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1、CATTI英语笔译实务模拟题CATTI英语笔译实务模拟题英语笔译从语言、文化和 翻译的关系等视野，探讨翻译过程中文化语料的翻译和回译问题，力图摆脱狭义的修辞概念，从更广义的修辞视角，探讨翻译过程中从文本到词汇的翻译决策问题，主要内容包括文化与翻译、修辞与翻译、操作性文本的翻译等。以下是我整理的关于CATTI英语笔译实务模拟题，希望大家仔细阅读!英译汉Passage One(430字)I just spent the last two days at a great conference convened by M.I.T. and Harvard on “Online Learning and
2、 the Future of Residential Education” a k a “How can colleges charge $50,000 a year if my kid can learn it all free from massive open online courses?”You may think this MOOCs revolution is hyped, but my driver in Boston disagrees. You see, I was picked up at Logan Airport by my old friend Michael Sa
3、ndel, who teaches the famous Socratic, 1,000-student “Justice” course at Harvard, which is launching March 12 as the first humanities offering on the M.I.T.-Harvard edX online learning platform. When hemet me at the airport I saw he was wearing some very colorful sneakers.“Where did you get those?”
4、I asked. Well,Sandel explained, he had recently been in South Korea, where his Justice coursehas been translated into Korean and shown on national television. It has madehim such a popular figure there that the Koreans asked him to throw out the ceremonial first pitch at a professional baseball game
5、 and gave him the colored shoes to boot! Yes, a Harvard philosopher was asked to throw out thefirst pitch in Korea because so many fans enjoy the way he helps them think through big moral dilemmas.Sandel had just lectured in Seoul in an outdooramphitheater to 14,000 people, with audience participati
6、on. His online Justicelectures, with Chinese subtitles, have already had more than 20 million viewson Chinese Web sites, which prompted The China Daily to note that “Sandel hasthe kind of popularity in China usually reserved for Hollywood movie stars andN.B.A. players.”O.K., not every professor will
7、 develop a globalfollowing, but the MOOCs revolution, which will go through many growing pains,is here and is real. These were my key take-aways from the conference:Institutions of higher learning must move, asthe historian Walter Russell Mead puts it, from a model of “time served” to amodel of “stu
8、ff learned.” Because increasingly the world does not care what youknow. Everything is on Google. The world only cares, and will only pay for,what you can do with what you know. And therefore it will not pay for a C+ inchemistry, just because your state college considers that a passing grade andwas w
9、illing to give you a diploma that says so. Were moving to a morecompetency-based world where there will be less interest in how you acquiredthe competency in an online course, at a four-year-college or in acompany-administered class and more demand to prove that you mastered thecompetency.Passage Tw
10、o(406字)这篇是真题，通过真题可以看出哪些点须要留意Equipped with the camera extender known as aselfie stick, occasionally referred to as the wand of narcissism,” tourists cannow reach for flattering selfies wherever they go.Art museums have watched this developmentnervously, fearing damage to their collections or to visit
11、ors, as users swingtheir sticks with abandon. Now they arc taking action. One by one, museumsacross the United States have been imposing bans on using selfie sticks forphotographs inside galleries (adding them to existing rules on umbrellas,backpacks and tripods), yet another example of how controll
12、ing crowding hasbecome part of the museum mission.The Hirshhom Museum and Sculpture Garden inWashington prohibited the sticks this month, and the Museum of Fine Arts inHouston plans to impose a ban. In New York, the Metropolitan Museum of Art,which has been studying the matter for some lime, has jus
13、t decided that it willforbid selfie slicks, too. New signs will be posted soon.“From now on, you will be asked quietly to putit away,” said Sree Sreenivasan, the chief digital officer at the MetropolitanMuseum of Art. “Its onething to take a picture at arms length, but when it is three times armslen
14、gth, you arc invading someone elses personal space.The personal space of other visitors is justone problem. The artwork is another. “We do not want to have to put all the artunder glass,” said Deborah Ziska, the chief of public information at theNational Gallery of Art in Washington, which has been
15、quietly enforcing a banon selfie sticks, but is in the process of adding it formally to its printedguidelines for visitors.Last but not least is the threat to the cameraoperator, intent on capturing the perfect shot and oblivious to thesurroundings. “If people are not paying attention in the Temple
16、of Dendur, theycan end up in the water with the crocodile sculpture” Mr. Sreenivasan said. “Wehave so many balconies you could fall from, and stairs you can trip on.”At the Metropolitan Museum of Art on Thursday,Jasmine Adaos, a selfie-stick user from Chile, expressed dismay. “Its justanother product”，she said. “When you have a regular camera, its the samething. I dont see the problem if youre careful.
