Classified Index: University Code: 10075 U.D.C: NO: 20100865 A Dissertation for the Degree of M. Arts Research of calligraphy Pu Ru Candidate：：Yang Xuetao Supervisor：：Prof.Liu Zongchao Academic Degree Applied for：：Master Degree of Arts Speciality：：Fine Arts University：：Hebei University Date of Oral Examination：：June,2013 摘 要 I摘 要 溥儒为清代王室后裔，自幼接受着传统儒家私塾教育，其以画名于世然其书法以“二王”帖学为宗，之后对唐、宋、元书家均有学习，在其晚年逐渐形成笔墨空灵、骨气十足之书风，南渡台湾之后被誉为“台湾第一帖学大师”，可见其书法成就极高，对后世影响较大。
其精通经、史、诗、书、画，著有大量的著作，多次在国内外举办个展，书法作品流传广泛，海内外多有收藏，弟子众多而其又以画名于世，但在画上所下功夫并不多，而是书法和诗词艺术占去了他大部分精力，一生都在从事诗、书、画艺术，走的是中国传统文人之路 观溥儒一生辗转奔波，而且承受着旧王孙之痛，时代的变迁与不断的辗转，使其晚年仍然无法回归故土，由此观来溥儒内心是痛苦的，由于其晚年渡台，而且画名比其书名大，致使大陆研究溥儒书法之人甚少就其书法而论，溥儒一生以帖学为标榜，其对于帖学的理解是独特的另外他在作品中所体现出浓厚传统文化根基与个人情感的自然流露，正是我们现在的书法家所缺乏的，而其书法作品内容大多为其自己所写诗词，故更加易于抒发情感其作品以行书和楷书偏多，尤其是其小行书，字里行间文气十足，而这要归功于他重视字外功夫，集经、史、诗、书、画为一身，其被称为一代帖学大师是当之无愧的 本文根据溥儒学书自述、书法作品及书学观念为研究角度，试图借此揭示一代帖学大师独特的帖学书风其生活于民国时期，民国书风呈现出多元化，碑学与帖学既有相互交融又有各自发展溥儒以纯帖学为主，与当时帖学书家书法风格及观念均有不同，同时他是一个画家但他与同时期的画家书法又有所不同，其书法走的是中国书法艺术的传统之路，对传统书法艺术进行了深入的学习与探究，为帖学的发展作出了贡献。
本文共分五章，第一章为生平述要，共有三部分，第一部分概述了溥儒的生平、著作及成就、交由第二章叙述其艺术历程，主要从其从艺生涯进行论述；第三章概括其书法艺术风格首先根据溥儒学书自述介绍了其学书经历，接着具体论述了溥儒的书法作品及其书法风格，其传世作品以行草书作品为主，亦有楷书、篆书、隶书作品分别尽行论述，分别归纳出其书法风格，溥儒的传世书作以行书和楷书最多，篆、隶、草书作品数量远不及行书与楷书，然行书比之楷书要为多一些第四章，书学观摘 要 II念从四方面论述，一从生活时代的书学背景分析；二由其所著《寒玉堂书法论》观其书法观念；三为其书学理念具体体现；四为重视字外功夫第五章，根据前四章论述，归纳出其书法的艺术价值、地位及影响 关键词：关键词：溥儒 书法 书学观念Abstract IIIAbstract Pu Ru is the royal descendant of qing dynasty. He accepted the traditional Confucian education when he was a child. As an artest his paintings are famous in the world. However, his calligraphy is learn from the copybooks of Wang Xizhi and Wang Xianzhi. As a result, there’re characteristics of weijin dynasty in his calligraphy. After he went to Taiwan province, his calligraphy become more famous and he is know as the great master of calligraphy. His calligraphy get great acheivement which has great imfluence on the later generation. Pu Ru is proficient in book, history, calligraphy and painting and he has written many famouns books. He has held exhibitions many times not only in China but also in many other countries all over the world. Also he has many students. This paper is a research on the art of calligraphy of Pu Ru based on the spirit contained in his calligraphy works. Calligraphy in the period of the Republic of China shows a character of diversity. Epigraphy and calligraphy during that period are interacting with each other and also has many differences. Pu Ru’s calligraphy style and concept are totally diffenet from other calligraphists. This paper has five parts. The first parts is about Pu Ru’s life stories. There are three sections in the first part talking about Pu Ru’s life stories, works and achievements. The second part is about his artistic experiences. The third part is about his calligraphy style. The author using the methord of classfication research to conclude Pu Ru’s calligraphy style. The forth part is about his calligraphy concepts. This part analyse the calligraphy concepts of Pu Ru based on his studing background, his famous works.The fifth part is the conclution. In this part, we conclude the artistic value, position and imfluence of Pu Ru’s calligraphy. Key words: Pu Ru Calligraphy Concept目 录 IV目 录 引引 言言................................................................................................................................1 第第 1 章章 人生历程人生历程..............................................................................................................3 1.1 溥儒生平述要..........................................................................................................3 1.2 著作及成就.............................................................................................................4 1.3 交由.........................................................................................................................6 1.3.1 画家....................................................................................................................6 1.3.2 书法家................................................................................................................7 第第 2 章章 艺术历程艺术历程..............................................................................................................8 2.1 精研诸艺..................................................................................................................8 2.2 名声鹊起.................................................................................................................9 2.3 南游渡台................................................................................................................10 第第 3 章章 书法艺术风格书法艺术风格....................................................................................................12 3.1 学书经历...............................................................................................................12 3.2 书法作品风格..................。