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1、2022年考博英语-首都经济贸易大学考前提分综合测验卷（附带答案及详解）1. 单选题I wish （ ）that much money last month.问题1选项A.I had not spentB.did not spentC.would not have spentD.have not spent【答案】A【解析】考察虚拟语气。根据last month可知此处是与过去事实相反的情况，因此wish后面要用过完完成时态。选项A符合题意。句意：我希望我上个月没花这么多钱。2. 单选题（ ） such as a washing machine and microwave offer a lo
2、t of convenience to people in their housework.问题1选项A.ApplicationsB.InstrumentsC.AppliancesD.Facilities【答案】C【解析】考查名词词义辨析。A选项application表示“应用；申请；应用程序”；B选项instrument表示“仪器；工具；乐器；手段；器械”；C选项appliance表示“装置；器具，器械（尤指家用电器）”；D选项facility表示“设备，工具；容易；灵巧；才能；天赋”。根据a washing machine and microwave（洗衣机和微波炉）可知，句意是指家用电器
3、为人们在家务上提供了很多方便。因此，本题的正确答案为C项。3. 单选题People buy insurance in order to（ ）a small, certain, tolerable loss for a large, uncertain,catastrophic one.问题1选项A.returnB.substituteC.instituteD.predict【答案】B【解析】考查固定词组搭配。固定搭配substitute .for.表示“用代替”。A选项return表示“返回，报答，回击”；C选项institute表示“实行，授予（学位），提起（诉讼）”；D选项predict表
4、示“预言，预测”。【句意】人们买保险是为了用一个可以确定和容忍的小损失来替代大的、不确定的、灾难性的损失。4. 单选题It is reported that fewer and fewer of todays workers expect to spend their working lives in the same field, （ ）the same company.问题1选项A.much worseB.let aloneC.all elseD.less likely【答案】B【解析】动词辨析题。A选项much worse “更糟糕的是.”；B选项let alone“更不用说，听任，不打
5、扰”；C选项all else“其他所有”；D选项less likely“最不可能的”。句意：据报道，如今越来越少的工人希望自己的职业生涯都在同一领域工作，更不用说同一家公司了。选项B符合句意。5. 单选题Over a third of the population was estimated to have no（ ）to the health service问题1选项A.assessmentB.accessC.assignmentD.exception【答案】B【解析】考查词组的固定搭配。A选项assessment表示“评定，估价”；B选项access表示“进入，通道，机会”；C选项assi
6、gnment表示“分配，任务”；D选项exception表示“例外，异议”。词组have access to可表示“使用，接近，可以利用”，其余3项不可与have构成搭配。句意：估计有超过三分之一的人口没有享受到医疗服务。因此本题正确答案为B选项。6. 单选题Color and sex are not relevant （ ）whether a person is suitable for the job.问题1选项A.onB.forC.toD.with【答案】C【解析】考查固定搭配的介词。be relevant to表示“与相关的”，句意：人种和性别与一个人是否适合工作无关。因此，本题正确答
7、案为C项。7. 单选题Museum is a slippery word.It first meant (in Greek) anything consecrated to the Muses: a hill, a shrine, a garden, a festival or even a textbook.Both Platos Academy and Aristotles Lyceum had a mouseion, a muses shrine.Although the Greeks already collected detached works of art, many templ
8、es notably that of Hera at Olympia (before which the Olympic flame is still lit) had collections of objects, some of which were works of art by well-known masters, while paintings and sculptures in the Alexandrian Museum were incidental to its main purpose.The Romans also collected and exhibited art
9、 from disbanded temples, as well as mineral specimens, exotic plants, animals; and they plundered sculptures and paintings (mostly Greek) for exhibition, Meanwhile, the Greek word had slipped into Latin by transliteration (though not to signify picture galleries, which were called pinacothecae) and
10、museum still more or less meant “Muses shrine”The inspirational collections of precious and semi-precious objects were kept in larger churches and monasteries which focused on the gold-enshrined, bejeweled relics of saints and martyrs.Princes, and later merchants, had similar collections, which beca
11、me the deposits of natural curiosities: large lumps of amber or coral, irregular pearls, unicorn horns, ostrich eggs, fossil bones and so on.They also included coins and gems often antique engraved ones as well as, increasingly, paintings and sculptures.As they multiplied and expanded, to supplement
12、 them, the skill of the fakers grew increasingly refined.At the same time, visitors could admire the very grandest paintings and sculptures in the churches, palaces and castles; they were not collected either, but site-specific, and were considered an integral part both of the fabric of the building
13、s and of the way of life which went on inside them and most of the buildings were public ones.However, during the revival of antiquity in the fifteenth century, fragments of antique sculpture were given higher status than the work of any contemporary, so that displays of antiquities would inspire ar
14、tists to imitation, or even better, to emulation, and so could be considered Muses shrines in the former sense.The Medici garden near San Marco in Florence, the Belvedere and the Capitol in Rome were the most famous of such early inspirational collections.Soon they multiplied, and gradually, exempla
15、ry modem works were also added to such galleries.In the seventeenth century, scientific and prestige collecting became so widespread that three or four collectors independently published directories to museums all over the known world.But it was the age of revolutions and industry which produced the next sharp shift in the way the institution was perceived: the fury against royal and church monuments prompted antiquarians to shelter them in asylum galleries, of which the Mu
