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1、The Little PrinceTO LEON WERTHI ask the indulgence of the children who may read this book for dedicating it to a grown-up. I have a serious reason: he is the best friend I have in the world. I have another reason: this grown-up understands everything, even books about children. I have a third reason
2、: he lives in France where he is hungry and cold. He needs cheering up. If all these reasons are not enough, I will dedicate the book to the child from whom this grown-up grew. All grown-ups were once children-although few of them remember it. And so I correct my dedication: TO LEON WERTHWHEN HE WAS
3、 A LITTLE BOYA. DE S.-E., 1944 (117 words)Chapter 1Once when I was six years old I saw a magnificent picture in a book called True Stories from Nature, about the primeval forest. It was a picture of a boa constrictor in the act of swallowing an animal. Here is a copy of the drawing.In the book it sa
4、id: “Boa constrictors swallow their prey whole, without chewing it. After that they are not able to move, and they sleep through the six months that they need for digestion.”I pondered deeply, then, over the adventures of the jungle. And after some work with a colored pencil I succeeded in making my
5、 first drawing. My Drawing Number One. It looked like this:I showed my masterpiece to the grown-ups, and asked them whether the drawing frightened them. But they answered: “Frighten? Why should anyone be frightened by a hat?”My drawing was not a picture of a hat. It was a picture of a boa constricto
6、r digesting an elephant. But since the grown-ups were not able to understand it, I made another drawing: I drew the inside of the boa constrictor, so that the grown-ups could see it clearly. They always need to have things explained. My Drawing Number Two looked like this:The grown-ups response, thi
7、s time, was to advise me to lay aside my drawings of boa constrictors, whether from the inside or the outside, and devote myself instead to geography, history, arithmetic and grammar. That is why, at the age of six, I gave up what might have been a magnificent career as a painter. I had been dishear
8、tened by the failure of my Drawing Number One and my Drawing Number Two. Grown-ups never understand anything by themselves, and it is tiresome for children to be always and forever explaining things to them. So then I chose another profession, and learned to pilot airplanes. I have flown a little ov
9、er all parts of the world; and it is true that geography has been very useful to me. At a glance I can distinguish China from Arizona. If one gets lost in the night, such knowledge is valuable. In the course of this life I have had a great many encounters with a great many people who have been conce
10、rned with matters of consequence. I have lived a great deal among grown-ups. I have seen them intimately, close at hand. And that hasnt much improved my opinion of them. Whenever I met one of them who seemed to me at all clear-sighted, I tried the experiment of showing him my Drawing Number One, whi
11、ch I have always kept. I would try to find out, so, if this was a person of true understanding. But, whoever it was, he, or she, would always say: That is a hat. Then I would never talk to that person about boa constrictors, or primeval forests, or stars. I would bring myself down to his level. I wo
12、uld talk to him about bridge, and golf, and politics, and neckties. And the grown-up would be greatly pleased to have met such a sensible man. (511 words)Chapter 2So I lived my life alone, without anyone that I could really talk to, until I had an accident with my plane in the Desert of Sahara, six
13、years ago. Something was broken in my engine. And as I had with me neither a mechanic nor any passengers, I set myself to attempt the difficult repairs all alone. It was a question of life or death for me: I had scarcely enough drinking water to last a week. The first night, then, I went to sleep on
14、 the sand, a thousand miles from any human habitation. I was more isolated than a shipwrecked sailor on a raft in the middle of the ocean. Thus you can imagine my amazement, at sunrise, when I was awakened by an odd little voice. It said: If you please-draw me a sheep! What! Draw me a sheep!I jumped
15、 to my feet, completely thunderstruck. I blinked my eyes hard. I looked carefully all around me. And I saw a most extraordinary small person, who stood there examining me with great seriousness. Here you may see the best portrait that, later, I was able to make of him. But my drawing is certainly ve
16、ry much less charming than its model. That, however, is not my fault. The grown-ups discouraged me in my painters career when I was six years old, and I never learned to draw anything, except boas from the outside and boas from the inside.Now I stared at this sudden apparition with my eyes fairly starting out of my head in astonishment. Remember, I had crashed in the desert a thousand m
