2022年考博英语-桂林理工大学考试题库及全真模拟冲刺卷61(附答案带详解)

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1、2022年考博英语-桂林理工大学考试题库及全真模拟冲刺卷(附答案带详解)1. 单选题The French word renaissance means rebirth. It was first used in 1855 by the historian Jules Michelet in his History of France, then adopted by historians of culture, by art historians, and eventually by music historians, all of whom applied it to European cu

2、lture during the 150 years spanning 1450-1600. The concept of rebirth was appropriate to this period of European history because of the renewed interest in ancient Greek and Roman culture that began in Italy and then spread throughout Europe. Scholars and artists of this period wanted to restore the

3、 learning and ideals of the classical civilizations of Greece and Rome. To these scholars this meant a return to human. Fulfillment in life became a desirable goal, and expressing the entire range of human emotions and enjoying the pleasures of the senses were no longer frowned on. Artists and write

4、rs now turned to religious subject matter and sought to make their works understandable and appealing.These changes in outlook deeply affected the musical culture of the Renaissance period how people thought about music as well as the way music was composed and experienced. They could see the archit

5、ectural monuments, sculptures, plays, and poems that were being rediscovered, but they could not actually hear ancient music although they could read the writings of classical philosophers, poets, essayists, and music theorists that were becoming available in translation. They learned about the powe

6、r of ancient music to move the listener and wondered why modern music did not have the same effect. For example, the influential religious leader Bernardino Cirillo expressed disappointment with the learned music of his time. He urged musicians to follow the example of the sculptors, painters, archi

7、tects, and scholars who had rediscovered ancient art and literature.The musical Renaissance in Europe was more a general cultural movement and state of mind than a specific set of musical techniques. Furthermore, music changed so rapidly during this century and a half-though at different rates in di

8、fferent countries that we cannot define a single Renaissance style.21. What does the author mean by using the underlined word “eventually” in Para. 1?22. The underlined phrase “frowned on” in Para. 1 is closest in meaning to_.23. It can be inferred from the passage that thinkers of the Renaissance w

9、ere seeking a rebirth of_.24. According to the passage, why was Bernardino Cirillo disappointed with the music of his time?25. Which of the following is mentioned in the passage as a reason for the absence of a single Renaissance musical style?问题1选项A.That music historians used the term “Renaissance”

10、 after the other historians did.B.That most music historians used the term “Renaissance”.C.The term “Renaissance” became widely used by art historians but not by music historians.D.That music historians used the term “Renaissance” very differently than it had been used by Jules Michelet.问题2选项A.given

11、 upB.forgotten aboutC.argued aboutD.disapproved of问题3选项A.communication among artists across EuropeB.spirituality in everyday lifeC.a cultural emphasis on human valuesD.religious themes in art that would accompany the traditional secular themes问题4选项A.It was not complex enough to appeal to musicians.B

12、.It had little emotional impact on audiences.C.It was too dependent on the art and literature of his time.D.It did not contain enough religious themes.问题5选项A.The musical Renaissance was defined by technique rather than style.B.The musical Renaissance was too short to give rise to a new musical style

13、.C.Renaissance musicians adopted the styles of both Greek and Roman musicians.D.During the Renaissance, music never remained the same for very long.【答案】第1题:A第2题:D第3题:C第4题:B第5题:D【解析】21.推理判断题。题干定位到文章的第二句话It was first used in 1855 by the historian Jules Michelet in his History of France, then adopted b

14、y historians of culture, by art historians, and eventually by music historians,“1855年,历史学家朱尔斯米歇莱在他的法国历史中首次使用了这个词,随后被文化史学家、艺术史学家甚至音乐史学家采用”从句子里面的表示时间逻辑的词first、then我们可以推测eventually是表示时间顺序,所以答案选A选项“音乐历史学家在其他历史学家之后使用了文艺复兴这个词”。B选项“大多数音乐历史学家使用文艺复兴这个词”,文章没有提及有多少音乐历史学家在使用这个单词,属于无中生有。C选项“文艺复兴一词被艺术史学家广泛使用,而不是音

15、乐史学家”,文章没有提及文艺复兴这个词语没有流行于音乐历史学家,属于无中生有。D选项“音乐历史学家使用的文艺复兴一词与朱尔斯米歇莱使用的非常不同”,文章没有提及“文艺复兴”这个词的词义变迁,属于无中生有。22.词义推断题,第一步,句中前后信息衔接,定位到文章第一段倒数第二三句 To these scholars this meant a return to human. Fulfillment in life became a desirable goal, and expressing the entire range of human emotions and enjoying the p

16、leasures of the senses were no longer frowned on.“在生活中的满足成为一个理想的目标,并且表达整个人类的情感和享受感官的乐趣不再()”,从这里可知,文意复兴就是回到以人为中心的理念上来,这句中and连接两个并列的句子,这两个句子都是用来说明文艺复兴时期出现的变化。第二步,上下文语义衔接,从第一段倒数第一句话Artists and writers now turned to religious subject matter and sought to make their works understandable and appealing.“艺术家和作家现在转向宗教题材,试图使他们

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