cet6-2010年12月英语六级听力原文

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1、2010 年 12 月六级听力原文翻译(制作人:BILL,JASON)第 1 页/共 6 页2010 年 12 月大学英语A 部分11、女:这是我们这里最物美价廉的两居室之一。这套房子所在的大楼非常安静,而且靠近公交线路。男:也许吧。但是你看看,这房子太糟糕了。油漆都脱落了,地毯是破的,而且炉子是老式。问:从对话中我们可以推断出什么?12、男:我们在植物园里拍的照片明天应该就能洗出来了。女:我都等不及要看了。我想看看我拍的那些照片是不是想象中的一样漂亮。问:这个女士急切想知道什么?13、女:手提箱的把手坏了。下周二之前你能把它修好吗?男:我看看。我得找一个能跟它配套的把手,不过应该花不了多长时

2、间。问:男士的话是什么意思?14、男:这辆卡车看起来是我想要的那种,但是我担心它的保养问题。我们想买的是必须能在极度寒冷的环境中长时间工作的那种。女:我们有好几种特别适合在极端环境中工作的车型。你想看看吗?问:从对话中我们可以知道关于男士的什么信息?15、男:我想你老板收到你的辞职信时一定会非常郁闷。女:可能吧。但是在那封信里,我只是坦白告诉他我再也无法忍受他那拙劣的管理和愚蠢的决定了。问:关于这女士我们知道了什么?16、女:我想换一下这件衬衫。我刚刚知道要穿这件衬衫的人对羊毛过敏。男:也许我们可以找一件棉质或者丝质的。请这边走。问:这个女士想做什么?17、男:打扰一下,小姐。有人交上来过一个

3、新的手2010 年 12 月大学英语Section A11.W: This is one of our best and least expensive two-bedroom listings. Its located in a quiet building and its close to bus lines.M: That maybe true. But look at it, its awful, the paint has peeled off and carpet is worn and the stove is ancient.Q: What can we infer from

4、the conversation?12.M: The pictures we took at the botanical garden should be ready tomorrow.W: I cant wait to see them, Im wondering if the shots I took are as good as I thought.Q: What is the woman eager to know?13.W: The handle of the suitcase is broken. Can you have it fixed by next Tuesday?M: L

5、et me see, I need to find a handle that matches but that shouldnt take too long.Q: What does the man mean?14.M: This truck looks like what I need but Im worried about maintenance. For us itll have to operate for long periods of time in very cold temperatures.W: We have several models that are especi

6、ally adaptive for extreme conditions. Would you like to see them?Q: What do we learn about the man from the conversation?15.M: I think your boss would be very upset when he gets your letter of resignation.W: That may be so. But in the letter, I just told him frankly I could no longer live with his p

7、oor management and stupid decisions.Q: What do we learn about the woman?16.W: Id like to exchange the shirt. Ive learned that the person bought it for allergic to wool.M: Maybe we can find something in cotton or silk. Please come this way.Q;What does the women want to do?17.M: Excuse me, Miss?Did an

8、yone happen to turn in a new handbag? You know, its a birthday gift for my wife.2010 年 12 月六级听力原文翻译(制作人:BILL,JASON)第 2 页/共 6 页提包吗?你知道,那是我为我妻子买的生日礼物。女:我看看。嗯,我们这里有很多女士的手提包。你能提供些细节信息吗,比如手提包的颜色、大小和商标之类的?问:这个对话最可能发生在哪里?18、女:你打算怎么处理从你祖父那里继承来的那套老房子?男:我曾经打算要卖掉,但是现在我想把它改造成一个宾馆,因为他仍然非常坚固。问:男士打算怎么处理他的老房子?长对话(1

9、925)女:James 博士,你写小说的时候知道自己接下来要写什么吗?男:是的,你必须知道,事实上,如果你写的是经典的侦探小说,你必须知道这些,因为侦探小说的情节要严谨,线索要铺陈到位。我定有计划,有行文框架。这并不是说我的计划是正确的,但是在开始写之前我的确是有计划的。然而令人着迷的是一本书在写作过程中的发展变化。在我看来,创造性写作事实上就是一个发现的过程,而不是通常意义上的那种创造。女:当你构思一本书的基本框架式,你需要远离他人以确保不被打扰吗?男:我当然需要不被打扰,绝对需要。我甚至都无法忍受屋里还有其他人。只要有足够的写作空间,待在哪里我都不怎么介意,但是我需要完全独处。女:这对你来

10、说非常重要吗?男:哦,是的。一生中我从没有感到孤单过。女:简直不可思议!从来没有过?男:没有,从来没有。女:你太幸运了。有人曾说每个作家的心里都有些冷漠。男:没错。的确如此。作家能够置身事外去看待经历,并看着他们发生。这是一种“超然”的态度,我知道有一些经历很明显击垮每一个人。但是大多数情况下,一个作者似乎能够使自己置身事外,正是这种超然的态度让人们感觉作家心里有些冷漠。问题 19 至 21 是基于你刚刚听到的对话。19、在男士看来,写一本经典侦探小说的关键是W: Let me see. Oh, weve got quite a lot of womens bags here. Can you

11、 give me more detailed information, such as the color, the size and the trademark?Q: Where does this conversation most probably take place?18.W: What are you going to do with the old house you are in heritage from your grandfather?M: I once intended to sell it, but now, Im thinking of turning it int

12、o a guest house, because its still a solid structure.Q: What does the man plan to do with his old house?长对话(1925)W: When you write a novel, do you know where youre going, Dr. James?M: Yes, you must, really, if youre writing the classical detective story, because it must be so carefully plotted and s

13、o carefully clued. I have schemes. I have charts. I have diagrams. It doesnt mean to say that I always get it right, but I do plan before I begin writing. But what is so fascinating is how a book changes during the process of writing. It seems to me that creative writing is a process of revelation,

14、really, rather than of creativity in the ordinary sense.W: When youre planning the basic structure, do you like to go away to be sure that youre by yourself?M: I need to be by myself certainly, absolutely. I cant even bare anybody else in the house. I dont mind much where I am as long as Ive got eno

15、ugh space to write, but I need to be completely alone.W: Is that very important to you?M: Oh, yes. Ive never been lonely in all my life.W: How extraordinary! Never?M: No, never.W: Youre very lucky. Someone once said that theres a bit of ice at the heart of every writer.M: Yes. I think this is true.

16、The writer can stand aside from experience and look at it, watch it happening. There is this detachment and I realize that there are obviously experiences which would overwhelm everyone. But very often, a writer can appear to stand aside, and this detachment makes people feel theres a bit of ice in the heart.Questions 19 to 21 are based on the conversation you have just heard.19. What is the key to write a good classical detective story according to the man?n

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