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1、 【关键词】邓以蛰 文艺美学 气韵生动 历史与逻辑统一【英文关键词】Deng Yi-zhe aesthetic of literature and art vivid integration ofhistory and logic邓以蛰论文：邓以蛰文艺美学思想浅析【中文摘要】邓以蛰,安徽怀宁人,著名美学家和书画研究专家。他是清代著名书法家、篆刻家邓石如(“计白以当黑”理论提出者)的五世孙,是两弹一星功臣邓稼先的父亲。是当时北京大学三大美学家之一(另两位是朱光潜、宗白华),时有“南宗北邓”之说。他的主要贡献在于中国传统书画研究和理论阐释,提出了“画史即画学”、“历史与逻辑相统一”、“体形意理、生
2、动神意境”理论体系和提倡“气韵生动”等文艺美学理念,以及绘画技巧的论述。另外还有五四时期对于新文艺的提倡等。他利用“现代学问”即西方近现代哲学和美学理论来考察中国传统书画他将史论结合的书画研究方式转变为历史与逻辑相统一的阐释,融入了西方黑格尔“绝对理念说”、克罗齐“表现论”等重要理论,着力于对中国传统书画作哲理上的研究。他力图将艺术史发展过程解析为历史进程和逻辑演进相统一的动态过程。其代表作有民众的艺术、国画鲁言西班牙游记书法之欣赏六法通诠等,另有一些戏剧理论等作品,集结为一本邓以蛰全集。本文主要从中西方理论来源、书画发展历程、艺术理想论、研究方法及历史贡献等方面论述邓以蛰的文艺美学思想。本文
3、第一章主要回顾了他的充满文化底蕴的成长背景与西学经历,简述了他的书画美学的中西方思想来源,为后文系统阐述其文艺美学思想奠定基础。第二章与第三章是本文的主体部分,分别论述了其艺术起源、发展与艺术理想论,构成艺术发展的完整线索。主要探讨了他“艺术起源于实用艺术”、“书画同源”、“气韵生动”等书画美学思想,同时借艺术史发展过程的概括阐述了其“体形意理”、“生动神意境”两条理论线索,展现了其历史与逻辑相统一的书画史研究方式。第四章集中探讨了邓以蛰文艺美学研究的独特方式,即历史与逻辑相统一、中西比较的方法；并评价了其历史贡献和局限性。邓先生一生坚守书画研究和教学工作,虽著述不多并颇多散佚,但其历史与逻辑
4、相统一、中西结合的研究方式对于我们很有启迪,对中国传统文化的正确传承也很有价值。本人力求全面而系统地展现并评价邓以蛰文艺美学思想体系,试图能够客观地评价其文艺美学思想价值和历史贡献。希望能够抛砖引玉,引起大家对于邓以蛰美学思想的深入探讨和借鉴利用。【英文摘要】Deng Yi-zhe, was born in Huai Ning, AnHui, esthetician and calligraphy and painting experts. He is a Qing Dynasty famous calligrapher. His five-generation grandpa is Deng
5、 Shi-ru, and hes the two bombs and one satellite hero Deng Jia-xians father. He was one of the three most famous estheticians in Peking University (the other two are Zhu Guang-qian and Zong Bai-hua), there is a famous statement called “South Zong and North Deng”. His main contribution to the researc
6、h and theoretical explanation is traditional Chinese painting study, he has some good idea, exe.”painting study is painting history “,” integration of history and logic method” and the “body-figure-mood-idea, liveliness-spirit-mood-vivid” system and promote “Vivid” and other literary aesthetic conce
7、pts, as well as painting techniques discussed. In addition to the May Fourth Movement advocates of new art.He took advantage of the “modern knowledge” that the western modern philosophy and aesthetic theory to examine the traditional Chinese painting history on the combination of painting and callig
8、raphy into the interpretation of the history and logic into the Western qualified and “absolute idea”, Croce “On the performance of important theoretical, focused on the philosophical study of traditional Chinese painting and calligraphy. He tried to process analysis of the development of art histor
9、y as a historical process and the logical evolution of the unity of the dynamic process.His masterpiece,peoples art、Spain Travels、Calligraphy Appreciationand some other works, assembled a “Deng stung Complete Works”. In this paper, from the source of Western theory, painting and calligraphy course o
10、f development, artistic ideal theory, research methods and historical contribution Deng discusses the sting of literary aesthetics thinking.The first major retrospective of his upbringing rich in culture with Western experience, his calligraphy and painting aesthetics in the sources of Western thoug
11、ht, art aesthetic ideas laid the foundation system.Chapters2and3are the main parts of this paper discuss the origin of art, development and artistic ideal theory, constitute the complete development of the arts clues.The art of applied art”,”Drawings and Paintings”,”Vivid” Painting and Calligraphy a
12、esthetic thought, and by generalizations of the art history of the development process on the “body-figure-mood-idea, liveliness-spirit-mood-vivid”, this two theoretical show the history of painting, calligraphy of its history and logic of research methods.Chapter4focuses on the unique approach of t
13、he Deng sting of literary aesthetics, history and logic, comparative methods, evaluate its historical contributions and limitations.Mr. Dengs life is focus on painting, calligraphy of research and teaching, although writings and quite a lot of scattered and lost, the combination of history and logic
14、 of unity, and Western way very enlightening for us, correct heritage of Chinese traditional culture but also of great value. I strive to show a comprehensive and systematic evaluation of Deng, and then tried to objectively evaluate its ideological value of literary aesthetics and historical contrib
15、utions to the sting of literary aesthetics ideological system. I hope it able to get the attention of everyone for Deng to sting the depth of the aesthetic ideas to explore and to use.【目录】邓以蛰文艺美学思想浅析摘要3-5Abstract5-6引言8-9第一章 生平简介与思想来源9-20第一节 生平简介9-12第二节 思想来源12-20第二章 艺术起源与发展论20-34第一节 “书画同源”艺术起源论20-24第二节 历史与逻辑相统一的书画美学体系艺术发展论24-31第三节 书体之发展31-34第三章 艺术理想论34-42第一节 气韵生动之艺术“止境”34-39第二节 超功利主义美学观与“为民众的艺术”39-42第四章 独特的研究方式和历史价值42-48第一节 从史论结合到历史与逻辑的统一42-43第二节 中西比较的探究方式43-45第三节 历史价值45-48结语48-49参考文献49-51致谢51-52攻读学位期间发表的学术论文目录52
