《Paper写作范文-弗朗索瓦•奥宗的电影美学风格》由会员分享，可在线阅读，更多相关《Paper写作范文-弗朗索瓦•奥宗的电影美学风格（4页珍藏版）》请在金锄头文库上搜索。
1、www.ocscf.org Paper写作范文-弗朗索瓦奥宗的电影美学风格这篇Paper范文主要讨论了弗朗索瓦奥宗的电影美学风格。近年来，弗朗索瓦奥宗的电影美学风格有多次转型，他更加注重于结合不同的类型电影特点进行自己的作者化私人表达，但他执著于探究中产阶级平和生活下的暗潮汹涌进而探讨人性与生命却没有改变。在奥宗最自由的短片创作时期所流露出的美学特点也延续在未来的长片中。后期的长片中，奥宗将类型传统和自己的作者化表达不断地调整以达到平衡Francois auzens film aesthetic has undergone many transformations, and the queer
2、 elements have been gradually hidden. But what remains unchanged is his obsession with exploring the dark tides of the peaceful life of the middle class and discussing human nature and life. In recent years, aozong has paid more attention to combining the characteristics of different types of films
3、to make his own personal expression. In the hands of some, ozon is classified as a psycho-sexual thriller. However, the author thinks that this can not be considered as a kind of genre, but more as a theme selection and style feature in aozong films.The aesthetic characteristics revealed in the peri
4、od of his most free short film creation are also continued in the future long film. In all in the family, for example, where he photographed a family of four in an enclosed setting, with daily trivia, bed-to-bed relationships and emotional disputes, Mr. Ozong himself questioned the semblance of calm
5、. Gratuitous killing - the desire to commit a crime, the camera to take a picture - freezing the moment and magnifying it, recombining it, morphing it, and staring at it - these elements are typical of auzens recurring themes. Later in the long film, aozong constantly adjusts the genre tradition and
6、 his own authoring expression to achieve a balance.Dry fire is auzons third feature film, adapted from the text written by fassbender, who incorporated Hollywood melodrama into his script, while insisting on alienation to achieve success. And the adaptation of ozon can not help but draw attention to
7、 the influence of fassbender on ozon and the role of genre in authorizing film production.Before kindling, Mr. Ozons two feature films, the lost family and provocative murder, had genre characteristics of sitcoms and thrillers, as the title suggests. However, in dry fire, his reference and applicati
8、on of the film genre entered a new field. Ozen is based on the original text written by fassbender, who is an admirer of Hollywood director Douglas seck. Auchan directed this melodrama film, which directly collided with the whole history of film genre. Rather than merely imitating his two previous f
9、eature films, Mr. Ozon emphasizes the continuity between different film cultures.Back in the 1950s, when Mr. Seck was working at universal studios, there was more focus on masculinity and heroism. Later Laura Laura mulvey melodrama of plug g research points out an important characteristic of melodra
10、ma: home, as a society place and space of myth, to draw attention to provide internal and external confrontation with the order on the way, and for the urban, industrial, centrifugal/centrifugal force of capitalist living examples. Images of places and Spaces may link the sexual politics of class an
11、d popular entertainment in a myriad of ways. The spatial dimensions of male and female Spaces reflect the economic and social aspects of gender differences. Popular entertainment is increasingly absorbed and brought into a orderly national unity. But its roots lie on the margins of society.Fassbende
12、r focused on seck, drawing on the opportunities offered to critics by modernist and feminist theories. He succeeded by changing the hypocritical nature of melodrama in Hollywood by borrowing its universal code. And Mr. Ozens inheritance of fassbenders melodrama tradition isnt a Hollywood studio one,
13、 but one that combines distinctive characters with highly stylized scenes to create his own melodrama. By referring to the genre tradition of melodrama, aozong makes the audience aware of and start to analyze the genre elements in it and examine the genre tradition so as to achieve the purpose of de
14、construction.Melodrama has traditionally been used as an expression of political and social problems with no rational solutions, but aozong USES it more to discuss human nature. He puts the characters in an unnatural and dramatic setting, and makes the melodramatic technique more extreme, so that th
15、e characters perceive their marginalization and sexual crisis in this environment. He is not a plagiarism of style type, but a reference to its production ethics. For example, the room ACTS as an enclosed space to condense the emotions of the characters. The framework of interior provides the whole,
16、 stable, closed and self-contained imagination and illusion, while the essence is divided, out of control, out of bounds and lack, which endowing the film with ironic effect and dialectical tension. The transmission of plague in the family of the lost souls takes place in the house; The hero and heroine of provocative murder are imprisoned in a hunters hut; Four people in a room of passion; Eight women are trapped in a villa and tor
