A Psycho—analysis of Eugene O’Neill’s Long Day’s Journey into Night

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1、A Psychoanalysis of Eugene ONeills Long Days Journey into NightGao+Shufang【Abstract】EugeneoneilsLongDaysJourneyintoNightpresentsaprobingpsychologicalstudyofafamilyincrisis.Thefamilyfindsitselfinthemidstofacollectivetrauma:ashareddesireforthepast.TheTyronesconstantlyrepressanddefensetheirdesires,whic

2、hconstitutethefamilysdysfunctionalrelationships.WiththepsychoanalytictheoryofWalterDavis,itdemonstrateshowtheTyronesfamilytrapsthemselvesintoanintricatewebofconflictsbecauseofthe“doubleprocessofdesireitselfandsimultaneouslyoffersolutionsaccordingtooneilsownunderstandingofthefamilytragedy.【Keywords】d

3、esires;repressionanddefense;dysfunctionalfamilyI.IntroductionEugeneoneillestablishedhisreputationasamilestoneinAmericanTheaterbyhiswide-scopedinnovativeexplorationinartisticcreationandhisdeepconcernforthetragicpredicamentofhumanity.oneillsautobiographicalmasterpieceLongDaysJourneyintoNightconsummate

4、shisartisticstyleoftragedywithapsychologicalcomplexityinhisportrayalofamodernfamilyandindividualtragedy.Thisplaymainlyexposestheconflictedandpainfulrelationshipsofafamilyincrisis,tellingonedayhappenedamongthefourcalamity-strickenTyrones.Theynostalgicallyattempttorepresstheirdesiresbutparadoxicallyin

5、tensifythecollectiveexperienceoflossandgenerateafrenzyofdefensiveinteractionsbetweenfamilymembers.II.ACollectiveDesireforthePastAccordingtoWalterDavistheoryofthedramaofsubjectivity,desire,asourfirstexperientialexperienceinthefaceofaprimarylosswesuffer,isthebirthofself-awarenessandthebasisofthisrelat

6、ionship:“Asthefirstformofself-consciousness,desirereveals,inawaythatknowingcouldnot,theimmediacyofconsciousnessrelationshipbothtoitselfandtotheworldDavis,1989:26.Theexperienceoflossunderliesourimmediacyofconsciousnessabouttheworld.Anddesiredefinesourdramaticresponsetoourexperienceofloss.TheTyronefam

7、ilyinoneilsLongDaysJourneyintoNighthasasharedsenseoflosssothatallofthefamilymemberspossessacollectivedesiretoarresttheirpasts.Theyprojecttheirpastintotheirpresentfamilyrelationships.TostartwithMary,shelongsforherconvertdayswhenshehadMotherElizabethsapproval;shedesirestoobtainthesalvationofherpresent

8、disastrousfamilyrelationshipsthroughhernostalgiafortheBlessedVirgin,heryouthhoperepresentingthestabilityandastateofgracesheonceattained.Shewontletgoofherpast,sothatshetriestoleavethepresentwiththedegradationintomorphineaddiction.Shepatheticallyyettenderlyspeaksofsomethingshehaslostforever,walkingint

9、othefogofherpast.Itillustratesthatherrelationshiptothepresentinvolvesregret,denial,andloss.Herveryinwardnessisrootedinherpast.endprintJamesmournsan“aestheticloss.Becauseofthehauntingill-fatedchildhoodandtheresponsibilityofsupportinghispoverty-strickenfamily,Jamesbecomeobsessedwithmoneyandkeepsaccumu

10、latingwealthatthecostofhisartisticdream.Hehasprostitutedhistalentasaclassicalactorfortheillusionofmaterialsuccess.Hisalcoholaddictionperpetuateshisregretoverhistakingapartinaplaywherinhebecametypecast;neverthelesshecouldhavebeenagreatShakespeareactor.Inhislife,theabsurdappearsinthecaparisonbetweenth

11、eactorhemighthavebeenandthematerialsuccesshedesires:“ThatGod-damnedplayIboughtforasongandmadesuchagreatsuccessinagreatmoneysuccessitruinedmewiththepromiseofaneasyfortuneWhatthehellwasitIwantedtobuy,Iwonder,thatwasworthwell,nomatter.Itsalatedayforregrets.ONeil,1955:149Jamiealsodrinkstosavorhispast.As

12、forJamie,althoughhenevermentionsit,thedeathofEugeneweighsonhisconsciencebecauseinhisdeepheartheknowshemightdoitunconsciouslytowinhismotherslove.However,hedoesntconstantlymournhispastorangrilyregretitashismotherandfather;insteadhemakesthepresentthepastbydenyinghimselfwithinit.AccordingtoDennisJ.Rich,

13、Jamieslossis“psychologicalRich,1979:259.Edmund,alsoanalcoholic,speaksofrecapturingthepoeticmomentecstaticfreedom,thusidealizinghispastasasailor.Heisthesickchildofthefamilywhosesicknessdeniesthepresent.Edmundistheonewhoexperiencesthemostcrisisoftheabsurd.Herealizesthatlifeis“damnedcrazyONeil,1955:151

14、,andatonepointheeventriestokillhimself.Butinthefinalmomentsofinsightandunderstanding,herebelsagainstdeathandtheabsurd,anddecidestogoforthatsanatoriumforcure.EdmundistheautobiographicalfigureofEugeneoneilhimself.Althoughthedisasterofthepastalsohangsonhim,heeventuallyresortstoloveandforgivenesstogiveh

15、opesandwishestothissympatheticfamily.AllthefamilymembersoftheTyronesshareacommondesiretorecreatetheirpasts.ItisimportanttonotethatLongDaysJourneyintoNightisnotonlyajourneyforwardintime,butalsoajourneybackintothepastlivesofallthecharacters,whocontinuallydipbackintotheiroldlifestyles.Whatmakesitworsei

16、sthateveryfamilymember,insteadoffreeingtheirdesires,constantlydeniesanddefensesthem,whichinturnsustainstheoldonesandcreatesnewonesthatexacerbatethefamilytragedy.endprintIII.DesireasRepressionandDefenseDavistheoryofdramaticpsychoanalyticsubjectprovidesacontexttounderstandthecomplexprocessofourdesiresandemphasizethe“doublemovementofourlivedrelationshiptoourdesires.Hedefinesthekeyactivitiesofthe“doublemovementofdesireasrepressionanddefense.Repressionisou

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