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1、考研英语一海南省三亚市文昌市2023年预测试题Section I Use of EnglishDirections:Read the following text. Choose the best word(s) for each numbered blank and mark A, B, C or D on the ANSWER SHEET. (10 points)Neatly putting an emphasis on his storytelling skill is how writer Mo Yan began his Nobel Lecture in Literature spe
2、ech, “Storyteller”, on Friday （Saturday, Beijing time） in Stockholm.For 40 minutes he talked about his mothers 1 on him as a person and a writer, his literary inspirations, and how he 2 with the controversy（争论）that followed the announcement of his Nobel victory.He told his audience that as a boy he
3、told stories to cheer up his mother, and 3 that poverty and loneliness fueled his imagination as a writer after he grew up. 4 , authors such as William Faulkner and Gabriel Garcia Marquez 5 him, he said, especially their bold and unlimited writing style.“A person should be 6 in daily life, but follo
4、w ones instinct（本能）and take control when it 7 to literary creation.”He said the soul of 8 all of his works is the boy in Transparent Carrot who has an almost superhuman ability to bear 9 He added that he also tried to make his hometown of Gaomi in Shandong Province a microcosm（缩影）of China and even t
5、he 10 His greatest challenge, he said, was writing novels that deal with 11 realities.“In writing about the dark aspects of society there is a（n） 12 that emotions and anger allow politics to limit literature.”He said literature must be 13 on real life but go beyond it.He also mentioned the 14 surrou
6、nding his selection as Nobel winner, saying he was showered with many flowers. 15 he was a target for “stone throwers”.“At first I thought I was the 16 of the controversies, but over time Ive come to realize that the real target was a person who had 17 to do with me.”Mo 18 his lecture by saying he w
7、as made to feel like an actor in a play with all the attention he was 19 , but he had decided that the best way to communicate his thoughts was to 20 writing.1、AaffectionBinfluenceCoccasionDposition2、AagreedBfoughtCdealtDdid3、AaddedBwarnedCremindedDimagined4、AHoweverBOtherwiseCThereforeDBesides5、Apr
8、eservedBinspiredCentertainedDtaught6、AconfidentBcertainCcomfortableDmodest7、AgoesBcomesCturnsDgets8、AnearlyBhardlyCscarcelyDalways9、AdangerBsufferingCrelievingDhappiness10、AcityBvillageCworldDprovince11、AsocialBeconomicalCagriculturalDcultural12、AencouragementBdangerCadvantageDevent13、AinsistedBspen
9、tCbasedDpassed14、AcontradictionBcontestCcontraryDcontroversy15、AMeanwhileBOtherwiseCHoweverDInstead16、AgoalBintentionCtargetDpurpose17、AsomebodyBanythingCnothingDanybody18、AadoptedBconcludedCadmittedDconcerned19、AthrowingBacceptingCofferingDreceiving20、Acarry onBtake onCbring outDput outSection II R
10、eading ComprehensionPart ADirections:Read the following four texts. Answer the questions below each text by choosing A, B, C or D. Mark your answers on the ANSWER SHEET. (40 points)Text 1Samanta Schweblin, one of the best young Spanish language novelists nominated (提名) by British literary magazine G
11、ranta, has visited Beijing to promote the first Chinese edition of a collection of her short stories. The collection, Birds in the Mouth, has been translated and published by Shanghai-based publisher Reader.“Sometimes I hold the Chinese edition and choose a story at random and try to guess which one
12、 it is. But it is almost impossible for me; even the length is different.” says Schweblin. “When a book is translated into a Western language, I can at least understand some parts of my stories, and therefore suffer some doubt about the quality of the translation. But my Chinese edition is more like
13、 an act of faith.”Born in Argentina in 1978, Schweblin says she is influenced by the literary traditions of the La Plata area, home to many famous Latin-American novelists.Interested in writing stories of ordinary lives where suddenly something extraordinary happens, something new, strange or unknow
14、n, she thinks, “The stranger and the unknown are not always related to ghosts or aliens, but can be something related to the known world, something that actually could happen.”Birds in the Mouth tells of a divorced father who worries about his 13-year-old daughter and her mysterious appetites. It tu
15、rns out that his daughter eats live birds.The idea for this story came to Schweblin when she was browsing the Internet, “Click, click, click, a picture of a little girl who looks frightened with her hands covering her mouth came to my eyes. Little by little, I developed the story in my mind, and then wrote it down” recalls Schweblin.Although there are elements of violence and bloodiness in Schweblins stories, she skillfully hides them, thinking the trick to writing a thrill
