从生态女性主义看《他们眼望上苍》中珍妮的婚姻观开题报告双语版

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1、论文题目 (Title)Analysis of Janies View of Marriage in Their Eyes Were Watching God from the Perspective of Ecofeminism从生态女性主义看他们眼望上苍中珍妮的婚姻观中心论点 (Thesis Statement): 本文通过对他们眼望上苍中女主人公珍妮的成长轨迹和三次婚姻的深入分析,揭示了自然唤醒珍妮自我意识和女性意识的过程即婚姻观的形成历程以及赫斯顿想要传递的解放女性与自然、追求两性平等和谐的生态女性主义思想。 This thesis puts emphasis on the in-de

2、pth analysis of the heroine Janies growth and three marriages. It reveals the process of nature waking Janies self-awareness and feminist consciousness, that is, the process of Janies view of marriage developing, and Hurstons ecofeminism thought which seeks equality and harmony between men and women

3、 and advocates women emancipation and the liberation of nature.本研究目的和意义(Research Purpose and Significance of This Thesis): 研究目的:本文通过解析书中人类与自然、男性与女性的关系,旨在揭示赫斯顿在小说中所传递的源于自然、长于自然、成于自然的婚姻观以及主张解放妇女与自然、追求两性平等和谐的生态女性主义思想。Through an analysis of the connection between human and nature, male andfemale, the pa

4、per aims at revealing Janies enlightened and natural view of marriage that starts, grows, and matures as part of her view of the nature, and the eco-feminism that seeks equality and harmony between men and women and advocates women emancipation and the liberation of nature. 研究意义:他们眼望上苍是美国黑人女作家佐拉尼尔赫斯

5、顿的经典之作,在美国黑人文学史上具有里程碑意义。本文通过从生态女性主义视角系统分析他们眼望上苍里女主人公珍妮的婚姻观,使读者加深对作品本身以及作者所要传达的思想的理解,并借经典文学的无穷魅力传递生态女性思想。Their Eyes Were Watching Cod is a classic work of Zora Neale Hurston, and it reputes as a milestone in the history of African-American literature. This paper analyzes the heroine Janies view of ma

6、rriage from the perspective of ecofeminism systematically, the significance of which is to help readers achieve a better understanding of the work itself and the thought that Hurston really wanted to express, and to transmit the ecofeminism thought by virtue of the charm of classical literature.本研究的

7、理论意义(国内外文献综述):国外研究: 根据国内一位资深的赫斯顿研究专家四川大学程锡麟教授搜集整理的资料表明,从70年代初起,除了大量的论文之外,关于赫斯顿研究的专著多达70多部(仅程教授搜集的书面材料所知,难免还有遗漏),进入21世纪,几乎每年都有关于赫斯顿研究的新论著出版,如:谢丽尔沃尔(Cheryl Wall )编,赫斯顿的:专题资料汇编(Hurstons Their Eyes Were Watching God: a Casebook, 2000 );莎伦L琼斯(Sharon L. Jones ),重读哈莱姆文艺复兴:杰西福赛特、佐拉尼尔赫斯顿和多萝西韦斯特小说中的种族、阶级和性属 (

8、Rereading the Harlem Renaissance: Race,Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy Wesr,2002 );马丁雅普托克(Martin Japtok ),从后殖民视角看女作家( Postcolonial Perspectives on Women s Writers,2003 );戴安娜迈尔斯(Diana Miles),佐拉尼尔赫斯顿作品中的妇女、暴力及证词( Women, violence & testimony in the wor

9、ks of Zora Neale Hurston,2003 ) 。在对他们眼望上苍的研究中,多数批评家都采用了女性主义的观点来看待这部小说,把这部小说视为后来美国女性主义作品的互文本。90年代,更多的批评家从文化批评和跨文化研究的角度去分析它。桑德拉包奇特帕奎斯赞扬这部小说展示了在美国文学中民俗文化的恢复作用和储存的价值,是一种强大的精神和艺术资源;西格丽德金探讨了此书中的仪式和命名力量的问题;约瑟夫乌尔果和迈克尔奥克沃德把此书视为一种代表,它代表了被经典排除的问题、女性争取发言权、非裔美国人寻求文学传统和文化批评的有效性问题,还认为,是这部书引发了艾丽斯沃克、格洛丽亚内勒和托尼莫里森等人的文

10、学生涯。此外,还有对这部小说中所显示的鲜明的美国黑人美学的严肃讨论,认为它剥夺了主流话语的力量,从而突出了黑人文化建构的过程。其他批评家把此作品视为融合了现实主义、传奇文学、神话、宗教、心理学和怀旧情绪的一部现代小说。Overseas Study: According to a domestic senior experts studies on Hurston, the professor of Sichuan University Cheng Xilins collection of data, from the early 1970s, the number of works on Hu

11、rston research were as much as 70 besides a large number of papers, ( Only known by the data, it is inevitable that there are some omissions). Into the 21st century, there are almost some new works being published on Hurston every year, such as Hurstons Their Eyes Were Watching God: a Casebook, whic

12、h is written by Cheryl Wall, and published in 2000; Sharon L. Jones Rereading the Harlem Renaissance: Race,Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy Wesr, 2002; Martin Japtoks Postcolonial Perspectives on Women s Writers, 2003; And Diana Miles Women, violence

13、 & testimony in the works of Zora Neale Hurston,2003. Most of the critics studied this novel Their Eyes Were Watching God through the feminist view, and regarded it as the reference of later American feminist works. In the 1990s, more critics analyzed it from the perspective of cultural criticism an

14、d cross-cultural studies. Sandra Bauchte-Parquez praised the novel as a powerful spiritual and artistic resource for the restoration and preservation of folklore in American literature; Sigrid King explored the book in the rituals and naming forces of the problem; Joseph Wuer and Michael Oke Ward sa

15、w this book as a representative, which represents a classic exclusion problem, womens fight for the right to speak, African-American literature traditions and cultural criticism, and argued that it led to the literary career of Alice Walker, Gloria Nell and Toni Morrison. In addition, there is a ser

16、ious discussion of the distinctive African American aesthetics shown in this novel, which deprives the power of the dominant discourse and thus highlights the process of black cultural construction. Other critics see this work as a modern novel that incorporates realism, legendary literature, mythology, religion, psychology, and nostalgia.国内研究:与国外相比,国内的赫斯顿研究望尘莫及,起步很晚,对赫斯顿的介绍和研究到今天也不到20

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