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1、中南民族大学 硕士学位论文 立象以尽意：试析汉字符号的美学生成 姓名：崔狄生 申请学位级别：硕士 专业：文艺学 指导教师：胡家祥 20060510 中南民族大学硕士学位论文 I 摘 要摘 要 本文将中国传统文化中的象范畴界定为三个层面即思维之象媒 介材料之象和具体艺术实践之象由此传统命题立象以尽意中的 立象也相应地包含三个层面立思维之象立媒介材料之象和立具 体艺术实践之象三个层面中起制导作用的是思维之象也即常说的象 思维完全意义上的象范畴的形成有赖于这三个层面的成熟发展汉 字符号中积淀了字前时期的思维习惯和审美意识汉字符号中线条的建构规 则和对汉字符号的运用是象范畴内涵的具体实现所以汉字符号的
2、 生成过程能够反映象范畴三个层面的成熟过程 全文分为上下两篇共四章上篇两章侧重于论述一二层面具有探源特 点下篇两章侧重于第三层面的剖析发掘汉字符号的审美意味 第一章首先从自然人化和民族思维在形式上的积淀以及一些哲学 美学元范畴源头的追问来凸现汉字符号探源的美学意义进而梳理了汉字起 源的图画说并论证写实图画早于抽象线条对于华夏民族心灵感性层面 发展的美学意义 第二章主要从可能性生成推测美学意味三个层次上来揭示原始图画 和线条的生成之美并对原始图画的现存代表原始岩画及刻符进行了审美解 读传统汉字起源的图画说与刻契说得到合理的统一 第三章是从审美的视角解读六书首先简单介绍了六书的有关背景 突出象思维
3、在六书中的积淀然后重点地从象形和会意的造字方法 入手立足肖生象形的造字理念结合中国传统文化中的一些核心观念 基本范畴和命题等对六书进行美学解读 第四章是针对定型的汉字的审美解读立足点是汉字符号的形式首先 从整体上分析汉字符号的结构之美和意蕴之美其次按照七个阶段介绍汉 字书体的发展演变过程并突出诠释了字体的内涵再次多角度地论述了 汉字符号艺术地存在的可能性并在此基础上通过对书法的审美突出汉 字符号的艺术美的丰富内涵 最后余论部分在总结象思维及立象三层次划分的基础上进 一步深入地解析了象思维的内涵并展示本文论题进一步延展的可能 关 键 词关 键 词象范畴象范畴三层面三层面立象以尽意立象以尽意汉字符
4、号汉字符号美学生成 美学生成 三峡一个诗歌富矿的文化解读 II Abstract Abstract This thesis defines the “image“ category in the Chinese traditional culture as three levels, namely the image of thinking, the image of medium (material) and the image of the concrete art practice. From here, the traditional setting question of setti
5、ng up image of “Setting up image helps out conveying meaning correspond includes three levels: setting up thinking image, setting up medium(material) image and setting up the image of concrete art practice. And three levels in, which has always made to lead a function is the elephant of thinking, na
6、mely usually being called of image“ thinking. The completed formation of“ image category depends on the mature development of these three levels. It accumulated the thinking habit and the consciousness of appreciating beauty before writing in the Chinese characters sign. And the concrete realization
7、 of“ image category lives in the rule of the construction and the usage of the Chinese characters sign. So, the born process of the Chinese characters can reflect the mature process of three levels of image“ category. This thesis is divided into a top and bottom two, total four chapter. The precedin
8、g two chapters lay particular emphasis on discussing the first and second levels, having a source characteristic of explore. Next two chapters lay particular emphasis on the third level, launching to appreciate beauty of the Chinese characters in the meantime. Chapter 1 firstly discusses the estheti
9、cs meaning of the source explore of Chinese characters by thinking “the natural person turn“ and the accumulation of the race thinking in the formality, and cross-examining the essence category of some philosophies and 中南民族大学硕士学位论文 III esthetics. Then combs “the picture say“ of the Chinese character
10、s origins, and argument that realistic picture was created earlier than the appearance of the abstract lines, which has full esthetics meaning to the development of sensitive faculty level of race mind. Chapter 2 mainly announces the beauty of the borning of original picture and lines to public from
11、 the possibility, born guessing, the esthetics meaning three layers, and carries on reading the appreciating on the existing represent of original picture, namely original rock painting and engraved a sign. It gets reasonable unity to the traditional theory of Chinese characters origins including “t
12、he picture say“ and engraves. Chapter 3 appreciates on The Six Categories of Chinese Characters from the angle of beauty. Firstly introduces the relevant background of The Six Categories of Chinese Characters, and outstands image thinking that accumulated in The Six Categories of Chinese Characters.
13、 Then the point ground is from the resemble the shape with understand of build the word method to commence, have a foothold the living resemble the shape“ build the word principle, combining some core ideas in the Chinese traditional culture, some core categories, some cores set question.etc., carri
14、ed on to“ The Six Categories of Chinese Characters “ thoroughly the esthetics reading. Chapter 4 is the Chinese character that aims at already set to appreciate beauty a reading; the stance is the form of the Chinese characters sign. First from whole up analyzed beautiful structure of the Chinese ch
15、aracters sign with beautiful idea; Introduced the development of the Chinese characters chirography to turn into process according to seven stages secondly, and outstanding explain the content 三峡一个诗歌富矿的文化解读 IV of the form of written; Again, many angle grounds discussed the Chinese characters sign ar
16、t ground an existent possibility, and pass to the calligraphy on this foundation of appreciate beauty, the art of the outstanding Chinese characters sign is beautiful bundant content. End, remaining theory part went deep into a ground of resolution the content ofwith“elephant“ thinking further in tallying up elephant“ thinking and sign elephant“ three layers to divide the line of foundation, and show the possibility to the text to talk about to set question open. Key Words image category three
