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1、1. Computer Practice(1)2. Professional Introduction 设计导论3. Fundamentals of College Computer(大学计算机基础)4. Advanced Mathematics I 高数15. Introduction to Industrial Design 工业设计导论6. Design & Sketch 设计素描7. Foundation of Sketch 素描基础8. Computer Practice 计算机上机实践9. Color Sketch Practice 色彩写生实习10. C+ Language Pr
2、ogramming 11. An Introduction to Environmental Science 环境科学概论 12. Social Psychology 社会心理学13. Biological Materials and Human Bionics 生物材料与人体仿生14. Fundamentals of Two-dimensional Modeling 二维造型基础In this course I learn how to arrange the lines, shapes, points, texture and color a 1515 cm paper. Line and
3、 shape. Literal lines do not exist in nature, but are the optical phenomena created when objects curve away from the viewer. Nonetheless, line-like shapes are for all intents considered line elements by the artist; for example, telephone and power cables or rigging on boats. Any such elements can be
4、 of dramatic use in the composition of the image. Additionally, less obvious lines can be created, intentionally or not, which influence the direction of the viewers gaze. These could be the borders of areas of differing color or contrast, or sequences of discrete elements, or the artist may exagger
5、ate or create lines perhaps as part of his style, for this purpose. Many lines without a clear subject point suggest chaos in the image and may conflict with the mood the artist is trying to evoke.Movement is also a source of line, and blur can also create a reaction. Subject lines by means of illus
6、ion contribute to both mood and linear perspective, giving the illusion of depth. Oblique lines convey a sense of movement and angular lines generally convey a sense of dynamism and possibly tension. Lines can also direct attention towards the main subject of picture, or contribute to organization b
7、y dividing it into compartments.Color is characterized by attributes such as hue, brightness, and saturation. Color symbolism assigns additional associations, dependent on culture. For example, white has long suggested purity, but it can also take slightly different meanings such as peace, or innoce
8、nce. However, in some places (for instance, Japan) it signifies death.Principles of organization: The artist determines what the center of interest of the art work will be, and composes the elements accordingly. The gaze of the viewer will then tend to linger over these points of interest. Elements
9、are arranged with consideration of several factors into a harmonious whole which works together to produce the desired statement a phenomenon commonly referred to as unity. Such factors in composition should not be confused with the elements of art themselves. For example, shape is an element; the u
10、sage of shape is characterized by various principles.15. Engineering Drawing C 工程制图16. Color Composition 色彩构成Color Composition is about the arrangement of color. This subject is first created by HochschulBauhaus. Color derives from the spectrum of light (distribution of light power versus wavelength
11、) interacting in the eye with the spectral sensitivities of the light receptors. Color has 3 attributes: hue, lightness and colorfulness.Hue is the degree to which a stimulus can be described as similar to or different from stimuli that are described as red, green, blue, and yellow; Lightness is def
12、ined in a way to reflect the subjective brightness perception of a color for humans along a lightnessdarkness axis. Colorfulness is the degree of difference between a color and gray. Chroma is the colorfulness relative to the brightness of another color that appears white under similar viewing condi
13、tions. Saturation is the colorfulness of a color relative to its own brightness.Then there is 2 concept of color mixing, Addition Mix and Subtraction Mix. Addition Mix is the mix of colorful light, green, red and blue. After the mixing will the color lighter; Subtraction Mix is the mix of colorful o
14、bjects, and the three primary colors are red, yellow and blue. Each time they mix become the color darker.Color Solid. A color solid is the three-dimensional representation of a color model, an analog of the two-dimensional color wheel. The added spatial dimension allows a color solid to depict an a
15、dded dimension of color variation. Whereas a two-dimensional color wheel typically depicts the variables of hue (red, green, blue, etc.) and brightness (gradations of light and dark), a color solid adds the variable of saturation, allowing the sphere to depict all conceivable colors in an organized
16、three-dimensional structure. Artists and art critics find the color solid to be a useful means of organizing the three variables of colorhue, lightness, and saturation, as modelled in the HSL color modelin a single schematic, using it as an aid in the composition and analysis of visual art.By changing these attributes we make color composition. For example, by using an achromatic colorblack, white, and grey, we can make a product loo
