诚斋诗论及其诗歌创作研究诚斋诗论及其诗歌创作研究学校代码: 11658 学 号:20 分 类 号: 密 级: 无 硕 士 学 位 论 文诚斋诗论 及其诗 歌创作 研 究作 者 姓 名 宋军 学 科 专 业 文艺学 研 究 方 向 中国古典文学理论 指 导 教 师 阮忠教授 申请学位类别 文学硕士 提 交 日 期 二○一三年 五 月On chengzhai ’s poetry propositions and poetry writtingA Dissertation Submitted for the Degree of MasterCandidate:Song JunSupervisor:Prof. Ruan Zhong Hainan Normal University Haikou, China 摘 要 杨万里是南宋著名诗人,他的诗歌主要见于《诚斋集》 其“诗兴” 、 “诗味”和“求变”论是诗歌创作的理论主张,在这些主张下的诗歌创作,成就了“诚斋体” 这里,主要是把二者结合起来研究,以期对杨万里有新的认识与把握全文主要分成三部分: 第一部分,诚斋“诗兴”说与诗歌创作,主要探讨杨万里“诗兴”说的提出和“诗兴”的内涵,并从其“诗兴”说看其诗歌创作之“兴” 。
杨万里之前,以黄庭坚为领袖的江西诗派主张“点铁成金” 、 “夺胎换骨”,即以才学为诗,在古人佳作中寻求诗意句法,导致诗歌创作愈来愈狭窄杨万里早期学习江西诗派的诗歌,“学之愈力,作之愈寡”,因此主张到大自然寻找诗歌创作源泉,并讲求诗歌创作的兴到自然成,决不矫揉造作以其活泼自然,诙谐幽默,意象新颖构成独特的“诚斋体”诗,对南宋中叶诗风的变化起到了积极的作用 第二部分,诚斋“诗味”说与诗歌创作,主要探讨“诗味”说的缘起与内涵以及其“诗味”说在诗歌中的体现杨万里论诗重味,关注了《诗三百》之后的晚唐诗味,因其“好色而不淫,怨诽而不乱”,符合温柔敦厚的诗教观同时,他认为诗歌是矫天下之具,常常以诗歌表现对国势的忧虑、对中原沦丧的愤慨,对沦陷区人民生活的关切,但他又不像陆游那样直抒胸臆,他的情感往往是以非常委婉的方式表达出来的,使诗言外有意 第三部分,诚斋“求变”说与诗歌创作根据杨万里自叙的诗歌创作之变,将其诗风转变划分为四个时期,即模仿期,绍兴三十二年(1162)以前,主要学习江西体二、过渡期,自绍兴三十二年至淳熙四年(1177),学陈师道五言律诗、王安石七绝和唐人绝句,同时有所创新,“诚斋体”初露头角。
三、形成期,淳熙丁酉(1177)、戊戌(1178)以后,结束模仿,自成一体,创作自如,“诚斋体”成熟四、发展变化期,绍熙元年(1190)11 月以后,由写景咏物转向抒发爱国热情 诚斋论诗主张“诗兴” 、 “诗味”和“求变”,在宋代得到很大的重视,对其后诗歌创作产生了一定的积极影响关键词:诚斋;诗论;诗歌创作;特色;影响IAbstract Yang Wanli is a famous poet of the Southern Song Dynasty whose poems are mainly seen in the Poetry of Chengzhai.He has some propositions of the theory of poetry which is “the nature Shixing”,”the taste Shiwei” and “the change Qiubian”.Poetry in these propositions, “Chengzhai Style” gained its great success.This research combines the poetry and the propositions of Yang Wanli,in order to have a new understanding and grasp on Yang Wanli.The fullof the text is divided into three main parts: Part one:the relationship between “the nature Shixing”proposition and the poetry writing of Yang Wanli.There will be some researches on the advancement and the connotation of “the nature Shixing”proposition,and through which we will have a review of the “nature” in Yang Wanli`s poetry.Before the age of Yang Wanli,there is a school of poetry writing which is leading by Huang Tingjian that called the “School of Jiangxi”.They claim that poem with their own scholarship and to seek poetic Syntax in the ancients writings,which is also called by themselves that “make iron into gold” and “change the flesh and bone”.It makes the writing of the poetry more and more narrowly.In the early period of Yang Wanli,he learned the style of writing of the “School of Jiangxi”,but soon he found that the harder he learned by the “School of Jiangxi”,the narrower his poems were writing.For this reason,he advocates back to the nature to find the source of poetry writing.And he claim that the poem should be all by the nature and never pretended.His unique poems which is called “Chengzhai Style”played a positive role in the changes of poetry in the middle period of the Southern Song Dynasty with its lively and natural,humor,novel of imageryPart two:the relationship between “the taste Shiwei”proposition and the poetry writing of Yang Wanli.This part mainly get a research on the advancement and the connotation of “the taste Shiwei”proposition,and through which we will have a review of the “tasting” in Yang Wanli`s poetry.In the assess of poem by Yang Wanli,the “taste”is a very important proposition.Yang Wanli get an attention to the taste of the poem in the late period of the Tang Dynasty which is based on the 300 poems in the The Book of Songs because of its “enough but not overly of the lust”and “enough but not overly of the complain”,all of which are conforming with a view of the teaching of the poem that is gentle and tender.At the same time,he claim that the poem is a tool of healing the society.He often shows an anxiety of the society by the form of poetry,he shows his indignation of the turpitude of the middle of China,the concern of the people in the occupied areas in his writing.But Yang Wanli`s poems are not the same as the writing of Lu You,Yang Wanli do not express his emotion directly butIIby an euphemism way which adds a taste in his poems beyond the words Part three:the relationship between “the change Qiubian”.proposition and the poetry writing of Yang Wanli.According to the proposition of change in the poetry by Yang Wanli himself,Yang Wanli`s change of poem writing can be divided into four periods.First is the period of imitation,before the year of 1162the 32ed year of Shaoxing”,in this period Yang Wanli`s writing is mainly learning by the “School of Jiangxi”.Second is the period of period nd thof transition,from the year of 1162the 32 year of Shaoxing” to the year of 1177the 4 year of “Chunxi” ,in this period,Yang Wanli learned the writing of the Five-character verses of Chen Shidao,the Seven-character quatrains of Wang Anshi,and the quatrains writing by the former poet in the Tang Dynasty and innovative at the same time. It makes the “Chengzhai Style” well known by people by emerge.The third period is the period of formation,which i。