。其中多數詩行的第一音步是揚抑抑唱。其中多數詩行的第一音步是揚抑抑格，像是在發號召，表決心，激發工人格，像是在發號召，表決心，激發工人的
35、鬥志，使人民團結起來。形成雷霆萬的鬥志，使人民團結起來。形成雷霆萬鈞之力。這種音步增強了詩句的說服力鈞之力。這種音步增強了詩句的說服力和感染力。揚抑抑格正適合說理性強的和感染力。揚抑抑格正適合說理性強的詩。詩。2021/8/2233揚揚格揚揚格(Spondaicfoot,spondee)，由連續兩個重音節組而成，表現沉重、緩慢、困難的動作或情緒也用於表現感情的突然變化或強調語氣。此音步也主要與其他音步合用，甚少有以揚揚格為主的詩lThreemen,redcrossMorehaste,lessspeed.2021/8/2234l亞歷山大，蒲伯的批評論中有兩行詩很能說明連續讀音節的表演力WhenA
36、jaxstrivessomerocksvastweighttothrow,Thelinetoolabours,thewordsmoveslow.當埃阿斯奮力舉起千鈞巨石砸去，詩行也變得沉重，充滿緩慢的字句。蒲伯的批評論是新古典主義的韻體文論著作。Ajax是指希臘神話中的埃阿斯(AjaxtheGreat)。他驍勇善戰，身材魁梧，力大無比，是特洛伊戰中的英雄。2021/8/2235l不同的內容要用不同的韻律也要變得費力、遲緩。第一行中的揚揚格“vastweight”表現巨石的沈重。第二行的揚揚格的著例。共八個字，九個音節。有六個皇音讀音節，都是實詞，更能表現句中格調的巍峨。這一行共有兩個揚揚格音步
37、。這樣的詩句只能用加重的語氣緩慢朗讀，想快也快不起來，因只有輕讀音節多時才能讀得快。同一首詩中接下來的兩行就是讀得快的例子，那是描寫古羅馬詩人維吉爾的史詩伊尼特(Aeneid)中的女英雄-“飛毛腿”卡米拉(Camilla)。2021/8/2236l為幫助記憶以上幾個主要音步，一首順口溜Iambicsmarchfromshortlong;Trocheetripsfromlongtoshort.Slowspondeestalks,strongfeet,Evertocomeupwithdactyltrisyllable.2021/8/2237Metermeter(Americanspelling)=
38、metre(Britishspelling).lAlineismetricalwhenitslength(usually,countinginsyllables)iscontrolled,loftenwithsomevariation.lIambicpentameter=10syllablesintheline(giveortakeone).2021/8/2238lInadditiontocontroloverlength,ametrewillusuallyalsocontrolotherlaspectsoftheline,mostcommonlyeithertheplacementoftyp
39、esofsyllable(eg.stressedsyllables)ortheplacementofwordboundaries.lIambicpentameter=syllablescarryingstresstendtobeeven-numbered.lAndametrewillalsosometimesspecifypatternsofrhymeoralliteration.2021/8/2239lBlank verse = iambic pentameter with no rhyme.无韵诗或白体无韵诗或白体诗诗 l莎士比亚惯用的诗的形式是莎士比亚惯用的诗的形式是无韵诗无韵诗 lHe
40、roic couplets = iambic pentameter with every pair of lines rhyming. 英雄史诗式两行诗（每句有五音步十音节英雄史诗式两行诗（每句有五音步十音节,互相押韵）互相押韵） In prosody, Chaucer mostly used the ten-syllable line in rhymed couplets (later developed into the most fashionable “heroic couplet ” of the 18th century). 英雄双韵体英雄双韵体”(Heroic Couplet),
41、是是一种英国古典诗体一种英国古典诗体,由乔叟首创。由十音节演化而来由乔叟首创。由十音节演化而来,每行五个音每行五个音步步,每个音步有两个音节每个音步有两个音节,第一个是轻音第一个是轻音,第二个是重音第二个是重音. lHeroic Couplet is a traditional form for English poetry, commonly used for epic and narrative poetry; it refers to poems constructed from a sequence of rhyming pairs of iambic pentameter lines
42、. The rhyme is always masculine. Use of the heroic couplet was first pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales. Chaucer is also widely credited with first extensive use of iambic pentameter. From the age of John Dryden through that of Samuel Johnson, the hero
43、ic couplet was the predominant English measure for all the poetic kinds; some poets, including Alexander Pope, used it almost to the exclusion of other meters. lFree verse = no control over the number of syllables or stressed syllables in the line2021/8/2240l抑揚格一音步iambicmonometer揚抑格二音步trochaicdimete
44、r抑抑揚格三音音步anapaestictrimeter抑扬格四音步iambictetrameter抑扬格五音步iambicpentameter抑扬格六音步iambichexameterl上一節的第一首例詩鷹的基本是抑揚格四音步第二首例詩路德派之歌的基本節奏是抑抑揚格三音步第三首例詩人民的集結是揚抑抑格二音步。2021/8/2241l正如音中的2/4，3/4，6/8等節拍適於表現不同的情感和內容，英詩中的不同韻律也有各自的主要用途，如一音步、二音步、三音步的各種韻律多表現幽默諷刺的內容四音步、五音步用於各種抒情詩、敘事詩。五音步的應用範圍最廣，很多固定詩體都是五音步，如無韻體、英雄雙韻體、十四行
45、體、哀歌等都是抑揚格五步音。六音步最著名的用例是作為斯賓塞詩體(SpenserianStanza)的最後一行。這詩體是以ababbcbc為韻式的九行詩體，上八行都是五音步，也多為抑揚格(iambicpentameter)，只有最後一行為六音步。這最後一行又稱為亞歷山大詩行(Alexandrine)。七音步(heptameter)、八音步(octameter)或更多的音步，在英詩中就罕見了。具體分析一首詩的韻律時，要首先找出佔主導地位的音步。然後統計在大多數詩行中都有多少個這樣的音步。遵循一種總的韻律，然後根據內容和感情的需要不時有所變化，是英詩的主要特徵。美國華盛頓大學教授查爾斯，弗雷博士(D
46、r.CharlesFrey)在南開大學任教期間曾對筆者lhhnudt說“Agoodpoetworksagainsttheestablishedmeter.”(優秀詩人總是想辦法突破固定的韻律。)此言可謂精辟深刻。2021/8/2242SonnetlTherearetwomaintypesofsonnetformsintheEnglishliterature:oneisthePetrarchan,whichconsistsofanoctaverhymingabba abbafollowedbyasestetwhichcombinestwoorthreedifferentrhymes;theoth
47、eristheShakespearean,organizedintothreequatrainsandonecoupletthatfollowthepatternabab cdcd efef gg.WhileItalianisalanguagerichinperfectrhymes,EnglishpoetsfinditdifficulttomeettherequirementsofthePetrarchanrhymesystem.ThereforetheShakespeareanform,alsoknownastheEnglishsonnet,isthemorefrequentlyusedof
48、thetwo.2021/8/2243lShakespeare:sonnetIVlNotmarble,northegildedmonumentsOfprincesshalloutlivethispowerfulrhyme;ButyoushallshinemorebrightinthesecontentsThanunsweptstonebesmearedwithsluttishtime.Whenwastefulwarshallstatuesoverturn,Andbroilsrootouttheworkofmasonry,NorMarshisswordnorwarsquickfireshallbu
49、rnThelivingrecordofyourmemory.GainstdeathandallobliviousenmityShallyoupaceforth:yourpraiseshallstillfindroomEvenintheeyesofallposterityThatwearthisworldouttotheendingdoom.So,tillthejudgmentthatyourselfarise,Youliveinthis,anddwellinloverseyes.lThemetricalformcorrespondsperfectlytowhatwehavealreadymen
50、tionedbythenameofShakespeareanorEnglishsonnet:fourteeniambicpentametersorganizedintothreequatrainsandonecouplet,withtherhymeschemeabab cdcd efef gg.2021/8/2244lA19-linepoemoffixedformconsistingoffivetercetsandafinalquatrainontworhymes,withthefirstandthirdlinesofthefirsttercetrepeatedalternatelyasarefrainclosingthesucceedingstanzasandjoinedasthefinalcoupletofthequatrain.田园诗一种有固定格式的19行诗；由五个三行押韵的诗节和一个四行诗节组成，其四行诗节有二个韵，在第一个三行押韵诗节中，第一行和第三行作为结束后继诗节的重复句间隔地重复出现，并作为四行诗的结尾对句一起再现。lQuatrainisastanzaoffourlines.2021/8/2245
