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1、 毕业设计（论文）题 目： 浅 析国画的绘画元素在现代 时装画中的创新 运用 学 院： 艺术工程学院 专业班级：艺术设计（服装艺术设计） 03 级 2 班 指导教师： 张继文 职称： 讲师 学生姓名： 田霄峰 学 号： 03j10320 摘 要从一般意义上看，虽然关于服装的绘画是从西方传入且从产生到今天已有近300年历史，但是真正意义上的“时装画”的在我国的出现却尚无定论，它是伴随着时尚概念的出现而出现的。自从20世纪20-30年代，受西方影响最广泛的上海有了时装画的问世以来，我国时装文化也就发生了巨大的 化， 到 0年代 0年代 ，时装设计专业 在我国出现，时装画 了一 专业 ，从 了 年服
2、装 中 有 的现 ， 服装文化的 。从 0年代 到0年代，时装画来，来currency1化。“论文fi是fl中国传 绘画元素在现代时装画中的创新运用一“论。从西方时装画的 入到在我国的发从fl我国传 绘画元素代时装画”的 到 运用于时装画中从的现 到自我的，一一 了的 析 。 时，也了大的 自我 来 一 论 。文 ， ” 有关， 有 ， 有 论，也有 。从论上讲， 文 讲了中国传 现 ， 题 现方 上 ，以 时装画的历史 在我国的发从 上讲， 文 了大自我 的绘画 ，自我的。以 “论文的 fl我以的 念 了 大的 ， 行了 的 新，使我的 野来广泛。 时，希望传 现 能够紧密地融起来，使时装画
3、 艺术兴旺。关键词：中国传 绘画元素，工笔， 八 ，时装画，创新ABSTRACKFrom the general sense, Although the painting on clothing imported from theWest and from the produce of this nearly 300-year history, But the real meaning offashion art in China there is not conclusive, it followed the fashion conceptappearance to appear Since
4、 the 1920s and 1930s,shanghai which is affected a lot from the west have theadvent of painting,our country fashionable clothing culture has had the hugechange.until at the end of the 70s the beginning of 80s, thefashionable clothingdesign specialized only then appears in ourcountry, the fashionable
5、clothing picturehas become a specializedrequired course, from this time on changed several dozensyearsclothing to cut out in the book only to have the design instructionaldiagram thepresent situation, and regarded as the clothing culturethe constituent.Starts from the80s to the 90s, the fashionablec
6、lothing picture then more and more prospers, moreand more diverse.The mainly content of this paper is traditional Chinese painting in modern fashionelements of the painting in the innovative use of a simple exposition. Fashion paintingfrom the West and the introduction of the development in China; f
7、rom the rightelements in traditional Chinese paintings and contemporary art fashion distinctionbetween delicate to be used in the painting fashion; From the current status of the self-study style of development, are all doing a detailed analysis and description.Meanwhile, also in connection with a l
8、arge number of photos and self-practice workto further illustrated The full text altogether divides five chapters, between each chapter mutually hasthe connection, and respectively has the stress, both has the theory, also has thepractice. Theoretically speaking, this article system explainned the C
9、hinese traditionmanifestation, in the description theme and the performance method the characteristic,aswell as fashionable clothing picture history and in our country development.Inpractical terms, The paper involves a lot of self-exploration of painting methods, theself-style expansion. It can be
10、said that the results of this paper I used to the idea offorming a bigger breakthrough, has carried on more renewals, causes my fieldofvision to be more and more widespread,At the same time, hoped the tradition andthe reality can closely fuse, causes the fashionable clothing picture this art prosper
11、ityto be prosperousKEYWORDS: elements of traditional Chinese painting, meticulous, 18 depiction, painting fashion, innovation.目 录 言1第一 绪论2第二 国画绘画元素时装画技 的比较 析4第一节 国画的绘画元素4一、传 绘画现 4二、传 绘画 题 5三、传 绘画现方 5第二节 时装画技 6一、时装画的历史6二、时装画的 语言 析 9三、我国目时装画的发 况10第三 国画绘画元素在时装画中的创新运用 13第一节 自我的 13一、用“ 八 ”技 现服装的 质感 13二、背景 绘 16三、“平面造型” 1 第二节 艺术效的传达 1 第三节 继承革新 20一、传 是源泉，是动态的 20二、创新的 fi意义 21 论 22参考文献 23致 谢 24
