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1、精品资料Unit-5-The-Tapestry-of-Friendship课文翻译综合教程四.Unit 5 The Tapestry of FriendshipEllen Goodman1 It was, in many ways, a slight movie. Nothing actually happened. There was no big-budget chase scene, no bloody shoot-out. The story ended without any cosmic conclusions.2 Yet she found Claudia Weills film
2、 Girlfriend gentle and affecting. Slowly, it panned across the tapestry of friendship showing its fragility, its resiliency, its role as the connecting tissue between the lives of two young women.3 When it was over, she thought about the movies she had seen this year Julia，The Turning Point and now
3、Girlfriends. It seemed that the peculiar eye, the social lens of the cinema, had drastically shifted its focus. Suddenly the Male Buddy movies had been replaced by the Female Friendship flicks.4 This wasnt just another binge of trendiness, but a kind of cinema vrit. For once the movies were reflecti
4、ng a shift, not just from men to women but from one definition of friendship to another.5 Across millions of miles of celluloid, the ideal of friendship had always been male a world of sidekicks and “partners” of Butch Cassidys and Sundance Kids. There had been something almost atavistic about these
5、 visions of attachments as if producers culled their plots from some pop anthropology book on male bonding. Movies portrayed the idea that only men, those direct descendants of hunters and Hemingways, inherited a primal capacity for friendship. In contrast, they portrayed women picking on each other
6、, the way they once picked berries.6 Well, that duality must have been mortally wounded in some shootout at the Youre OK, Im OK Corral. Now, on the screen, they were at least aware of the subtle distinction between men and women as buddies and friends.7 About 150 years ago, Coleridge had written, “A
7、 womans friendship borders more closely on love than mans. Men affect each other in the reflection of noble or friendly acts, whilst women ask fewer proofs and more signs and expressions of attachment.”8 Well, she thought, on the whole, men had buddies, while women had friends. Buddies bonded, but f
8、riends loved. Buddies faced adversity together, but friends faced each other. There was something palpably different in the way they spent their time. Buddies seemed to “do” things together; friends simply “were” together.9 Buddies came linked, like accessories, to one activity or another. People ha
9、ve golf buddies and business buddies, college buddies and club buddies. Men often keep their buddies in these categories, while women keep a special category for friends.10 A man once told her that men werent real buddies until they had been “through the wars” together corporate or athletic or milit
10、ary. They had to soldier together, he said. Women, on the other hand, didnt count themselves as friends until they had shared three loathsome confidences.11 Buddies hang tough together; friends hang onto each other.12 It probably had something to do with pride. You dont show off to a friend; you sho
11、w need. Buddies try to keep the worst from each other; friends confess it.13 A friend of hers once telephoned her lover, just to find out if he was home. She hung up without a hello when he picked up the phone. Later, wretched with embarrassment, the friend moaned, “Can you believe me? A thirty-five
12、-year-old lawyer, making a chicken call?” Together they laughed and made it better.14 Buddies seek approval. But friends seek acceptance.15 She knew so many men who had been trained in restraint, afraid of each others judgment or awkward with each others affection. She wasnt sure which. Like buddies
13、 in the movies, they would die for each other, but never hug each other.16 She had reread Babbitt recently, that extraordinary catalogue of male grievances. The only relationship that gave meaning to the claustrophobic life of George Babbitt had been with Paul Riesling. But not once in the tragedy o
14、f their lives had one been able to say to the other: You make a difference.17 Even now men shocked her at times with their description of friendship. Does this one have a best friend? “Why, of course, we see each other every February.” Does that one call his most intimate pal long distance? “Why, ce
15、rtainly, whenever theres a real reason.” Do those two old chums ever have dinner together? “You mean alone? Without our wives?”18 Yet, things were changing. The ideal of intimacy wasnt this parallel playmate, this teammate, this trenchmate. Not even in Hollywood. In the double standard of friendship
16、, for once the female version was becoming accepted as the general ideal.19 After all, a buddy is a fine life-companion. But ones friends, as Santayana once wrote, “are that part of the race with which one can be human.”友谊面面观埃伦古德曼1 从多方面看来，这是一部不足挂齿的小制作电影。平淡无奇。没有大成本制作的追逐画面，没有血腥的枪战。故事结尾也没得出什么意味深长的结论。2 然而她还是觉
