1、影视录音常用设备影视录音常用设备Sound system影视录音常用设备课件What we need?lProductionMicrophoneMixerRecorderlPostproductionDAWPost recording systemSound mixing system影视录音常用设备课件Production sound systemslmicrophone cameralmicrophone mixer cameralmicrophone mixer recorderlmicrophone pre amplifier mixer recorder影视录音常用设备课件EquipmentslMicrophoneslWireless SystemslBoompoleslMixerslRecorderslCommunicationlPlayback SystemslPower SolutionslWalkie TalkieslSound ControllAccessories影视录音常用设备课件MicrophoneslShotgunslLavalierslStereoslSu
2、rrounds影视录音常用设备课件Microphones _shotgunslShotgunsSennheiser MKH 416 Short Shotgun MicSennheiser MKH 60 Supercardioid Condenser ShotgunSennheiser MKH 70 Long ShotgunSennheiser ME 66 Super Cardioid CondenserSchoeps CMIT5U Super Cardioid Shotgun MicSanken CS1 Short Shotgun MicSanken CS3e Supercardioid Condenser ShotgunNeumann KMR 81 ShotgunNeumann KMR 82i Long Shotgun影视录音常用设备课件How to choose shotguns?lFrequency responseLow cutHigh frequency boostOutofaxis frequency response lDirectional patternCardioi
3、dSupercardioidEffective pickup angle (3dB sensitivity decreasing)cardioid 1300, supercardioid 300 400lSensitivity lDynamic range影视录音常用设备课件Sennheiser MKH 416lPower Supply: P or T影视录音常用设备课件Sennheiser MKH 60影视录音常用设备课件Sennheiser MKH 70影视录音常用设备课件Sennheiser MKH 416 vs. 60 vs. 70型号4166070指向性超心型超心型(更窄)超心型频响4020k5020k5020k灵敏度(mV/Pa)254050等效噪声级(dB)13(A)24(CCIR)6(A)18(CCIR)5(A)16(CCIR)最大声压级(dB)130125124重量(g)165150180影视录音常用设备课件Sanken CS-1lShort shotgunlVery sharp directivity in a 181.5mm length bodylFlat fr
4、equency response beyond 20kHz(on axis)lHigh sensitivity 30dB/PalAccepts high SPLs. More than 137dB SPL (1% THD). With no distortion in close miking.lNarrow angle directivity over the entire frequency range.lOverrall rear rejection. 22dB/20kHz. 18dB/10kHz. 27dB/1kHz. 27dB/200Hz.lLight weight. Only 100g. Easy to operate on a boom pole.影视录音常用设备课件Schoeps CMIT 5 UlLow coloration of offaxis soundlEven greater immunity to wind noise than a SCHOEPS supercardioidlDirectionality increases smoothly with hi
5、gher frequencies, which results in a very balanced sonic characterlCapsule and amplifier are built as a single unit影视录音常用设备课件Schoeps CMIT 5 U _morelThe sound quality of the CMIT 5 remains consistent even if the microphone is rotated on its axis, since its directional pattern is the same in both the vertical and horizontal planes.影视录音常用设备课件Schoeps CMIT 5 U _morelThree pushbuttonactivated filters allow the microphone to adapt to the recording situationHighfrequency emphasis (+ 5 dB at 10 kHz) enha
6、nces speech intelligibility, and compensates for highfrequency loss caused by windscreens; A steep lowcut filter (18 dB/oct. below 80 Hz) suppresses wind and boom noise;A gentle lowfrequency rolloff (6 dB/oct. below 300 Hz) compensates for proximity effect.影视录音常用设备课件Microphones _supercardioidlSchoeps MK41lSchoeps CCM41影视录音常用设备课件Schoeps MK41 and CMC 6lSupercardioid with highly consistent directionality throughout its frequency range. High directivity, comparable to that of a short “shotgun“ micro
7、phone up through midrange frequencies.off axis attenuating even more than with a cardioiddirectivity is highly independent of frequency, even sounds arriving off axis and reverberant sound are registered without colorationThe pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS capsule typeEven distant placement of the capsule produces a very natural sound pickup. lThis is a real advantage over interferencetube “shotgun” microphones, whose directivity is very freque
8、ncydependent exceeding that of a supercardioid only at higher frequencies. Interferencetube microphones are notoriously sensitive to their position in a room, where the shifting patterns of reflections cause corresponding shifts in sound color.lGood to use in room. 影视录音常用设备课件Schoeps CCM41lSimilar to MK41lCompact mic影视录音常用设备课件Schoeps vs. 416lSchoeps话筒比416话筒更敏感,手持噪声和移动话筒的噪声都容易串入,用于同期录音时一般在前级加高通/低切滤波器。该配件需单独购买。影视录音常用设备课件Microphones _lavalierslLavaliersCountryman B6/B3 Miniature Omnidirectional LavC
9、ountryman EMWLectrosonics M150 Omnidirectional LavSanken COS11 Omnidirectional LavSennheiser ME 2 LavSennheiser MKE1/2 Omnidirectional LavTRAM TR50 Omnidirectional LavSony 77B/ECM88影视录音常用设备课件How to choose lavalier?lNice soundinglOmnicardioidLess positioning problems (people moving their head all the time)Less sensitive to wind and popinglGood matching to boom miclDynamic range (low distortion at high SPL)lRF interference resistancelPower supply (from AA battery or 48V phantom power on mixer or r
10、ecorder)lEasy to hide影视录音常用设备课件Countryman B6lSmallest lavalier in the worldonly one tenth of an inch (0.1 inch, 2.5mm) in diameterEasily hidden in hair/costumes or glued on performers faces in film, theater and broadcastlChangeable protective capsMoisture resistanceColor options (6 colors)Shape the frequency response for different situations or to match other microphoneslLow distortion at SPL up to 150dB on 48V phantom powerLow handling noiseExcellent rejection of surrounding noiseHigh quality a
11、udio影视录音常用设备课件Countryman B6 kitslB6 lavalier microphonelKevlar cablelCapslWindscreenlTie clipslCarrying case影视录音常用设备课件Countryman B3lSimilar to B6,but cheaperl0.2 inch in diameterlMoisture and perspiration resistant when used in hair, on the body and in bad weather影视录音常用设备课件Countryman EMWlOmnidirectionallVery low rubbing noiselHighly moisture resistanceAllows use near water or in intense weather影视录音常用设备课件Sanken COS-11DlOvercomes digital transmitter RFI (radio frequency interference)lWater resista
12、ntlImproved moisture resistancelOriginal vertical diaphragm designlOptimized for human voice影视录音常用设备课件Sennheiser MKE 2-ew GoldlOmnidirectionallMax SPL 142dB影视录音常用设备课件Sennheiser ME2 LavlUse with evolution wireless SK bodypack transmitters影视录音常用设备课件TRAM TR-50lMiniature Omnidirectional Electret Condenser Microphone lMinimum sound coloration for universal use lEasily combined with boom microphones lTiny, lightweight and compact; easily concealed lExtensive range of mounting accessories lWide frequen
13、cy response lVery low rubbing noise lInternal battery or 1248V phantom power* (*with positive bias version only) lDetachable 250 Q power supply lAvailable in 4 colors: black, gray, white, tan lLarge range of connectors for direct use on a wireless transmitter lStrong, durable and reliable 影视录音常用设备课件Microphones _stereolStereoSanken CSS5 shotgun stereo micSanken CMS10Schoeps CMIT M/S setSchoeps CCM 8 & CCM 4/41 M/S setNeumann RSM 191 M/S setSennheiser MKH 418S shotgun M/S micSennheiser MKH 30/60 M
14、/S set影视录音常用设备课件Sanken CSS-5lFirst stereo shotgun3 mode switchable lMONO (shotgun)lNormal STEREO (1200)lWide STEREO (1400)lSuperb rear rejection at 180 degrees even in low frequencieslMONOSTEREO compatibility. Mono and phantom center have the same sound characteristics影视录音常用设备课件Sanken CSS-5lMONO modesharp directivity is maintained over a wide frequency range for the aimed frontal sound sources, using the combination of a second gradient microphone and a line microphone. It is significant that th
15、e CSS5 picks up the chosen sound source very clearly even in a noisy ambient situation or in a long reverberation space.lNormal modepicks up the targeted sound as well as extremely accurate stereo localization. STEREO angle is 120.lWide modedesigned for stereo recording of sound effects and environmental information where dialogue will be dubbed in at a later date. This mode allows a wider 1400 stereo width.lMono-Stereo CompatibilityIn stereo recordings, the frequency response of the MONO summed
16、 output often exhibits interference, or comb filtering. This phenomenon is caused by phase differences between the Left and Right signals. This does not occur in single point recording. 影视录音常用设备课件Sanken CMS-10lSwitchable mode Very sharp monoshortgunStereo (with pickup angle 1270)lShort length (210.5mm) and light weight (170g)lUsing PPS diaphragm. It maintains high durability and quality even in high humidity environmentslSpecially designed suspension holder. Can isolate camera motor noise in cam
17、era mount uselBasic design is MS. but it include MS to LR circuitry. and allows a direct LR signal影视录音常用设备课件Schoeps CMIT M/S setlComplete set for M/S stereo with shotgun microphone CMIT 5 U for the M channel and a CCM 8 Lg compact microphone in the S channel 影视录音常用设备课件Schoeps CCM 8 & CCM 41 M/S setlCCM 41/ MK41 for “M” signallCCM 8 for “S” signallCan be set up at quite some distance from the sound source 影视录音常用设备课件Neumann RSM 191 M/S setlOne hypercardioid capsulelOne figure8 capsulelMTX 191 A ma
18、trix amplifierlAdjustable pickup angle and high directivity1700、1500、1250、1000、750、600影视录音常用设备课件Neumann RSM 191 M/S setlCapsules in detail and connector影视录音常用设备课件Sennheiser MKH 418S M/S miclShotgun M/S mic影视录音常用设备课件Sennheiser MKH 30/60 M/S setlMKH 60 supercardioidlMKH 30 figure8影视录音常用设备课件Microphones _surroundlSurroundSanken WMS5 5.0 surround microphoneSchoeps Double M/S surround microphoneSchoeps IRT Cross surround microphone影视录音常用设备课件Sanken WMS-5 5.0 surround miclWorlds first 5channel surround
19、mic selfcontained in one mic bodyl5 surround outputs (L/C/R/LS/RS)lCompact size235mm(length), 235g(weight)lPrecise phase coherent M.S.M capsule layoutlMS to LR Matrix circuitry in the mic bodylIdeal 5.0 sound localization影视录音常用设备课件Sanken WMS-5 5.0 surround miclHow does it work? (Double MS)The front “M” capsule is used for both C and front L,RThe “S” signal is for front L,R and rear LS, RSThe rear “M” capsule is used for LS and RSFor precise phase coherent, front M, back M and S capsules are set
20、vertically on the same axisThe front “C” capsule has shotgun directivityStereo angle is 1200 (L/R, LS/RS)影视录音常用设备课件Schoeps Double M/S surround mic _supercardioidlA frontfacing cardioid or supercardioid “mid” mic and a figure8 “side” mic, a rearfacing directional mic影视录音常用设备课件Schoeps Double M/S surround miclAppearance影视录音常用设备课件Schoeps Double M/S surround mic _shotgunlCMIT Double M/S set影视录音常用设备课件Schoeps IRT Cross surround miclWith compact mic CCM 4/41lFor ambient recordinglTransparent and spaciou
21、s rendering of the acoustic environment影视录音常用设备课件Wireless systemslLectrosonicslSennheiserlZaxcomlRamsa影视录音常用设备课件How to choose wireless systems?lFrequency rangelStability True diversityAuto dynamic controllPower Concern to effective working distancelPower supply _AA battery or DClNoise restraining影视录音常用设备课件Lectrosonics 400 Digital SystemlOne UM400 transmitterlOne UCR411 receiverlOne M150 lav or COS11 lav影视录音常用设备课件Lectrosonics 200 SystemlOne UM200C transmitterlOne UCR201 receiverlM150 or COS11 lav
22、影视录音常用设备课件Lectrosonics Quad Pack Systeml(4) UM400 transmittersl(4) UCR411A receiverl(4) COS11 lavslA rack mount with power supply影视录音常用设备课件Lectrosonics UH400lPlugon transmitterlMostly for handheld mics影视录音常用设备课件Sennheiser Evolution G3 SystemlSK 500 G3 bodypack transmitterlEM 500 G3 rackmount receiverlMKE2 gold lav影视录音常用设备课件Sennheiser Evoluation G2 SystemlOne SK100 or one SKP plugon transmitterlOne EK100 receiverlME2 or COS11 lav影视录音常用设备课件Sennheiser transmitter and receiverlBody pack transmitter
23、SK100lPortable receiver EK100lTrue diversity receiverPortable EK3241EM100G2影视录音常用设备课件Zaxcom stereoline digital systemlStereoline digital stereo transmitterlENG digital receiverlCOS11 lavs影视录音常用设备课件BoompoleslKTeklAmbientlVDBlPSC影视录音常用设备课件K-TeklEasy to go? Light? All in one?影视录音常用设备课件K-Tek K-152lShort pole for film, long pole for videol5 sections, from 91cm to 386cmlAvailable wired with internal cable and bottom or side connector base, or unwired影视录音常用设备课件K-Tek K-202lStandard film production polel
24、5 sections, from 116cm to 513cmlAvailable wired with internal cable and bottom or side connector base, or unwired影视录音常用设备课件K-Tek K-102lMost popular for videol5 sections, from 60cm to 267cmlAvailable wired with internal cable and bottom or side connector base, or unwired影视录音常用设备课件K-Tek Avalon KE-110lDesigned for ENG, EFP, DV Productionl5 sectionslInternally wired, Female and male XLR影视录音常用设备课件Ambient QP 480lStandard boompolelLength 105350cmlWired or unwiredMono/stereo line for wired pole影视录音常用设备课
25、件Ambient QP 4140lStandard boompolelLength 154540cmlWired or unwired影视录音常用设备课件Ambient QX 580lFor ENG and video marketl5 sectionslLength 80330cm影视录音常用设备课件VDB lMedium 60cm275cmlExtra large 110560cm影视录音常用设备课件PSC elite mediuml5section carbon filterlLength 66cm251cm影视录音常用设备课件Microphone AccessorieslWind restrainingFoam windshieldZeppelin windshieldWindjammerlSuspension影视录音常用设备课件Rycote full windshield kitslFoamlWildshieldlSuspensionlWindjammerlPackage case影视录音常用设备课件MixerslSound DeviceslAudio LtdlSonosax
26、影视录音常用设备课件How to choose field mixers?lPortable (small, light, powered by AA or DC)lMic/line input channelslPhantom/T powering supplylMeter monitor (peak and VU)lSimple EQ and filterslOSC(1kHz at least)lOutput (mono/stereo/multi)lMonitor signal selectablelCuelTalkback影视录音常用设备课件Sound Devices 442lPortable mixer for production, ENG and filml4 transformerbalanced mic/line level input on XLR connectorsl2 transformerbalanced line/tape/mic level output on XLR connectorslContinuously adjustable input tri
27、mlVariable high pass filterlContinuously variable pan controllPhantom or “T” mic powering per channellSolo (PFL) monitoring in headphoneslOnboard MS stereo matrixlPeak limiters per channel影视录音常用设备课件Sound Devices 442lFront, input and output panels影视录音常用设备课件Sound Devices 552lPortable production mixer with integrated twotrack, digital audio recorder writing wave files to SD or SDHC media.l5 mic inputs with two stage gain control, limiter, variable highpass, and solo monitoringlPre or postfader dire
28、ct outputs per inputlMultiple, balanced output connections, including 2 XLR, Hirose 10pin and TA3lAES/EBU output option, on either XLR or 10pin multipin, two connections for 4 channels of digital output, sampling rates up to 96kHz影视录音常用设备课件Sound Devices 552 _front panel影视录音常用设备课件Sound Devices 552 _input panel影视录音常用设备课件Sound Devices 552 _output panel影视录音常用设备课件Sound Devices 302lCompact production field mixerl3 transformerbalanced mic/line level inputs on XLR connectorsl2 activebalanced line/tape/m
29、ic level outputs on XLR connectorslStereo and MS linking of channel 1 and 2影视录音常用设备课件Sound Devices 302lFront, input and output panels影视录音常用设备课件Audio AD146lPortable location mixerl6/8/10/12/18/24 inputs, 4/2 outputslMS matrix影视录音常用设备课件Audio AD245lPortable location mixerl2 stereo outputs影视录音常用设备课件Audio AD261lENG field mixer影视录音常用设备课件Shure FP33l3 inputs, 2 outputs影视录音常用设备课件RecorderslSound DeviceslAATONlNagralFostexlHHBlSonosax影视录音常用设备课件How to choose recorders?lPortable (small, light, powered by AA
30、or DC)lChannelslRecording medialTimecode functionlConnectorslLevel adjustmentlMonitorlStill need mixers?Mic amplifierInput level adjustment for each channelChannel routingMonitor modes shifting影视录音常用设备课件Sound Devices 788TlInput connectors4 Mic/Line/AES XLR4 Mic/Line TA34 AES DB15lOutput connectors4 balancedanalog line / AES TA31 AES DB15l160G hard disk & CF card & external hard diskl12 channelslWith Timecode影视录音常用设备课件Sound Devices 744TlInput connectors2 Mic/Line/AES XLR2 Line TA3lOutput connecto
31、rs2 line TA32 AES BNCl80G hard disk & CF card & external hard diskl4 channelslWith timecode影视录音常用设备课件Sound Devices 702TlInput connectors2 Mic/Line/AES XLR1 AES BNClOutput connectors2 line TA31 AES BNClCF card & external hard diskl2 channelslWith timecode影视录音常用设备课件AATON CANTAR 2lInput connectors5 Mic XLR3/XLR54 Line XLR58 AES SUBD15lOutput connectors1 line XLR8 AES SUBD15l80G hard disk & DVDl8 channelslWith Timecode影视录音常用设备课件NagralKing of analog eralNagra 4.2 (double mono, analog tape inch) Nagra
32、 4S (stereo, analog tape inch) Nagra D (openreeled digital tape) Nagra V (hard disk)影视录音常用设备课件Fostex FR-2 & FR-2LE影视录音常用设备课件Fostex PD606l8 trackslRecord to internal HD / DVDRAMlOnboard 6 channels mixer影视录音常用设备课件CommunicationslHME DX100lPSC影视录音常用设备课件Sound ControllAuralexlPSC HUSH HEELS影视录音常用设备课件AccessorieslSound cartlHeadphonesSony 7506Beyerdynamic DT48隔音效果好lCableslPower solutions影视录音常用设备课件Production kits影视录音常用设备课件ENG kit影视录音常用设备课件Cool cart?影视录音常用设备课件Where to get your production kits? lBuy 鼎润公司lRent北影厂鼎润公司影视录音常用设备课件HomeworklShure FP33 manuallFostex FR2 manuallSound design theses reading reportlTest record影视录音常用设备课件
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