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1、Module 4 MusicLiu Fang is recognised as one of the most successful pipa players as well as a sensitive performer on the guzheng. She has cooperated with worldclass musicians all around the world and has released several albums. The following article is written by her about how she thinks of performa
2、nces and her understanding of music.While music is often about expressing mood and feeling, it is fascinating to experience how musicians who play different instruments come together to create a great piece of music. It is inspiring and creative, particularly when organisers provide enough time for
3、musicians to rehearse (排练) before concerts. We have a lot to discuss and always bring our work to another level. This is especially true when musicians meet with an open heart, willing to learn from each other and not simply satisfied with things just sounding “okay”For my concerts, I play mostly tr
4、aditional Chinese music. This type of music is often closely linked to poetry. As poetry, it sets out to express human feelings and purify (净化) the mind. This type of music was noncommercial, typically played solo on private occasions for oneself, or for Zhi Yin close friends and music lovers. The m
5、usic is supposed to be played in a calm state, and the feeling and energy are present and should remain fresh even when performers are repeating the “same old pieces”The challenge here is the current trend of looking for “new”. In fact, the “old” music has great value. While there is nothing wrong w
6、ith creating new and indeed, todays good creation will be tomorrows tradition it is misleading to use this to judge musicmaking. Even for the same piece, every performance is “original and new”， not to mention the different environments and audiences. In a real sense, one cant separate music from mu
7、sician. When the musician dies, his or her music no longer exists. Recording is not the real thing. That is repeating, not musicmaking, which is very different from painting.Section_Introduction_&_Reading_PrereadingAn Interview with Liu FangPart 1Liu Fang is an international music star, famous for h
8、er work with traditional Chinese instruments. She was born in 1974 and has played the pipa since the age of six. Shes given concerts since she was eleven, including a performance for the Queen of England during her visit to China. She graduated from the Shanghai Conservatory of Music, where she also
9、 studied the guzheng in 1993.What is your musical training and background?My mother is a Dianju actress. Dianju is a kind of Chinese opera, which includes singing, dancing and acting. When I was a child, she took me to performances. I listened to music before I could speak! When I was five years old
10、, she taught me to play the yueqin.In 1990, when I was 15 years old, I went to the Shanghai Conservatory of Music, where I studied the pipa and the guzheng. After I graduated, I went back to my hometown of Kunming and worked as a pipa soloist of the Kunming Music and Dance Troupe. In 1996, I moved t
11、o Canada with my husband and I have been living there since then.(be) famous for因而著名此处为形容词短语在句中作后置定语，相当于定语从句“who is famous for her work .”。give concerts举办音乐会including prep.包括graduate from毕业于conservatory/knsvtri/n.音乐学院where she also .是非限制性定语从句，修饰the Shanghai Conservatory of Music, where在从句中作地点状语，可转换成
12、“介词which”形式。which引导非限制性定语从句，修饰Dianju。take sb. to performances带某人去看表演teach sb. to do sth.教某人去做某事where I studied the pipa and the guzheng是非限制性定语从句，修饰the Shanghai Conservatory of Music。work as做(工作)soloist/slIst/n.独奏者have been living为现在完成进行时。现在完成进行时的结构为“have/hasbeen现在分词”，表示从过去某一时刻开始一直延续到现在的动作，可能刚刚结束，也可能
13、还要继续进行下去，对现在有一定的影响。刘芳专访第1部分刘芳是一位国际知名的音乐家，因弹奏中国传统乐器而闻名。她出生于1974年，从6岁起就开始弹奏琵琶。从11岁起她就开始举办音乐会，包括英国女王访华期间为女王做的一场演出。她毕业于上海音乐学院，1993年她还在那里学习弹奏古筝。谈谈您在音乐方面的训练情况及背景，好吗？我母亲是一名滇剧演员。滇剧是中国戏剧的一种，它包括声乐、舞蹈及表演。当我小的时候，母亲就带我去看表演。在会说话前，我就聆听音乐！当我5岁的时候，她教我弹月琴。1990年，我15岁的时候去了上海音乐学院，在那里，我学习了琵琶和古筝。毕业后，我回到故乡昆明，并在昆明歌舞团做了一名琵琶独
14、奏演员。1996年，我和丈夫一起移居加拿大，从那时起我就一直住在那里。What are the biggest challenges of playing the pipa and the guzheng?If your technique is not good enough, it is impossible to play classical Chinese pipa music. Also, the repertoire for the pipa is large some pieces were written during the Tang Dynasty.There are ma
15、ny different pipa schools, and each one has its special way of interpreting the classical pieces. The biggest challenge is to respect the traditions but to add my own style. The same is true of my second instrument, the guzheng.challenge n挑战take up a challenge接受挑战rise to the challenge迎接挑战If your tec
16、hnique is not good enough是条件状语从句；it is impossible to do sth.“做某事是不可能的”，it作形式主语，动词不定式短语作真正的主语。repertoire/reptw/n.演奏曲目，演出节目(the) way of doing (the) way to do做的方法interpret/IntprIt/v.诠释，解释；翻译(be) true of/for与情况相同弹奏琵琶和古筝的最大挑战是什么？如果你的技术不够好，就不可能弹奏中国古典琵琶曲。另外，琵琶弹奏曲目很多一些作品作于唐代。,琵琶流派很多，每个流派都有自己独特的诠释古典作品的方式。最大的挑战是在尊
