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1、京剧的英文介绍解读京剧的英文介绍解读Origin起源vAlthough it is called Peking Opera, the origins of Peking Opera are not in Beijing but in the provinces of Anhui (East China) and Hubei (South-central China). Its rise is due in great part to the favorable eyes and patronage of the imperial royalties.虽然它被称为京剧,京剧的起源不在北京,但在中
2、国东部省份安徽(中国)和湖北省中南部的)。它在很大程度上是由于上升的有利的眼睛和惠顾帝王的版税。vPeking Opera is a purely Chinese opera form dating back to the year 1790, when the famous Four Anhui Opera Troupes first came to Beijing in celebration of the 80th birthday of Emperor Qianlong (1711-1799) of the Qing Dynasty (1644-1911). The tour was
3、a hit and the troupes stayed. In 1828, some famous Hubei Opera Troupe players came to Beijing.京剧是一种纯粹的戏曲形式,可追溯到1790年,当那位有名一年四个安徽歌剧团体第一次来北京的80岁生日庆祝乾隆皇帝1711-1799)的清朝(1644 - 1911)。这次旅行是一击和剧团留了下来。在1828年湖北剧团,一些著名的球员来到北京。vTheartistsofHubeiandAnhuitroupesoftenjointlyperformedonthestageandabsorbedrepertoire
4、s,music,ariasandperformingtechniquesofeachotherandfromotheroperaslikeKunQu,QinQiangandBangZi,aswellasthelocaldialectandcustomsofBeijing.Itsrepertoiresmainlydepictfairytalesofprecedingdynastiesandimportanthistoricalevents.湖北、安徽的艺术家们经常联合进行剧团在舞台上和吸收技能、音乐、咏叹调和演唱方法和其他的歌剧彼此喜欢姜昆曲、秦羌砰的一声字,以及当地方言的习俗和北京。主要描述其
5、技能的童话故事以前朝和重要的历史事件。vItwasafter1840thatPekingOperaformallytookshape,growingevenfasterduringthereignoftheEmpressDowagerCixi(1835-1908),whowasanoperaaficionado.ClassicPekingOperarepertoiresandthenamesofthefirst-generationmasterswereonthelipsofthepeopleinBeijing,andeventuallyprevalentaroundthecountry.这是
6、1840年后,京剧正式初具规模,增长甚至其统治期间(1835-1908慈禧太后),谁是一个歌剧的舞迷。经典京剧的名字和技能是第一代大师在唇上的人在北京,并最终在全国流行。生Sheng: main male role主要男性角色旦Dan: young and beautiful female年轻、漂亮的女净vJing: painted faced male画面临男性丑vChou: clown, male or female小丑小丑,男性或女性男性或女性The status of Beijing Opera京剧的地位vDuring the second half of the 20th centu
7、ry, Beijing opera witnessed a steady decline in audience numbers.在上世纪下半叶的,京剧观众目睹了在持续下降的数量。vThis has been attributed both to a decrease in performance quality and an inability of the traditional opera form to capture modern life.这是由于既降低了性能质量和无能的戏曲形式来捕捉现代生活。vThe influence of Western culture has also l
8、eft the younger generations impatient with the slow pacing of Beijing opera.西方文化的影响也离开了年轻一代的同意太慢了京剧来回踱步。vIn response, Beijing opera began to see reform starting in the 1990s.作为回应,京剧开始看到改革开始于九十年代。vSuch reforms have taken the form of creating a school of performance theory to increase performance qual
9、ity, utilizing modern elements to attract new audiences, and performing new plays outside of the traditional canon.这些改革已采取的形式表现的理论创新学校增加演出质量,利用现代元素来吸引新观众,以及执行新的剧本以外的传统佳能相机。The development发展vIn addition to more formal reform measures, Beijing opera troupes also adopted more unofficial changes. Some o
10、f those seen in traditional works have been called technique for techniques sake.除了更正式的改革措施,京剧剧团也采用了更多的非官方的变化。所见的一些传统的工作一直被称为“技术为技术的缘故。”vTo survive in an increasingly open market, troupes like the Shanghai Jingju Company needed to bring traditional Beijing opera to new audiences.生存在一个不断开放的市场,剧团喜欢上海Jingju公司需要将传统京剧新观众。vTodothis,theyhaveofferedanincreasingnumberoffreeperformancesinpublicplaces.为了做到这一点,他们已经提供了越来越多的免费表演在公共场合中。谢谢观看作者音乐谢谢观看作者音乐学二班岳彬彬学二班岳彬彬加油哦！结束语结束语谢谢大家聆听！谢谢大家聆听！13
