硕 士 学 位 论 文 论文作者： 朱欢欢 学科专业： 中国古代文学 指导教师： 刘越峰 培养单位： 文学院 培养类别： 全日制 完成时间： 2014 年 3 月 沈阳师范大学学位评定委员会 单位代码：单位代码： 10166 周必大序跋文研究周必大序跋文研究 学位论文独创性声明 本人所呈交的学位论文是在导师的指导下取得的研究成果 据我所知，除文中已经注明引用的内容外，本论文不包含其他个人已经发表或撰写过的研究成果对本文的研究做出重要贡献的个人和集体，均已在文中作了明确说明并表示了谢意 作者签名： 日期： 学位论文使用授权声明 本人授权沈阳师范大学研究生处， 将本人硕士学位论文的全部或部分内容编入有关数据库进行检索； 有权保留学位论文并向国家主管部门或其指定机构送交论文的电子版和纸质版， 允许论文被查阅和借阅； 有权可以采用影印、 缩印或扫描等复制手段保存、 汇编学位论文。
保密的学位论文在解密后适用本规定 作者签名： 日期： I 摘 要 序跋文是中国古代散文的重要文体之一 宋代序跋文在当时重文的文化环境中得到了长足发展，南宋序跋文因其所处的特殊时代背景，又呈现出与前代不同的特点周必大是南宋重要的散文作家，他的序跋文作品数量众多，思想内涵丰富，艺术特色别具一格，在南宋序跋文中极具代表性长久以来，学界将研究的关注点更多地放在周必大的政治建树上，对周必大散文的研究较为薄弱，近年来虽然出现不少研究成果， 但对他序跋文的研究与对他其他文体的研究相比仍是比较薄弱的一环因此，本论文选取“周必大序跋文研究”这个题目，试图对周必大的序跋文进行系统且细致的分析和研究，设想如下： 绪论部分概述二十世纪 80 年代以来学界关于周必大及其序跋文的研究现状，明确本论文的文本依据和研究价值 第一章通过对“序跋文”概念的界定以确定研究的范围，进而梳理南宋及以前序跋文的发展和流变情况，论述南宋序跋文勃兴和新变的表现及原因，兼有对周必大序跋文创作的整体概观 第二章分析周必大序跋文中体现的“内圣外王”思想，主要包括两个方面的内容：一方面，重视“内圣”之学，倡导道德修养和澄明内心，通过博学致知提升品性，并以阐发道德和品性的文章作为依托。
另一方面，推重“外王”之法，通过强调民族气节和反对奸佞等，勉励后学建功立业结合“内圣外王”的发展脉络和南宋的时代背景，周必大序跋文中的“内圣外王”思想的形成受到了当时理学思潮、政治文化环境、周必大自身性格和家庭背景等多方面因素的影响 第三章着眼于周必大序跋文的艺术特色， 周必大的序跋文题材开阔且既博又专，他善于运用譬喻、典故等多种技法综合为谋篇布局服务，文章结合骈文与散文的写作形式，表达流畅，语言平易，这些特色都在他的序跋文中有所体现，最终形成了雅正气和、自然蕴藉的整体序跋文风格 第四章中结合前文所论，试图分析周必大序跋文在南宋时期、序跋文发展史乃至中国古代文化史上的地位和影响，总结周必大序跋文的贡献和局限性 关键词：关键词：周必大；序跋文；思想；艺术特色；影响 II Abstract Prefaces and postscript text is an important style of the ancient Chinese prose. It has been rapid development in the cultural environment of Song Dynasty which emphasis on literature. Because of located in a special circumstances, prefaces and postscript text of South Song Dynasty shows different features with the previous dynasties. Zhou Bida is one of the most important essayists of South Song Dynasty. He has a large number of prefaces and postscripts which have rich ideological content and unique artistic features. His excellent quality prefaces and postscripts have a certain representation in literary of South Song Dynasty. For a long time, academic studies mainly focus on Zhou Bida’s political achievements, while the study on his prose is relatively weak. Although there have been several studies about Zhou Bida’s prose in recent years, but compared to study of his other literary style, the study of his prefaces and postscripts is still a relatively weak link. Therefore this paper select “study on Zhou Bida’s prefaces and postscripts“ as the title, attempts to systematic, detailed analysis and research his prefaces and postscripts from five aspects, the outline is following: The introduction part begins with an overview academic research status of Zhou Bida and his prefaces and postscripts since the 1980’s, and then elaborate the research value and text basis of this paper. The first chapter attempt to define the concept of “prefaces and postscripts“ in order to clear the scope of the study of this paper, then sort out the development of prefaces and postscripts in South Song Dynasty and its previous dynasties, finally summed up the reasons that prefaces and postscript got a rapid development in South Song Dynasty. Here we also have an overall overview of Zhou Bida’s prefaces and postscripts. The second chapter is to analyze the “Saint and Emperor“ thinking which embodied in Zhou Bida’s prefaces and postscripts. This part includes two respects: On the one hand, Zhou Bida emphasis on the wisdom of “Saint“, he advocates moral cultivation and have a pure soul by erudite to enhance the quality of personality, and use the article to elucidate morality and personality. On the other hand, Zhou Bida also pay attention to the methods of “Emperor“ through emphasize national integrity, oppose crafty and fawning in the imperial court and encourage pupil or scholar of younger age to make contributions and start their career. Meanwhile, with the development of “Saint and Emperor“ concept and historical background of South Song Dynasty, the formation of Zhou Bida’s “Saint and Emperor“ thinking in his prefaces and postscripts are influenced by Confucianism thought, political and cultural III environment, his own personality and family background and some other factors. The third chapter focuses on the artistic features of Zhou Bida’s prefaces and postscripts. Zhou Bida’s prefaces and postscripts have broad themes with both detailed and omit discussion. His articles are adept at structure and organization by using metaphor, allusion and other techniques. Zhou Bida’s prefaces and postscripts combined both writing forms of prose and parallel prose, his articles express smoothly with facile language sentences. All of these characteristics are showed in Zhou Bida’s prefaces and postscripts and eventually formed an overall style of elegant and natural. The fourth chapter is to analyze the status and influence of Zhou Bida’s prefaces and postscripts in South Song Dynasty, phylogeny of prefaces and postscripts and even ancie。