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1、-Methodologies for Evaluating Player E*perience inGame Play在游戏中评估游戏用户体验的方法Kimberly Chu, Chui Yin Wong, and Chee Weng KhongUniversal Usability and Interaction Design (UUID) SIG,Interface Design Department, Faculty of Creative Multimedia,Multimedia University, 63100 Cyberjaya, Selangor, MalaysiaAbstra
2、ct. Player e*perience constitutes one of the most significant factors indetermining the success rate of games. Games which do not provide enormoususer e*perience usually will not gain intense interest from players. The conceptof player e*perience is normally interchanged with concepts such as fun, f
3、low,fulfillment, enjoyment, engagement, satisfaction, pleasure and playability. Inthis paper,we reviewed, analyzed and discussed the different attributes andmethodologies used to evaluate player e*perience for game play. We concluded the finding in a playability matri* based on an analysis of method
4、ologies forevaluating player e*perience in game play. The matri* was constructed fromliterature analysis, which prised of attributes consisting of qualitative andquantitative, verbal and non-verbal, empirical and non-empirical methods.摘要：在决定游戏是否能成功占有市场的问题上，游戏玩家的用户体验是最为关键性的因素之一。对于那些没有提供极大量的用户体验效劳的游戏通
5、常都不会引起玩家们十分密切的关注。一般来说玩家的用户体验的概念是很多概念交织的集合，比方说游戏所带给玩家的欢乐感受，使玩家心情舒畅，有成就感，有娱乐感，有参与感，有满足感，无尽的乐趣以及游戏本身的可玩性。在这篇论文当中，我们将一道回忆，分析并且讨论能够用来评估在游戏中的游戏玩家用户体验的各种不同的方法和其属性特征。基于对评估在游戏中玩家的用户体验的众多方法的分析，我们得出可玩性模型的结论。这样的模型采用文学分析的形式构建起来，这其中包括数量与质量的分析方法，言语和非言语的分析方法，经历研究和非实证研究的分析方法。Keywords: Player e*perience, measurement,
6、 game play, playability.关键词：玩家的用户体验，测量，游戏体验，可玩性。1 Introduction1 简介In the past decade, game industries have been flourishing on various platforms fromconsoles, to personal puters (PC) to mobile devices. The trend is also coupledwith enhanced graphic processing power, advanced user interfaces and incr
7、easedple*ity in game play. The number of players grows e*ponentially due to theincreased enjoyability of game play. Therefore, in Human-puter Interaction(HCI) discipline, there are a number of research contributions, which are related to themethodologies for evaluating player e*perience for game pla
8、y.在过去的十年的当中，游戏产业在各种各样的平台上蓬勃开展起来，从小型游戏机到个人计算机PC再到移动电子设备。这种开展趋势也随着数字图像处理的能力的不断提高，也在成倍的加快步伐，不断地更新与推进游戏中用户使用界面的图形质量，增加游戏过程中内容的复杂与多样性。游戏玩家在数量上的增涨，在极大的程度上取决于这些游戏的娱乐性的加强。因此，在人与计算机交互HCI的这个领域,已经有数量极为庞大的研究报告为人机交互的开展做出了大量奉献，这些研究报告都是关乎于评估游戏中玩家的用户体验的方法的。The concept of player e*perience is often interchangeable w
9、ith other concepts,such as fun, flow, fulfillment, engagement, satisfaction, pleasure and playability.Player e*perience does not depend on a particular mode of emotion, but enpass awide variety of emotions that contribute to game player e*perience. For e*ample,while playing game, players e*perience
10、fear, e*citement, happiness, alert, anger,relief, pleasure, hope, discouragement, proud, joy, and distress. 游戏玩家的用户体验的概念一般来说是包含许许多多概念交织的集合，比方游戏所带给玩家的欢乐感，让玩家的心情舒畅，给玩家带来的成就感，和愉悦感，参与感，以及满足感，还有丰富的乐趣以及游戏本身的可玩性。玩家的用户体验并不仅仅是只依靠一种特定的人类的情感上的模式，而是包含了那些种类繁多的人们的情感类型，这些情感类型共同组成了游戏中玩家们的用户体验的内容。比方说，在玩游戏的过程当中，玩家们能体
11、验那些品种繁多的人们的情感如恐惧感，兴奋感，快乐感，警觉感，愤怒感，抚慰感，愉悦感，期待感，挫败感，成就感，快乐感和压力感。These different modesof emotions eventually form the elements of gaming e*perience. In addition, Clanton3 and Federoff 6 mentioned three aspects of gaming, i.e. interface, mechanics andgame play, which highly affected the level of players
12、 e*perience. Nevertheless, theconcept of player e*perience is fairly difficult to distinguish as they seem to be asintangible as they are appealing, which requires hands-on skills and grasping thee*perience of enjoyment 15, 18. So far, the concept itself seems fragmented, withvarious viewpoints, and
13、 it has not defined a cohesive integrated framework 11.Sweetser and Wyeth 16 also highlighted that there was no integrated model on howplayers evaluate their enjoyment level in games. Moreover, Bernhaupt 1 addressedthere was no general framework on what methods shall be used to assess interactioncon
14、cept on games. As a result, this paper aims to review and analyze the e*istingmethodologies for evaluating player e*perience, particularly on game play.这些各式各样的人类的情感的模式最终便会共同构成玩家们的游戏体验。另外，Clanton【3】和Federoff【6】曾提到过有关游戏用户体验的三个方面，这三个方面说的内容包括游戏的用户界面，游戏的运行机制和玩家的游戏过程，这三个方面在极大的程度上影响着游戏玩家的用户体验的水平。然而，要想区分游戏玩
15、家的用户体验这个概念是十分困难的，由于玩家的用户体验这个概念看上起让人十分难以捉摸以至于它们是如此的吸引人去研究，要想弄清这个概念就需要我们拥有亲自动参与游戏体验的技能并能够把握好玩家们在游戏娱乐中的用户体验【15，18】。至现在为止，从许许多多不同的角度来看，玩家们的用户体验这个概念本身看上去好似零零散散，并且它任然没有给予一个连贯整合框架式的定义【11】。Sweetser和Wyeth【16】也作出这样的强调，他们表示目前来说仍然没有一个可以用来正确评价玩家们在游戏体验过程中所得到的愉快感的水平的完整的模式。除此之外，Bernhaupt还强调，对于如何评价游戏中互动的概念也没有一个总体的框架
16、能为之提供固定的方法。总而言之，这篇论文的主要目的是回忆和分析当前已经存在的用户体验评估方法，尤其是在游戏当中。2 A Review of Methodologies for Evaluating Player E*perience2 用户体验评估方法回忆Numerous research studies from different domains have been conducted in academiaand industries to evaluate player e*perience. Csikzentmihalyi 4 introduced the studyof flow where it defines the optimale*perience of enjoyment regardless of age,gender or social class. On one hand, researchers from the usability
