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1、 装饰艺术论文：优雅的形式当装饰风格邂逅形式审美【中文摘要】装饰艺术较之其他艺术门类,是人类历史最早产生和普遍运用的艺术形式,它根源于人类审美追求的初衷,对于其他艺术门类的生成和发展具有极其重要的价值和意义。在人类历史发展的进程中,装饰艺术扮演了重要角色,持续影响着人们对于艺术的渐深理解和认知程度的不断加深。而正是在这个逐渐深入理解的过程之中,装饰艺术的功能和作用才得以彰显。当下,装饰理念已然深入人心,作为一种装点生活的手段日益影响着我们观看世界的方式和理解艺术的态度,并且愈加显示出装饰艺术所特有的魅力与价值。论文从对人类特有的与生俱来的对于装饰动机的阐释出发,追溯了装饰艺术活动的历史渊源及其
2、发展进程,以及先天存在于生物体内的秩序感与装饰动机的微妙关系,并且阐述了人们关于“美”的不同理解与感受。形式与内容是关于秩序感的两个重要因素。西方艺术史始终游离和行进于“内容”与“形式”之间的暖昧。对“形式”与“内容”的不同观念,导致了不同的学说理论与研究方法。一种说法认为在艺术作品中,形式不能与内容分离,色彩、线条、光影、体积与平面的分布在视觉上的赏心悦目,必须被理解为承载着多种含义；而另外一种说法则认为艺术的本质并非存在于对自然的忠实复制,而是彰显于形式、色彩、韵律和其他一些抽象特质之中。论文从形式主义美学的角度出发,阐述了其发展进程和代表人物的主要观点,力图以形式主义美学的视角来阐释人们
3、对于形式与内容相互作用和微妙关系的 不同认知。并且讨论了和形式与内容这对概念相关联的一些范畴与观念,对它们进行了初步概括和甄别。论文以“肥与瘦”这对立的两种形式为个案,具体分析了人们在具体表达情境中对于肥与瘦这两种对立形式的态度随不同时代而变化的相应审美情趣,以及审美体验上的差异。最后论文以肌理的形式美感和装饰作用为出发点进一步探讨了形式审美作用于装饰风格的不同表达方式以及在艺术创作与情感抒发中的现实意义。【英文摘要】Compared to other adornment art forms, decoration art is the earliest human history produ
4、ced and widely applied art form, it is rooted in human pursuit of aesthetic activities for the purpose of other art categories, generating and development has important value and significance. In the process of human history, decorative art plays an important role, continuous affects people for art
5、deep understanding and asymptotic the deepening of cognition. And gradually it is in this in the process of understanding, the functions of the decoration art more highlight. Then, adornment concept already thorough popular feeling, as a deck lives is influencing the way we view and understanding ar
6、t attitude. And increasingly shows adornment art charm and value.Papers to people from the inherent characteristic of the motivation for decoration, based on the explanation of the article traces the history of the decorated activities. And innate in living organisms sense of order and decorative mo
7、tivation the delicate relationship. Form and content is about order feeling two important factors. Western art history always free and going in the “content” and “form” between ambiguous. To “form” and “content” a different concept, lead to different theories and research methods. A saying in art wo
8、rks with content, form cannot separate, colour, line, light, volume and plane distribution in visual pleasing to the eye, must be understood for carrying more than one meaning. And another said that laws are not the essence of art of natural faithful exists, but to reveal to copy form, colour, rhyth
9、m and some other abstract qualities in. From the study of the characteristics of aesthetics of form of starting, expounds its development process and represents the characters main ideas, standing in formalism esthetics Angle position explains the people to form and content of interaction and delica
10、te relationship of different cognition. And discussed and form and content of concept of the associated some categories and concepts, they were preliminary summary and screened. Taking “fat and lean” this opposing two forms as a case study, the paper concretely analyzes for fat people with thin this
11、 two opposite forms of attitude changes with different era the corresponding aesthetic taste. And with fat and lean discussed for clues fat lady of Tang dynasty in the aesthetic tendency and the different picture for form expression; Calligraphy with thin in fertilizer aesthetic tastes; Literary wor
12、ks about “fat and lean” aesthetic attitude of fat and lean and people aesthetic experience differences. Finally taking the form of texture aesthetic and adornment effect as the starting point further discussed the different ways of art deco and its artistic creation and emotional express the practic
13、al significance.【关键词】装饰艺术 秩序感 形式主义美学 肥与瘦 肌理【英文关键词】adornment art order feeling formalism aesthetics fat and lean texture【目录】优雅的形式当装饰风格邂逅形式审美 摘要 4-5 Abstract 5-6 引言 8-9 第一章 装饰的根源与发展 9-13 (一) 装饰的动机与秩序感 9-10 (二) 装饰艺术运动 10-13 第二章 以”美”的名义 13-17 (一) 何所谓”美” 13 (二) 艺术之美 13-15 (三) 形式美的欣赏 15-17 第三章 优雅的形式 17-22 (一) 形式主义美学的历史渊源及发展进程 17-18 (二) 形式与内容的对立 18-19 (三) 形式主义的代表人物及其观点 19-22 第四章 肥瘦之间 22-26 (一) 唐朝的形式审美及仕女画的装饰风格 22-24 (二) 艺术形式审美当中的肥瘦诗情 24-26 第五章 肌理的形式美感 26-29 (一) 绘画艺术中的肌理美 26-27 (二) 肌理的装饰风格 27-29 结论 29-30 参考文献 30-31 攻读硕士学位期间发表学术论文情况 31-32 致谢 32
