新疆师范大学硕士学位论文莫高窟壁画中的花鸟画研究姓名:战媛媛申请学位级别:硕士专业:美术学指导教师:周静2010-04-19 中文摘要 通过对莫高窟壁画的考察研究,敦煌莫高窟包容了佛教精神的大量题材的壁画,形成了多元化的内容和形式,针对其中部分花鸟画壁画进行调查,莫高窟壁画中的花鸟画体现了中国传统艺术的成就之一本文主要对莫高窟壁画中的花鸟画进行研究,探究其对当代花鸟画的启示通过对莫高窟壁画中的花鸟画在影响因素、构图、造型、色彩等手法上全面系统的研究分析,探讨莫高窟壁画中的花鸟画艺术取得的一定成就及其对当代花鸟画的发展创新带来的各种影响使我们加深认识莫高窟壁画中的花鸟画艺术语言形式,使我们从壁画的传统角度来认知花鸟画艺术,构建对花鸟画深入了解的知识结构,建立传统与当代的桥梁,拉近传统花鸟画艺术与当代花鸟画艺术的距离,寻找两者之间的密切关系,寻找对我们今后的创作与创新会产生如何的启示作用本文主要分五个部分来论述莫高窟壁画中的花鸟画研究第一部分论述莫高窟壁画中花鸟画形成的社会因素,说明莫高窟壁画中的花鸟画的艺术对象是佛家抽象与世俗现实的结合从佛家、儒家、道家三部分思想诠释花鸟画的精神内涵,受当时的封建制度、画家的主观思想及风格流派影响下的花鸟画发展的客观条件。
第二部分主要论述莫高窟壁画中花鸟画的构图通过不同时代的窟形和不同题材的壁画,列举具有代表性的花鸟画,更加直观地阐述其中的构图形式和艺术美感共分为五节表述,第一节线带形横幅;第二节长条竖幅;第三节屏风的形式;第四节中央说法图题材中的花鸟画构图形式;第五节经变题材中花鸟画的构图形式 第三部分主要论述莫高窟壁画中花鸟画的造型通过对不同时代莫高窟壁画中植物与动物的造型进行分类分析,列举具体石窟的壁画中的植物与动物的造型,来说明不同时代的造型特点及传达的情感寓意 第四部分主要论述了莫高窟壁画中花鸟画的色彩从地色与颜料的运用表现说明莫高窟壁画中花鸟画的基本技法,从赋彩的特点、叠染和渲染的表现、设色的立体感、色调的变化四部分来诠释色彩作为绘画中的特定符号具有的某种象征性的含意,引起人们的联想,从而激发特定的情绪 第五部分主要论述了莫高窟壁画中花鸟画的启示使我们能够深入认识莫高窟壁画中的花鸟画这一传统绘画元素,通过确认当代画家在莫高窟艺术影响下形成的某种绘画形式,来构建我们在当代花鸟画创作中的特色技法表现与情感表达的空间,培养主观的本质情感,提高自我的艺术审美和创作水平关键词:莫高窟 壁画 花鸟画 因素 构图 造型 色彩 启示IAbstract With research of Mogaoku Fresco, Dunhuang mogaoku contained lots of fresco With Buddhist inspirit subject mattertheme, and forming multiplicities of content andform. Flower and bird painting of mogaoku fresco was one of tradition art achievement in china.,via aiming at surey of member flower and bird painting in mogaoku fresco. The text mostly investigated flower and bird painting of mogaoku fresco. Exploring it va inspire of contemporary era flower and bird painting.With research of flower and bird painting of Mogaoku. fresco,such as context influence, composition of a picture,sculptment, and tinct etc.Discussing flower and bird painting of mogaoku fresco that had acquired achievements in order to know how to innovate the contemporary era flower and bird painting. Therefore, increasing cognition about linguistic form of flower and bird painting in mogaoku fresco, and we were able to cognize art of flower and bird painting from traditional point of view, building up knowledge structure about deeply know flower and bird painting., establishing bridge of tradition and contemporary, shortening interval of traditional art and contemporary art, so in search of both consanguineous relations is important to indite and innovate for us aftertimeThe text was mostly discussing research of mogaoku flower ang bird painting from five parts. The first section mostly dissertated that flower and bird painting come into being social factors in mogaoku fesco, showing that art object of flower and bird painting was that Buddhism abstract integrated with common customs nonceFrom Buddhism, Confucian and Taoism three parts to annotate inspirit connotation of flower and bird painting, and flower and bird painting has also been influenced with objective feudality, artist subjective thinking and style genreThe second section was mostly dissertating composition of a picture of flower and bird painting in mogaoku fresco. Representative of flower and bird painting was particularied, with research of different era form and different subject matter fresco in order to intuitionistic expound composition of a picture form and art aesthetic feeling. Via five section to show; the first section was line or strip streamer, the second section was strip erect streamer, the third section was folding screen form, the fourth section was flower and bird painting form in subject matter of center parlance picture, the fifth section fifths wascomposition of apicture form of flower and bird painting form in lection change subject matterThe third section was mostly dissertating sculpt of flower and bird painting in mogaoku fresco.with sorting analysis of plant sculpt or animal sculpt, particularizedIIIplant sculpt or animal sculpt in mogaoku fresco so as to show asynchronous sculpt trait or convey sensibility moralThe fourth section was mostly dissertating tinct of flower and bird painting in mogaoku frescoFrom terra color and representation of paint managing to explain basic method, four parts that trait of endowing with color, representation of folding dye and romance, third dimension of seting up color, and hue changing were used for annotation that color was regarded as special symbol of having some symbolistic signification, arosing peoples’thinking, accordingly inspiring special feelingThe fifth section was mostly dissertating revelation of flower and bird painting in mogaoku fresco, making us deeply know traditional painting factors of flower and bird painting in mogaoku fresco. Via acknowledgement of present painter who had formed theirself style had been influenced by mogaoku art so that we building up our room of technic manner representation and sensation expression in the course of indite, and bring up subjective and essential feeling, advancing self art taste and indite level Keywords: Mogaoku; Fresco; flower and bird painting; factor; composition of a picture; scu。