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1、影视录音常用设备影视录音常用设备Sound systemWhat we need?lProductionMicrophoneMixerRecorderlPostproductionDAWPost recording systemSound mixing systemProduction sound systemslmicrophone cameralmicrophone mixer cameralmicrophone mixer recorderlmicrophone pre amplifier mixer recorderEquipmentslMicrophoneslWireless Sys
2、temslBoompoleslMixerslRecorderslCommunicationlPlayback SystemslPower SolutionslWalkie TalkieslSound ControllAccessoriesMicrophoneslShotgunslLavalierslStereoslSurroundsMicrophones _shotgunslShotgunsSennheiser MKH 416 Short Shotgun MicSennheiser MKH 60 Supercardioid Condenser ShotgunSennheiser MKH 70
3、Long ShotgunSennheiser ME 66 Super Cardioid CondenserSchoeps CMIT5U Super Cardioid Shotgun MicSanken CS1 Short Shotgun MicSanken CS3e Supercardioid Condenser ShotgunNeumann KMR 81 ShotgunNeumann KMR 82i Long ShotgunHow to choose shotguns?lFrequency responseLow cutHigh frequency boostOutofaxis freque
4、ncy response lDirectional patternCardioidSupercardioidEffective pickup angle (3dB sensitivity decreasing)cardioid 1300, supercardioid 300 400lSensitivity lDynamic rangeSennheiser MKH 416lPower Supply: P or TSennheiser MKH 60Sennheiser MKH 70Sennheiser MKH 416 vs. 60 vs. 70型号4166070指向性超心型超心型(更窄)超心型频响
5、4020k5020k5020k灵敏度（mV/Pa）254050等效噪声级（dB）13(A)24(CCIR)6(A)18(CCIR)5(A)16(CCIR)最大声压级（dB）130125124重量（g）165150180Sanken CS-1lShort shotgunlVery sharp directivity in a 181.5mm length bodylFlat frequency response beyond 20kHz(on axis)lHigh sensitivity 30dB/PalAccepts high SPLs. More than 137dB SPL (1% THD
6、). With no distortion in close miking.lNarrow angle directivity over the entire frequency range.lOverrall rear rejection. 22dB/20kHz. 18dB/10kHz. 27dB/1kHz. 27dB/200Hz.lLight weight. Only 100g. Easy to operate on a boom pole.Schoeps CMIT 5 UlLow coloration of offaxis soundlEven greater immunity to w
7、ind noise than a SCHOEPS supercardioidlDirectionality increases smoothly with higher frequencies, which results in a very balanced sonic characterlCapsule and amplifier are built as a single unitSchoeps CMIT 5 U _morelThe sound quality of the CMIT 5 remains consistent even if the microphone is rotat
8、ed on its axis, since its directional pattern is the same in both the vertical and horizontal planes.Schoeps CMIT 5 U _morelThree pushbuttonactivated filters allow the microphone to adapt to the recording situationHighfrequency emphasis (+ 5 dB at 10 kHz) enhances speech intelligibility, and compens
9、ates for highfrequency loss caused by windscreens; A steep lowcut filter (18 dB/oct. below 80 Hz) suppresses wind and boom noise;A gentle lowfrequency rolloff (6 dB/oct. below 300 Hz) compensates for proximity effect.Microphones _supercardioidlSchoeps MK41lSchoeps CCM41Schoeps MK41 and CMC 6lSuperca
10、rdioid with highly consistent directionality throughout its frequency range. High directivity, comparable to that of a short “shotgun“ microphone up through midrange frequencies.off axis attenuating even more than with a cardioiddirectivity is highly independent of frequency, even sounds arriving of
11、f axis and reverberant sound are registered without colorationThe pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS capsule typeEven distant placement of the capsule produces a very natural sound pickup. lThis is a real advantage over interferencetube “shotgun” micro
12、phones, whose directivity is very frequencydependent exceeding that of a supercardioid only at higher frequencies. Interferencetube microphones are notoriously sensitive to their position in a room, where the shifting patterns of reflections cause corresponding shifts in sound color.lGood to use in
13、room. Schoeps CCM41lSimilar to MK41lCompact micSchoeps vs. 416lSchoeps话筒比416话筒更敏感，手持噪声和移动话筒的噪声都容易串入，用于同期录音时一般在前级加高通/低切滤波器。该配件需单独购买。Microphones _lavalierslLavaliersCountryman B6/B3 Miniature Omnidirectional LavCountryman EMWLectrosonics M150 Omnidirectional LavSanken COS11 Omnidirectional LavSennheis
14、er ME 2 LavSennheiser MKE1/2 Omnidirectional LavTRAM TR50 Omnidirectional LavSony 77B/ECM88How to choose lavalier?lNice soundinglOmnicardioidLess positioning problems (people moving their head all the time)Less sensitive to wind and popinglGood matching to boom miclDynamic range (low distortion at h
15、igh SPL)lRF interference resistancelPower supply (from AA battery or 48V phantom power on mixer or recorder)lEasy to hideCountryman B6lSmallest lavalier in the worldonly one tenth of an inch (0.1 inch, 2.5mm) in diameterEasily hidden in hair/costumes or glued on performers faces in film, theater and
16、 broadcastlChangeable protective capsMoisture resistanceColor options (6 colors)Shape the frequency response for different situations or to match other microphoneslLow distortion at SPL up to 150dB on 48V phantom powerLow handling noiseExcellent rejection of surrounding noiseHigh quality audioCountr
17、yman B6 kitslB6 lavalier microphonelKevlar cablelCapslWindscreenlTie clipslCarrying caseCountryman B3lSimilar to B6,but cheaperl0.2 inch in diameterlMoisture and perspiration resistant when used in hair, on the body and in bad weatherCountryman EMWlOmnidirectionallVery low rubbing noiselHighly moist
18、ure resistanceAllows use near water or in intense weatherSanken COS-11DlOvercomes digital transmitter RFI (radio frequency interference)lWater resistantlImproved moisture resistancelOriginal vertical diaphragm designlOptimized for human voiceSennheiser MKE 2-ew GoldlOmnidirectionallMax SPL 142dBSenn
19、heiser ME2 LavlUse with evolution wireless SK bodypack transmittersTRAM TR-50lMiniature Omnidirectional Electret Condenser Microphone lMinimum sound coloration for universal use lEasily combined with boom microphones lTiny, lightweight and compact; easily concealed lExtensive range of mounting acces
20、sories lWide frequency response lVery low rubbing noise lInternal battery or 1248V phantom power* (*with positive bias version only) lDetachable 250 Q power supply lAvailable in 4 colors: black, gray, white, tan lLarge range of connectors for direct use on a wireless transmitter lStrong, durable and
21、 reliable Microphones _stereolStereoSanken CSS5 shotgun stereo micSanken CMS10Schoeps CMIT M/S setSchoeps CCM 8 & CCM 4/41 M/S setNeumann RSM 191 M/S setSennheiser MKH 418S shotgun M/S micSennheiser MKH 30/60 M/S setSanken CSS-5lFirst stereo shotgun3 mode switchable lMONO (shotgun)lNormal STEREO (12
22、00)lWide STEREO (1400)lSuperb rear rejection at 180 degrees even in low frequencieslMONOSTEREO compatibility. Mono and phantom center have the same sound characteristicsSanken CSS-5lMONO modesharp directivity is maintained over a wide frequency range for the aimed frontal sound sources, using the co
23、mbination of a second gradient microphone and a line microphone. It is significant that the CSS5 picks up the chosen sound source very clearly even in a noisy ambient situation or in a long reverberation space.lNormal modepicks up the targeted sound as well as extremely accurate stereo localization.
24、 STEREO angle is 120.lWide modedesigned for stereo recording of sound effects and environmental information where dialogue will be dubbed in at a later date. This mode allows a wider 1400 stereo width.lMono-Stereo CompatibilityIn stereo recordings, the frequency response of the MONO summed output of
25、ten exhibits interference, or comb filtering. This phenomenon is caused by phase differences between the Left and Right signals. This does not occur in single point recording. Sanken CMS-10lSwitchable mode Very sharp monoshortgunStereo (with pickup angle 1270)lShort length (210.5mm) and light weight
26、 (170g)lUsing PPS diaphragm. It maintains high durability and quality even in high humidity environmentslSpecially designed suspension holder. Can isolate camera motor noise in camera mount uselBasic design is MS. but it include MS to LR circuitry. and allows a direct LR signalSchoeps CMIT M/S setlC
27、omplete set for M/S stereo with shotgun microphone CMIT 5 U for the M channel and a CCM 8 Lg compact microphone in the S channel Schoeps CCM 8 & CCM 41 M/S setlCCM 41/ MK41 for “M” signallCCM 8 for “S” signallCan be set up at quite some distance from the sound source Neumann RSM 191 M/S setlOne hype
28、rcardioid capsulelOne figure8 capsulelMTX 191 A matrix amplifierlAdjustable pickup angle and high directivity1700、1500、1250、1000、750、600Neumann RSM 191 M/S setlCapsules in detail and connectorSennheiser MKH 418S M/S miclShotgun M/S micSennheiser MKH 30/60 M/S setlMKH 60 supercardioidlMKH 30 figure8M
29、icrophones _surroundlSurroundSanken WMS5 5.0 surround microphoneSchoeps Double M/S surround microphoneSchoeps IRT Cross surround microphoneSanken WMS-5 5.0 surround miclWorlds first 5channel surround mic selfcontained in one mic bodyl5 surround outputs (L/C/R/LS/RS)lCompact size235mm(length), 235g(w
30、eight)lPrecise phase coherent M.S.M capsule layoutlMS to LR Matrix circuitry in the mic bodylIdeal 5.0 sound localizationSanken WMS-5 5.0 surround miclHow does it work? (Double MS)The front “M” capsule is used for both C and front L,RThe “S” signal is for front L,R and rear LS, RSThe rear “M” capsul
31、e is used for LS and RSFor precise phase coherent, front M, back M and S capsules are set vertically on the same axisThe front “C” capsule has shotgun directivityStereo angle is 1200 (L/R, LS/RS)Schoeps Double M/S surround mic _supercardioidlA frontfacing cardioid or supercardioid “mid” mic and a fi
32、gure8 “side” mic, a rearfacing directional micSchoeps Double M/S surround miclAppearanceSchoeps Double M/S surround mic _shotgunlCMIT Double M/S setSchoeps IRT Cross surround miclWith compact mic CCM 4/41lFor ambient recordinglTransparent and spacious rendering of the acoustic environmentWireless sy
33、stemslLectrosonicslSennheiserlZaxcomlRamsaHow to choose wireless systems?lFrequency rangelStability True diversityAuto dynamic controllPower Concern to effective working distancelPower supply _AA battery or DClNoise restrainingLectrosonics 400 Digital SystemlOne UM400 transmitterlOne UCR411 receiver
34、lOne M150 lav or COS11 lavLectrosonics 200 SystemlOne UM200C transmitterlOne UCR201 receiverlM150 or COS11 lavLectrosonics Quad Pack Systeml(4) UM400 transmittersl(4) UCR411A receiverl(4) COS11 lavslA rack mount with power supplyLectrosonics UH400lPlugon transmitterlMostly for handheld micsSennheise
35、r Evolution G3 SystemlSK 500 G3 bodypack transmitterlEM 500 G3 rackmount receiverlMKE2 gold lavSennheiser Evoluation G2 SystemlOne SK100 or one SKP plugon transmitterlOne EK100 receiverlME2 or COS11 lavSennheiser transmitter and receiverlBody pack transmitter SK100lPortable receiver EK100lTrue diver
36、sity receiverPortable EK3241EM100G2Zaxcom stereoline digital systemlStereoline digital stereo transmitterlENG digital receiverlCOS11 lavsBoompoleslKTeklAmbientlVDBlPSCK-TeklEasy to go? Light? All in one?K-Tek K-152lShort pole for film, long pole for videol5 sections, from 91cm to 386cmlAvailable wir
37、ed with internal cable and bottom or side connector base, or unwiredK-Tek K-202lStandard film production polel5 sections, from 116cm to 513cmlAvailable wired with internal cable and bottom or side connector base, or unwiredK-Tek K-102lMost popular for videol5 sections, from 60cm to 267cmlAvailable w
38、ired with internal cable and bottom or side connector base, or unwiredK-Tek Avalon KE-110lDesigned for ENG, EFP, DV Productionl5 sectionslInternally wired, Female and male XLRAmbient QP 480lStandard boompolelLength 105350cmlWired or unwiredMono/stereo line for wired poleAmbient QP 4140lStandard boom
39、polelLength 154540cmlWired or unwiredAmbient QX 580lFor ENG and video marketl5 sectionslLength 80330cmVDB lMedium 60cm275cmlExtra large 110560cmPSC elite mediuml5section carbon filterlLength 66cm251cmMicrophone AccessorieslWind restrainingFoam windshieldZeppelin windshieldWindjammerlSuspensionRycote
40、 full windshield kitslFoamlWildshieldlSuspensionlWindjammerlPackage caseMixerslSound DeviceslAudio LtdlSonosaxHow to choose field mixers?lPortable (small, light, powered by AA or DC)lMic/line input channelslPhantom/T powering supplylMeter monitor (peak and VU)lSimple EQ and filterslOSC(1kHz at least
41、)lOutput (mono/stereo/multi)lMonitor signal selectablelCuelTalkbackSound Devices 442lPortable mixer for production, ENG and filml4 transformerbalanced mic/line level input on XLR connectorsl2 transformerbalanced line/tape/mic level output on XLR connectorslContinuously adjustable input trimlVariable
42、 high pass filterlContinuously variable pan controllPhantom or “T” mic powering per channellSolo (PFL) monitoring in headphoneslOnboard MS stereo matrixlPeak limiters per channelSound Devices 442lFront, input and output panelsSound Devices 552lPortable production mixer with integrated twotrack, digi
43、tal audio recorder writing wave files to SD or SDHC media.l5 mic inputs with two stage gain control, limiter, variable highpass, and solo monitoringlPre or postfader direct outputs per inputlMultiple, balanced output connections, including 2 XLR, Hirose 10pin and TA3lAES/EBU output option, on either
44、 XLR or 10pin multipin, two connections for 4 channels of digital output, sampling rates up to 96kHzSound Devices 552 _front panelSound Devices 552 _input panelSound Devices 552 _output panelSound Devices 302lCompact production field mixerl3 transformerbalanced mic/line level inputs on XLR connector
45、sl2 activebalanced line/tape/mic level outputs on XLR connectorslStereo and MS linking of channel 1 and 2Sound Devices 302lFront, input and output panelsAudio AD146lPortable location mixerl6/8/10/12/18/24 inputs, 4/2 outputslMS matrixAudio AD245lPortable location mixerl2 stereo outputsAudio AD261lEN
46、G field mixerShure FP33l3 inputs, 2 outputsRecorderslSound DeviceslAATONlNagralFostexlHHBlSonosaxHow to choose recorders?lPortable (small, light, powered by AA or DC)lChannelslRecording medialTimecode functionlConnectorslLevel adjustmentlMonitorlStill need mixers?Mic amplifierInput level adjustment
47、for each channelChannel routingMonitor modes shiftingSound Devices 788TlInput connectors4 Mic/Line/AES XLR4 Mic/Line TA34 AES DB15lOutput connectors4 balancedanalog line / AES TA31 AES DB15l160G hard disk & CF card & external hard diskl12 channelslWith TimecodeSound Devices 744TlInput connectors2 Mi
48、c/Line/AES XLR2 Line TA3lOutput connectors2 line TA32 AES BNCl80G hard disk & CF card & external hard diskl4 channelslWith timecodeSound Devices 702TlInput connectors2 Mic/Line/AES XLR1 AES BNClOutput connectors2 line TA31 AES BNClCF card & external hard diskl2 channelslWith timecodeAATON CANTAR 2lI
49、nput connectors5 Mic XLR3/XLR54 Line XLR58 AES SUBD15lOutput connectors1 line XLR8 AES SUBD15l80G hard disk & DVDl8 channelslWith TimecodeNagralKing of analog eralNagra 4.2 (double mono, analog tape inch) Nagra 4S (stereo, analog tape inch) Nagra D (openreeled digital tape) Nagra V (hard disk)Fostex
50、 FR-2 & FR-2LEFostex PD606l8 trackslRecord to internal HD / DVDRAMlOnboard 6 channels mixerCommunicationslHME DX100lPSCSound ControllAuralexlPSC HUSH HEELSAccessorieslSound cartlHeadphonesSony 7506Beyerdynamic DT48隔音效果好lCableslPower solutionsProduction kitsENG kitCool cart?Where to get your production kits? lBuy 鼎润公司lRent北影厂鼎润公司HomeworklShure FP33 manuallFostex FR2 manuallSound design theses reading reportlTest record
