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1、高级英语课文逐句翻译（1）LessonLesson OneOne RockRock SuperstarsSuperstars 关于我们和我们的社会，他们告诉了我们些什么？关于我们和我们的社会，他们告诉了我们些什么？What Do They Tell Us About Ourselves and Our Society？摇滚乐是青少年叛逆的音乐。摇滚乐评论家约相？罗克韦尔Rock is the music of teenage rebellion. John Rockwell， rock music critic知其崇拜何人便可知其人。小说家罗伯特？佩恩？沃伦By a mans heroes y
2、e shall know him. Robert Penn Warren， novelist1972 年 6 月的一天，芝加哥圆形剧场挤满了大汗淋漓、疯狂摇摆的人们。It was mid-June， 1972， the Chicago Amphitheater was packed， sweltering， rocking.滚石摇滚乐队的迈克？贾格尔正在台上演唱“午夜漫步人”。Mick Jagger of the Rolling Stones was singing “Midnight Rambler.”演唱结束时评论家唐？赫克曼在现场。Critic Don Heckman was there
3、 when the song ended.他描述道：“贾格尔抓起一个半加仑的水罐沿舞台前沿边跑边把里面的水 洒向前几排汗流浃背的听众。听众们蜂拥般跟随着他跑，急切地希望能沾上几 滴洗礼的圣水。“Jagger，” he said， “grabs a half-gallon jug of water and runs along the front platform， sprinkling its contents over the first few rows of sweltering listeners. They surge to follow him， eager to be touch
4、ed by a few baptismal drops”。1973 年 12 月下旬的一天，约 1.4 万名歌迷在华盛顿市外的首都中心剧场 尖叫着，乱哄哄地拥向台前。It was late December， 1973， Some 14，000 screaming fans were crunching up to the front of the stage at Capital Center， outside Washington， D.C.美国的恐怖歌星艾利丝？库珀的表演正接近尾声。Alice Cooper， Americas singing ghoul， was ending his
5、act.他表演的最后一幕是假装在断头台上结束自己的生命。He ends it by pretending to end his life with a guillotine.他的“头”落入一个草篮中。His “head” drops into a straw basket.“哎呀！”一个黑衣女孩子惊呼道：“啊！真是了不起，不是吗？”。“Ooh，” gasped a girl dressed in black. “Oh， isnt that marvelous？”当时，14 岁的迈克珀力也在场，但他的父母不在那里。Fourteen-year-old Mick Perlie was there t
6、oo， but his parents werent.“他们觉得他恶心，恶心，恶心，”迈克说，“他们对我说，你怎么受得 了那些？”“They think hes sick， sick， sick，” Mike said. “They say to me， How can you stand that stuff？”1974 年 1 月下旬的一天，在纽约州尤宁谷城拿骚体育场内，鲍勃？狄伦和 “乐队”乐队正在为音乐会上要用的乐器调音。It was late January， 1974. Inside the Nassau Coliseum in Uniondale， New York， Bob D
7、ylan and The Band were tuning for a concert.馆外，摇滚歌迷克利斯？辛格在大雨中等待着入场。Outside， in the pouring rain， fan Chris Singer was waiting to get in.“这是朝圣，”克利斯说，“我应该跪着爬进去。”“ This is pilgrimage，” Chris said， “I ought to be crawling on my knees.”对于这一切好评及个人崇拜，你怎么看？How do you feel about all this adulation and hero w
8、orship？当米克？贾格尔的崇拜者们把他视为上帝的最高代表或是一个神时，你是 赞成还是反对？When Mick Jaggers fans look at him as a high priest or a god， are you with them or against them？你也和克利斯？辛格一样对鲍勃？狄伦怀有几乎是宗教般的崇敬吗？Do you share Chris Singers almost religious reverence for Bob Dylan？你认为他或狄伦是步入歧途吗？Do you think he or Dylan is misguided？你也认为艾利丝
9、？库珀令人恶心而拒不接受吗？Do you reject Alice Cooper as sick？难道你会莫名其妙地被这个奇怪的小丑吸引，原因就在于他表达出你最狂 热的幻想？Or are you drawn somehow to this strange clown， perhaps because he acts out your wildest fantasies？这些并不是闲谈。These arent idle questions.有些社会学家认为对这些问题的回答可以充分说明你在想些什么以及社会 在想些什么也就是说，有关你和社会的态度。Some sociologists say that
10、 your answers to them could explain a lot about what you are thinking and about what your society is thinking in other words， about where you and your society are.社会学家欧文？霍洛威茨说：“音乐表现其时代。”“Music expressed its times，” says sociologist Irving Horowitz.霍洛威茨把摇滚乐的舞台视为某种辩论的论坛，一个各种思想交锋的场所。Horowitz sees the r
11、ock music arena as a sort of debating forum， a place where ideas clash and crash.他把它看作是一个美国社会努力为自己的感情及信仰不断重新进行解释的 地方。He sees it as a place where American society struggles to define and redefine its feelings and beliefs.他说：“重新解释是一项只有青年人才能执行的任务。只有他们才把创造 与夸张、理性与运动、言语与声音、音乐与政治融为一体。”“The redefinition，”
12、Horowitz says， “is a task uniquely performed by the young. It is they alone who combine invention and exaggeration， reason and motion， word and sound， music and politics.”作曲兼演唱家托德？伦德格伦对这个观点表示赞同。Todd Rundgren， the composer and singer， agrees.他说：“摇滚乐与其说是一种音乐力量不如说是一种社会心理的表现。就 连埃尔维斯？普雷斯利也并非是一种伟大的音乐力量，他只
13、不过是体现了 50 年 代青少年那种心灰意冷的精神状态。”“Rock music，” he says， “is really a sociological expression rather than a musical force. Even Elvis Presley wasnt really a great musical force. Its just that Elvis managed to embody the frustrated teenage spirit of the 1950s.”毫无疑问，普雷斯利震惊了美国的成人世界。Of course Presley horrifi
14、ed adult America.报纸写社论攻击他，电视网也禁止播他，但也许埃尔维斯证实了霍洛威茨 和伦德格伦的看法。Newspapers editorialized against him， and TV networks banned him. But Elvis may have proved what Horowitz and Rundgren believe.当他通过电视上埃德？沙利文的星期日晚间的综艺节目出现在千百万人面 前时，就引起了某种辩论。When he appeared on the Ed.Sullivan Sunday night variety show in fron
15、t of millions， a kind of “debate” took place.多数年纪大的观众眉头紧皱，而大多数年轻观众则报以掌声欢迎。Most of the older viewers frowned， while most of the younger viewers applauded.摇滚乐评论家们说，从埃尔维斯到艾利丝，许多歌星帮助我们的社会解说 其信仰与态度。Between Elvis and Alice， rock critics say， a number of rock stars have helped our society define its belief
16、s and attitudes.鲍勃？狄伦触动了对现状不满的神经，他唱到民权、核散落物以及孤独。Bob Dylan touched a nerve of disaffection. He spoke of civil rights， nuclear fallout， and loneliness.他唱到变革和老一代人的迷茫，他在歌声中唱道：“这儿正发生着什么事， 你不知道是什么事，对吗，琼斯先生？”He spoke of change and of the bewilderment of an older generation. “Somethings happening here，” he sang. “You dont know what it is， do you， Mr.Jones？”其他人也加入了这场辩论。Others entered the debate.霍洛威茨说，甲壳虫乐队以幽默的方式，或许还借助麻醉品的力量来倡导 和平与虔诚。傲
