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1、目录第一章 总 论1第一节 项目背景1第二节 项目提出的理由与建设的必要性2第三节 项目概况9第二章 市场分析及预测12下载后可任意编辑，修改第一节 市场供应与消费现状12第二节 产品未来需求预测15第三节 产品竞争能力分析172.3.1 优势17第四节 营销策略19第三章 生产规模和产品方案22第一节生产规模22第二节 产品方案22第四章 场址选择25第一节场地所在位置25第二节土地利用现状、地形地貌25第三节 场地建设条件26第五章 技术方案和工程方案28第一节 主要技术方案28第二节 工程方案及主要设备37第六章 主要原材料、燃料动力消耗37第一节 主要原材料37第二节 主要燃料及动力3
2、8第七章 项目总体布置38第一节 场区总平面布置38第二节 公用辅助工程39第八章 投资估算与资金筹措39第一节 总投资估算39第二节 资金筹措42第九章 财务评价43第一节 基础数据与参数43第二节 财务盈利能力44第三节 偿债能力分析47第四节 不确定性分析47第十章 结论与建议52第一节 结 论52第二节 建 议52personify the vanishing aristocracy of the South, still maintaining a black servant and being ruthless betrayed by a moneymaking Yankee. S
3、ometimes a part of a characters body or an attribute may convey symbolic meaning, for example, a baleful eye in Edgar Allan Poes “The Tell-Tale Heart.” 4. Symbol used in works of fiction is the symbolic act Another kind of symbol commonly employed in works of fiction is the symbolic act: an act or a
4、 gesture with larger significance than its literal meaning. Captain Ahab in Melvilles Moby-Dick deliberately snaps his tobacco pipe and throws it away before setting out in pursuit of the huge whale, a gesture suggesting that he is determined to take his revenge and will let nothing to distract him
5、from it. Another typical symbolic act is the burning of the barn by the boys father in Faulkners “Barn Burning”: it is an act of no mere destroying a barn, but an expression of his profound spite and hatred towards that class of people who have driven his family out of his land. His hatred extends t
6、o anything he does not possess himself and, beyond that, burning a barn reflects the fathers memories of the “waste and extravagance of war” and the “element of fire spoke to some deep mainspring” in his being.5. A symbol is a tropeIn a broad literary sense, a symbol is a trope that combines a liter
7、al and sensuous quality with an necessary or suggestive aspect. However, in literary criticism it is necessary to distinguish symbol from image, metaphor, and, especially, allegory.An imageAn image is a literal and concrete representation of a sensory experience or of an object that can be known by
8、one or more of the senses. It is the means by which experience in its richness and emotional complexity is communicated. (Holman and Harmon, A Handbook to Literature, 1986) Images may be literal or figurative, a literal image being one that involves no necessary change or extension in the obvious me
9、aning of the words. Prose works are usually full of this kind of image. For example, novels and stories by Conard and Hemingway are noted for the evocative power of their literal images. A figurative image is one that involves a “turn” on the literary meaning of the words. For example, in the lines
10、“It is a beauteous evening, calm and free; /The holy time is quiet as a nun,” the second line is highly figurative while the first line evokes a literal image. We consider an image, whether literal or figurative, to have a concrete referent in the objective world and to function as image when it pow
11、erfully evokes that referent; whereas a symbol functions like an image but differs from it in going beyond the evocation of the objective referent by making that referent suggest to the reader a meaning beyond itself. In other words, a sysmbol is an image that evokes an objective, concrete reality,
12、but then that reality suggests another level of meaning directly; it evokes an object that suggests the meaning, with the emphasis being laid on the latter part. As Coleridge said, “It partakes of the reality which it renders intelligible.Metaphor A metaphor is an implied analogy imaginatively ident
13、ifying one object with another and ascribing to the first object one or more of the qualities of the second, or investing the first with emotional or imaginative qualities associated with the second. It is not an uncommon literacy device in fiction, though it is more commonly used in poetry while si
14、mile is more commonly used in prose. A metaphor emphasizes rich suggestiveness in the differences between the things compared and the recognition of surprising but unsuspected similarities. Cleanth Brooks uses the term “functional metaphor” to describe the way in which the metaphor is able to have “
15、referential” and “emotive” characteristics, and to go beyond those characteristics to become a direct means in itself of representing a truth incommunicable by other means. When a metaphor performs this function, it is behaving as a symbol. But a symbol differs from a metaphor in that a metaphor evo
16、kes an object in order to illustrate an idea or demonstrate a quality, whereas a symbol embodies the idea or the quality.AllegoryAn allegory is a story in which persons, places, actions, and things are equated with meanings that lie outside of the story itself. Thus it represents one thing in the guise of
