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1、Abstract Literature is the art of written works. Literature is a creative form of words used to display the writers idea and feeling which grows from common life and appears holy and above life. However, the cognizing function of literature is not only the comprehension about the emotional life expe
2、riences, but also the understanding to the essence of the social reality. Taking relative research results and literature theory as guidance, the paper aims to study how and what, in the literary works, heroes are created in fictions both in the east and west. Yang Guo in Shen Diao Xia L and King Ar
3、thur in Le Morte dArthur are taken as examples to the study, hoping to display in detail the similarities and differences in the characterization of their images. Firstly, the knowledge about the literature and fictional art are introduced. Secondly, it tells the notions of hero in different literar
4、y forms such as WU XIA in eastern culture while KNIGHT in western culture. And thirdly, facts and evidences about background, personal life experience, attitude, and ups and downs etc are all taken into analysis and consideration to prove that however different those images or figures are in differe
5、nt cultures, the essence of heroes and heroism in peoples heart remains the same, which means the combination of nobility, honesty, bravery and morality.Key words: literature theory; characterization; comparison; essence摘要文学是展现作者源于生活、高于生活的见解的创造性结果。通过文学创作，作者不但可以阐述对生活经验的感悟，而且能够抒发其对社会现实本质的认识与理解。在对于英雄形象
6、的理解以及如何解读英雄的内涵方面，东西方文艺创作的表现手法也存在着不同。本文从文学与小说的功能入手，将英国文学的传奇人物亚瑟王与金庸笔下的“神雕侠”杨过作为研究分析对象，通过小说对人物的经历与故事情节的分析进而对比东西方文学在英雄形象方面理解的异同。研究采取对比的方法分析武侠与骑士在不同文化中表象的异同。通过杨过与亚瑟王的英雄故事渊源、背景、经历、为人处世态度等方面的探讨论证，认为，尽管不同的文化在人民心中会孕育不同的英雄形象，但是无论表象在不同文化环境中如何迥异，英雄的本质都是一样的：他们都是集高尚、忠实、大无畏和美德于一体的理想的化身。关键词：文学理论；英雄；对比；本质ContentsAb
7、stracti摘要ii1. Introduction1 1.1 Literature1 1.1.1 Definition1 1.1.2 Function1 1.2 Fiction12. WU XIA and KNIGHT3 2.1 WU XIA in eastern culture3 2.2 KNIGHT in western culture33. The Origin of Legend 5 3.1 The origin of legend of hero Yang Guo5 3.2 The origin of legend of hero King Arthur54. Background
8、7 4.1 Yang Guo7 4.2 King Arthur75. Experience8 5.1 Yang Guo8 5.2 King Arthur96. Attitude11 6.1. Yang Guo11 6.2. King Arthur117. Conclusion13References 14Acknowledgments151. Introduction1.1 Literature 1.1.1 DefinitionAccording to Yang Chunshi(2007:16), literature is a process of experiencing which is
9、 based on the existing experience, but also goes beyond. Whats more, its aesthetic features are imagery, thought tendency, emotion, virtuosity and personality etc(杨春时 2007：29). Literature is the product of what writers have seen, heard and felt. Whats more, literature is neither historical reality n
10、or the documentary which can describe what has happened in the past, but it can help us learn the history better. Yang Chunshi (2007:226)points that there are several forms of literature, namely, fiction, poetry, essay, drama and literature of film and television. This paper takes Yang Guo and King
11、Arthur as objects to study, who are the protagonist images from the fictions respectively called Jin Yongs Shen Diao Xia L(1994) and Sir Thomas Malorys Le Morte dArthur(the classic rendition by Keith Baines) (2010). Although we could not treat the literature works as complete reality, we could not d
12、eny that it was from the reality, it perhaps has an archetype in reality or reflects the images or spirit of the real life at one time. With the point of Yang Chunshi（2007：132）, mode of existence and experience, as literature is, has the feature of nation. To some extent, the nation feature of liter
13、ature would show the national spirit to readers, whats more, the first-class literature works can better spread the national spirit and images to readers, and help readers get more information about it and better understand the nation. Literature could help to lead readers to build a more harmonious
14、 life and provide an ideal community in the subjunctive world.1.1.2 FunctionYang Chunshi (2007:84) tells in her book, there are four functions in literature, they are practical, aesthetic, amusing and social functions. From this description, we could infer that the images in literature are with the
15、art processing, so they are not the very true people and true history. Things must have been sublimed, thus, we should not read it literally as the history of somewhere in some time. On the other hand, it reflects the writers feeling and most of the time represents the idea of the people. When we read the literature works, west or east, we could find out the connotation and analysis on how and what the heroic images were created in the stories. 1.2 FictionAccording to Luo Xuanmin (2006:1), fiction broadly defining, is a story not entirely factual, but at least partially shaped, made-up
