2022年考博英语-哈尔滨工业大学考试题库及全真模拟冲刺卷(含答案带详解)套卷75

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1、2022年考博英语-哈尔滨工业大学考试题库及全真模拟冲刺卷(含答案带详解)1. 翻译题Intelligence at best is an assumptive construct -the meaning of the word has never been clear. There is more agreement on the kinds of behavior referred to by the term than there is on how to interpret or classify them. But it is generally agreed that a per

2、son of high intelligence is one who can grasp ideas readily, make distinctions, reason logically, and make use of verbal and mathematical symbols in solving problems. An intelligence test is a rough measure of a childs capacity for learning, particularly for learning the kinds of things required in

3、school. It does not measure character, social adjustment, physical endurance, manual skills, or artistic abilities. It is not supposed to -it was not designed for such purposes. To criticize it for such failure is roughly comparable to criticizing a thermometer for not measuring wind velocity.【答案】智力

4、充其量是一种假设的构造这个词的意思从来就没有明确过。人们达成共识比较多的是智力指那些行为,但是谈到如何解释和归类智力时,人们的分歧就比较大。但是, 人们一般认为,高智商的人能够很容易地掌握思想、区分、逻辑推理,并在解决问题时使用语言和数学符号。智力测试是对孩子学习能力的粗略测量,尤其是对学习学校要求的东西。它不衡量性格、社会适应、身体耐力、手工技能或艺术能力。它不应该它不是为这样的目的而设计的。批评它的这种失败,大致相当于批评温度计没有测量风速一样。2. 单选题In 1923 the innovative Russian filmmaker Dziga Vertov described fil

5、mmaking as a process that leads viewers toward a “fresh perception of the world.” Vertovs description of filmmaking should apply to films on the subject of art. Yet films on art have not had a powerful and pervasive effect on the way we see.Publications on art flourish, but these books and articles

6、do not necessarily succeed in teaching us to see more deeply or more clearly. Much writing in art history advances the discourse in the field but is unlikely to inform the eye of one unfamiliar with its polemics. Films, however, with their capacity to present material visually and to reach a broader

7、 audience, have the potential to enhance visual literacy (the ability to identify the details that characterize a particular style) more effectively than publications can. Unfortunately, few of the hundred or so films on art that are made each year in the United States are broadcast nationally on pr

8、ime-time television.The fact that films on art are rarely seen on prime-time television may be due not only to limitations on distribution but also to the shortcomings of many such films. Some of these shortcomings can be attributed to the failure of art historians and filmmakers to collaborate clos

9、ely enough when making films on art. These professionals are able, within their respective disciplines, to increase our awareness of visual forms. For close collaboration to occur, professionals in each discipline need to recognize that films on art can be both educational and entertaining, but this

10、 will require compromise on both sides. A filmmaker who is creating a film about the work of an artist should not follow the standards set by rock videos and advertising. Filmmakers need to resist the impulse to move the camera quickly from detail to detail for fear of boring the viewer, to frame th

11、e image for the sake of drama alone, to ad music for fear of silence. Filmmakers are aware that an art object demands concentration and, at the same time, are concerned that it may not be compelling enough-and so they hope to provide relief by interposing “real” scenes that bear only a tangential re

12、lationship to the subject. But a work of art needs to be explored on its own terms. On the other hand, art historians need to trust that one can indicate and analyze, not solely with words, but also by directing the viewers gaze. The specialized written language of art history needs to be relinquish

13、ed or at least tempered for the screen. Only an effective collaboration between filmmakers and art historians can create films that will enhance viewers perceptions of art.1. The passage suggests that a filmmaker desiring to enhance viewers perceptions of art should do which of the following?2.The a

14、uthor of the passage refers to Vertov in the first paragraph most probably in order to3.Which of the following best describes the organization of the passage?4.The passage is primarily concerned with( ) .5.The author would most likely agree with which of the following statements about film and visua

15、l literacy?6. According to the passage, art historians desiring to work with filmmakers to enhance the publics appreciation of art need to acknowledge which of the following?7.Which of the following would describe the authors most likely reaction to a claim that films on art would more successfully

16、promote visual literacy if they followed the standards set for rock videos?问题1选项A.Rely on the precise language of art history when developing scripts for films on art.B.Rely on dramatic narrative and music to set a films tone and style.C.Recognize that a work of art by itself can be compelling enough to hold a viewers attention.D.Depend more strongly on narration instead of camera movements to guide t

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