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1、单击此处编辑主标题单击此处编辑主标题单击此处编辑副标题单击此处编辑副标题单击此处编辑标题单击此处编辑标题正文部分样例A正文部分样例B正文部分样例C正文部分样例D正文部分样例I正文部分样例II正文部分样例III单击此处编辑标题单击此处编辑标题正文部分样例A正文部分样例B正文部分样例C正文部分样例D正文部分样例I正文部分样例II正文部分样例III正文标题正文标题第一级第二级 第三级第四级第五级正文标题正文标题第一级第二级 第三级第四级第五级样例文本样例文本AGemmi Cong 精美PPT模板尽在如下豆单欢迎大家欣赏和下载样例文本样例文本AGemmi Cong 精美PPT模板尽在如下豆单欢迎大家欣
2、赏和下载样例文本样例文本BOld School flows were relatively basic and used only few syllables per bar, simple rhythmic patterns, and basic rhyming techniques and rhyme schemes.3136 Melle Mel is cited as an Old School MC who epitomizes the Old School flow Kool Moe Dee says, “from 1970 to 1978 we rhymed one way the
3、n Melle Mel, in 1978, gave us the new cadence we would use from 1978 to 198637. hes the first emcee to explode in a new rhyme cadence, and change the way every emcee rhymed forever. Rakim, Biggie, and Eminem have flipped the flow, but Melle Mels downbeat on the two, four, kick to snare cadence is st
4、ill the rhyme foundation all emcees are building on.38Artists and critics often credit Rakim with creating the overall shift from the more simplistic Old School flows to more complex flows near the beginning of Hip Hops new school39 Kool Moe Dee says, “any emcee that came after 1986 had to study Rak
5、im just to know what to be able to do40. Rakim, in 1986, gave us flow and that was the rhyme style from 1986 to 199437. from that point on, anybody emceeing was forced to focus on their flow”.41 Kool Moe Dee explains that before Rakim, the term flow wasnt widely used “Rakim is basically the inventor
6、 of flow. We were not even using the word flow until Rakim came along. It was called rhyming, it was called cadence, but it wasnt called flow. Rakim created flow!”42 He adds that while Rakim upgraded and popularized the focus on flow, “he didnt invent the word”.40样例文本样例文本BOld School flows were relat
7、ively basic and used only few syllables per bar, simple rhythmic patterns, and basic rhyming techniques and rhyme schemes.3136 Melle Mel is cited as an Old School MC who epitomizes the Old School flow Kool Moe Dee says, “from 1970 to 1978 we rhymed one way then Melle Mel, in 1978, gave us the new ca
8、dence we would use from 1978 to 198637. hes the first emcee to explode in a new rhyme cadence, and change the way every emcee rhymed forever. Rakim, Biggie, and Eminem have flipped the flow, but Melle Mels downbeat on the two, four, kick to snare cadence is still the rhyme foundation all emcees are
9、building on.38Artists and critics often credit Rakim with creating the overall shift from the more simplistic Old School flows to more complex flows near the beginning of Hip Hops new school39 Kool Moe Dee says, “any emcee that came after 1986 had to study Rakim just to know what to be able to do40.
10、 Rakim, in 1986, gave us flow and that was the rhyme style from 1986 to 199437. from that point on, anybody emceeing was forced to focus on their flow”.41 Kool Moe Dee explains that before Rakim, the term flow wasnt widely used “Rakim is basically the inventor of flow. We were not even using the wor
11、d flow until Rakim came along. It was called rhyming, it was called cadence, but it wasnt called flow. Rakim created flow!”42 He adds that while Rakim upgraded and popularized the focus on flow, “he didnt invent the word”.40样例文本样例文本CIP模块内部,成员资格管理操作通过IGMP支持，这在附录I.中规定。也使报文与每一上面规定的操作相对应，IGMP还规定一个 deadm
12、an timer 程序借此主机定期用多播代理确认它们的组员资格。IP模块必须维护一个数据结构,该数据结构列出主机当前所属的所有主机组的IP地址、以及每个组的回送策略、存取关键字和时间变量。 这个数据结构被用于IP多址通信传输服务，了解哪些输出数据报给回送,通过接收服务了解哪些入局数据报去接受。IGMP和管理接口操作的用途是维护这个数据结构。样例文本样例文本CIP模块内部,成员资格管理操作通过IGMP支持，这在附录I.中规定。也使报文与每一上面规定的操作相对应，IGMP还规定一个 deadman timer 程序借此主机定期用多播代理确认它们的组员资格。IP模块必须维护一个数据结构,该数据结构列
13、出主机当前所属的所有主机组的IP地址、以及每个组的回送策略、存取关键字和时间变量。 这个数据结构被用于IP多址通信传输服务，了解哪些输出数据报给回送,通过接收服务了解哪些入局数据报去接受。IGMP和管理接口操作的用途是维护这个数据结构。内内 容容 概概 览览标题标题1标题标题2标题标题3标题标题4标题标题5内内 容容 概概 览览标题标题1标题标题2标题标题3标题标题4标题标题5内内 容容 概概 览览第一节第一节第二节第二节第三节第三节第四节第四节第五节第五节内容内容内容内容公公 司司 发发 展展2003.10 OOO2003.10 OOO2003.10 OOO2000200120022003公
14、司发展公司发展公司发展公司发展2001.10 YYY2001.10 YYY2001.10 YYY2002.10 ZZZ2002.10 ZZZ2002.10 ZZZ2000.01 XXX2000.01 XXX2000.01 XXX交交 互互 图图AFBCED中间状状 态态 图图内容内容 C内容内容 B内容内容 A状状 态态 图图内容内容 C内容内容 B内容内容 A关关 系系 图图A结点结点D结点结点C结点结点B结点结点ABCD关系关系关关 系系 图图A结点结点D结点结点C结点结点B结点结点ABCD关系关系概概 念念 图图概念概念概念概念A A概念概念概念概念D D概念概念概念概念B B概念概念概念概念C C概概 念念 图图概念概念概念概念A A概念概念概念概念D D概念概念概念概念B B概念概念概念概念C C影影 响响 分分 析析 图图 文字内容文字内容影响影响3影响影响2影响影响1图图 表表DDDFFFEEEBBBCCCAAA中间中间标标 题题图图 表表cccAAA标题标题bbbaaaBBBCCC项项 目目 图图因素因素B因素因素D因素因素A因素因素C项项 目目 图图因素因素B因素因素D因素因素A因素因素C项项 目目 图图BACD项项 目目 图图BACD总总 结结 1 2 3 4 5标题标题
