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1、Stylistics题 目：Analysis On Ode to the West WindFrom the Stylistic Perspective班级:学号:姓名:时间:from the StylisticAnalysis on Ode to the West WindPerspectiveis masterpiece of Shelley and it isAbs traC t： Ode to the Wes t Windworld-renowned especially the last line. From the stylistic perspective, this paper
2、 discusses this poem from these three aspects: image, sound and figures of speech to better understand Shelley idea to reform just like the wes t wind.雪莱的代表作西风颂世界著名，尤其是最后一句，“当冬天来的时候， 春天还会远吗？ ”脍炙人口。而本文旨在从文体学角度讨论了该诗的意境，音律 和修辞三方面来充分了解雪莱的这首西风颂。Key Words: image， sound， figures of speech, west wind.I Intr
3、oduction to the General Poem AnalysisII Introduction to Ode to the West WindOde to the West WindO wild West Wind, thou breath of Autumns being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilences
4、tricken multitudes: O thou, Who chariotest to their dark wintry bedThe winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion oer the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With l
5、iving hues and odours plain and hill: Wild Spirit, which art moving everywhere;Destroyer and preserver; hear, oh hear!Thou on whose stream, mid the steep skys commotion. Loose clouds like earths decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning
6、: there are spread On the blue surface of thine aery surge,Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zeniths height.The locks of the approaching storm. Thou dirgeOf the dying year, to which this closing nightWill be the dome of a
7、 vast sepulchre,Vaulted with all thy congregated mightOf vapours, from whose solid atmosphereBlack rain, and fire, and hail will burst: oh hear!Thou who didst waken from his summer dreamsThe blue Mediterranean, where he lay,Lulld by the coil of his crystalline streams, Beside a pumice isle in Baiaes
8、 bay,And saw in sleep old palaces and towersQuivering within the waves intenser day,All overgrown with azure moss and flowersSo sweet, the sense faints picturing them! ThouFor whose path the Atlantics level powersCleave themselves into chasms, while far belowThe sea-blooms and the oozy woods which w
9、earThe sapless foliage of the ocean, knowThy voice, and suddenly grow gray with fear,And tremble and despoil themselves: oh hear!If I were a dead leaf thou mightest bear;If I were a swift cloud to fly with thee;A wave to pant beneath thy power, and shareThe impulse of thy strength, only less freeTha
10、n thou, O uncontrollable! If evenI were as in my boyhood, and could beThe comrade of thy wanderings over Heaven,As then, when to outstrip thy skiey speedScarce seemd a vision; I would neer have strivenAs thus with thee in prayer in my sore need.Oh, lift me as a wave, a leaf, a cloud!I fall upon the
11、thorns of life! I bleed!A heavy weight of hours has chaind and bowdOne too like thee: tameless, and swift, and proud.Make me thy lyre, even as the forest is:What if my leaves are falling like its own!The tumult of thy mighty harmoniesWill take from both a deep, autumnal tone,Sweet though in sadness.
12、 Be thou, Spirit fierce. My spirit! Be thou me, impetuous one!Drive my dead thoughts over the universeLike witherd leaves to quicken a new birth!And, by the incantation of this verse, Seatter, as from an unextinguishd hearth Ashes and sparks, my words among mankind! Be through my lips to unawakend e
13、arth The trumpet of a prophecy! Oh Wind, If Winter comes, can Spring be far behind? m Analysis on Ode to the West Wind1 ImageIn the first canto, the main image was the wild west wind and the leaves dead. The canto mainly portrayed the scene that the wind west windswept the dead leaves in the forest
14、and brought the seed of life. The dead leaves were blown like ghost from an enchanter fleeing and the winged seeds were sent by the wind to their dark wintry bed. In second canto, the poet used these images like clouds, vapour, rain, black rain, lighting, fair and hail to display the strong momentum
15、 of the west wind. Especially this line “black rain and fire and hail will burst” fully reflected that how des true tive the force of wes t wind was and the wes t wind made the ligh tening and rains. In t hird canto, the images, the blue Med it erranean, waves and old palaces and towers and west win
16、d, were combined to create the atmosphere that the west wind would blew everything down and it indicated the coming of the groundbreaking reform. Then, everything belongs to the oldworld would suddenly grow grey with fear and trembled and despoiled themselves. Thus, the west wind became the maker of all the commotion. The first three
