I中文摘要中文摘要“特情剧”与观众的渊源由来已久二十八年前“特情剧”一词还未诞生，《敌营十八年》便首开风气，引起巨大社会反响一代人以后， 《暗算》横空出世，独领风骚跟风者众多，遂引发“特情”滥觞作为后来者的《潜伏》在通过一系列此类型剧所惯有的情节如暗杀、化名、绑架、密电、偷情报、救同志、杀叛徒、勾心斗角等的描写后，独树一帜，突出刻画了一对“革命假夫妻”情感与革命信仰共同成长的轨迹，引发了特情类型电视剧新一轮的收视热潮《潜伏》的热播，不仅在于其谍战剧情的引人入胜，更因为它高举信仰之大旗，告诉人们， “人活着还得有信仰” 它使得今天的观众认识到，以往的英雄不单单具有伟大的理想，他们还都是在克服了平凡与琐碎之后，才最终达到了真正的不平凡它把生存的意义及人们对精神的追求推向前台，向处于“娱乐至死”时代包围下的人们，激昂地唱出“为人民利益而死，其死重于泰山”的英雄赞歌，赢得了广泛的赞誉英雄主义、集体主义的主流意识形态一直是中国影视剧中所要力图表达的近年来，随着新时期文化语境的转型，观众的审美情趣也发生了变化，过去墨守成规的政治和意识形态要求越来越难以适应现实要求影视剧通过塑造出的艺术形象来表达创作者的思想，它首先要吸引观众、感动观众才能起到教育观众的作用，因此艺术形象的塑造非常重要。
以往影视剧中通过一味歌功颂德、塑造高大全的英雄人物形象、提出苍白的爱国口号等方式来表现主流意识形态的方式，已渐不为受众所接受而特情题材电视剧以其题材的特殊性，以隐形、渗透的方式在宣传主流意识形态上明显胜于其他题材影视剧，更易于为受众所接受而在理论界尽管目前已有一些学者将目光聚焦于此，但大部分文章只是作浮光掠影的概述，鲜见对特情剧文本内涵作深入分析的作品 《潜伏》作为其中的代表作，既承袭了以往特情剧在叙事结构及人物形象塑造上的成功之处，又在叙事策略上有新的创新，具有非常重要的研究意义和价值本篇论文共分四章第一章为绪论部分，主要对研究背景、相关研究综述、研究价值及方法等进行了梳理第二、三章主要通过文本分析的方法，论述《潜伏》是如何对英雄主义和集体主义进行隐形书写的最后一章通过论述英II雄主义与集体主义的相互关系，揭示出《潜伏》中所要传递的信仰的意义关键词：关键词： 《潜伏》 英雄主义 集体主义 隐形书写IIIAbstract“The spy detective films” with audience has been a long history . Since “The spy detective films” haven’t birth 28 years ago, “18 years in enemy’s camp” open the fashion storm of the spy detective films and raises strong repercussions .After a generation, “The trick” like a thunder coming quickly and uniqueness. Making many people following and the story just churns out the same stuff. Afterwards “The inside story” with a series of the spy detective films plots kike assassinate、assumed name、kidnap 、code message、Stealing the information、rescue the comrade、killing the traitor、was full of intrigue description and have his own style, Characteristic “the fake revolutionary couple’s” clue of emotional and revolution believe progress together, resulting the hot ratings dominance was once absolute . The hot rating of “The inside story” not only about its spy detective story, but also the strong belief, and told us live and belief. It make the audience know that the hero not only outstanding, they conquer the common and trifles then reach unusual.It pushes the meaning of life to the front of Spirit Pursuit , We have to Sing form our heart to the people who were surround by the current of the times and in a place of “Amusing Ourselves to Death” “To die for the people is weightier than Mount Tai”.Heroism、collectivism ideology has been expressed by Chinese movies and TV Plays .Recent years, in new period of transformation of cultural context, the esthetic sentiment of the audience also change, the political and ideology in the past always sticks to convention has not adapted to the development demand of reality. Movies and TV plays express author's thoughts and opinions though the artistic image the author creative, first the character must be touch our deep heart it can works, so create the artistic image was very important. Formerly though heap praises and eulogies on IVthe perfect finger、in the way of set out the weak patriotic slogans to express the ideologies can not be accept by many people. The spy detective films according to the special of the story, by the way of veil、permeate and ideology was superior to other subject, and more accept by audience. In the theoretical circles some scholar focus on this, but most articles just superficial describe, rarely seen to analyses deeply. “The inside story” as the model, undertake the spy detective films successful on narrative structure and the artistic image, and also creatively on relate, has very important research meaning and value.There are four chapters in this article. Chapter 1 introduction section, order the research background and meaning and its related topics, research value and ways. Chapter 2、3 by the way of textual analysis , discuss “The inside story” how to metaphor about heroism and collectivism. The last Chapter discusses the relation of heroism and collectivism expose the meaning of believe from “The inside story”.Key Words: “The inside story”, Heroism, Collectivism, MetaphorV目目 录录中文摘要..................................................IAbstract................................................III第一章 绪 论.............................................7第一节 研究背景.......................................7第二节 相关研究综述...................................8第三节、研究目的及意义................................12第四节、研究方法......................................13第二章 英雄主义的隐形书写 ..............................15第一节 什么是英雄主义................................15一、英雄主义人物塑造...............................15二、英雄主义及英雄主义的隐形书写...................18第二节 多重线索展示人物性格..........................19一、明线索.........................................19二、暗线索.........................................22三、隐含着的爱情线索...............................27第三节 艺术化再现英雄主义.............................28一、象征的运用.....................................28VI二、细节的描写.....................................29三、对白...........................................31第三章 集体主义的隐形书写...............................37第一节 什么是集体主义................................37第二节 两条“成长”线索暗含集体主义...........。