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1、外国语学院本科生英语专业毕业论文装订顺序（外国语学院本科生英语专业毕业论文装订顺序（MLA 格式）格式） （注：此格式用于文学、翻译方向的论文）（注：此格式用于文学、翻译方向的论文） 1.毕业论文封面（汉语） 2.毕业论文首页 （英语） 3.致谢（英文） 4.毕业论文中文摘要及关键词 5.毕业论文英文摘要及关键词 6.目录 7.正文 8.尾注（可选） 9.参考文献（英语文献在前，汉语文献在后） 10. 附录（可选） 附：论文模板（模板内容仅供参考，毕业生可根据实际情况填写） 学号：060501010085 从后现代主义视角看从后现代主义视角看等待戈多等待戈多的的 反戏剧手法反戏剧手法 学 院
2、名 称： 外 国 语 学 院 专 业 名 称： 英 语 教 育 年 级 班 别： 2002 级 5 班 姓 名： 刘 海 涛 指 导 教 师： 李 庆 东 年 月 河南师范大学 本科毕业论文 20 磅字号，华文中 宋，加粗，居中 四号黑体 黑体，小三，居中 A Study of “Anti-play” Techniques on Waiting for Godot from the Perspectives of Postmodernism A Thesis Submitted to Faculty of International Studies of Henan Normal Univer
3、sity in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts By Your name Supervisor：Li Qingdong 英文年月日 I Acknowledgements (Times New Roman 三号 粗体 居中) I would like to thank all those who have given me their generous helps, commitment and enthusiasm, which have been the major driv
4、ing force to complete the current paper. Times New Roman 五号，1.5 倍行距 全文每段首行缩 进 3-5 个字符 罗马数字 编排页码 II 摘要摘要（此处为宋体，小二号，粗体） 本文作者尝试从后现代主义的视角去认识等待戈多的反戏剧手法，感受 贝克特通过此剧所传达的后现代主义精神。这里，本文关注了四个典型的后现 代主义特征，它们分别是：主体的消失；深层模式削平；不确定性；戏拟和反 讽。通过分析我们不仅看到他对传统戏剧规范所进行的空前激烈的颠覆，也体 会到他作为后现代主义的先驱所传达给我们的后现代主义精神。贝克特高超的 艺术手法不仅在风起云
5、涌的现代主义文学运动中具有独特的艺术价值，而且在 刚刚兴起的后现代主义文学的形式革新中独领风骚。 关键词关键词：塞缪尔贝克特；等待戈多 ；反戏剧；后现代主义 宋体，小四号， 1.5 倍行距 宋体， 小四号， 粗体 III Abstract（Times New Roman，三号，粗体，居中） Samuel Barclay Beckett (1906-1989) was an Irish-born poet, novelist and playwright, and is admittedly regarded as one of the greatest masters in the liter
6、ary world of 20th century. His masterpiece Waiting for Godot, is widely regarded as a classic of the Theatre of the Absurd. The writer of this thesis tries to understand those anti-play techniques from the perspectives of postmodernism and perceive the spirit of postmodernism that the play owns. Her
7、e, this thesis focuses on four typical features of postmodernism: the dissolution of the subject; depth-less-ness; indeterminacy; parody and irony. By the analysis of Becketts anti-play techniques in Waiting for Godot, we can not only perceive how he overthrows traditional dramatic regulations thoro
8、ughly and extraordinarily but also experience the spirit of postmodernism that he conveys to us as a precursor of postmodernism. The prominent techniques of Beckett not only have inimitable artistic value in modernism movement, which is surging forward at his times but also leads literary excellence
9、 in the newly arisen postmodernism. Key words: Samuel Beckett; Waiting for Godot; anti-play; postmodernism Times New Roman 五号，1.5 倍行距 全文每段首 行缩进 3-5 个字符 Times New Roman 五号 粗体 IV Table of Contents ACKNOWLEDGEMENTSII 摘要 .III ABSTRACTV TABLE OF CONTENTSVIII INTRODUCTION.1 PART ONE THE THEORETICAL PREMIS
10、ES.6 1.1 THE DISSOLUTION OF THE SUBJECT.10 1.2 DEPTH-LESS-NESS.11 1.3 INDETERMINACY12 1.3.1 Indeterminacy of the Theme12 1.3.2 Indeterminacy of Characters 12 1.3.3 Indeterminacy of the Plot13 1.3.4 Indeterminacy of the Language 13 1.4 PARODY AND IRONY.14 PART TWO DEHUMANIZED CHARACTERS AND PAIRING R
11、ELATIONSHIPS IN WAITING FOR GODOT15 PART THREE DIRECT EXPRESSION IN WAITING FOR GODOT.23 3.1 EMPTY STAGE AND MUDDLE-HEADED CHARACTERS24 3.2 DISORDERED TEMPORAL STRUCTURE26 3.3 DEVALUED LANGUAGE AND SILENCE AESTHETICS.28 PART FOUR THE “INDETERMINACY” IN WAITING FOR GODOT.33 4.1 INDETERMINACY OF THE C
12、HARACTERS33 4.2 INDETERMINACY OF THE THEME38 4.3 INDETERMINACY OF THE PLOT.40 Times New Roman，三号，粗体，居 中 Times New Roman 五号，1.5 倍行距 V PART FIVE WAITING FOR GODOT: JUXTAPOSITION OF COMEDY AND TRAGEDY .44 CONCLUSION50 WORKS CITED53 河南师范大学本科毕业论文 1 Introduction Samuel Barclay Beckett (1906-1989), an Iris
13、h novelist and playwright, is admittedly regarded as one of the greatest masters in the literary world of 20th century. In 1969, he was awarded the Nobel Prize for Literature by right of his eminent play, Waiting for Godot, which has influenced later generations of contemporary playwrights throughou
14、t the world. Actually Beckett considered himself a much better novelist and he thought of his plays as diversions undertaken at times when work on his fiction had brought him to a creative impasse, but since Waiting for Godot was first performed in Paris on 5 January 1953, the greater part of his li
15、terary career has resulted in his special form of writing for the theatre. The play contains two acts in which two tramps, Vladimir and Estragon, wait for someone named Godot who is supposed to keep an appointment with them. They are joined by a man and his servant, Pozzo and Lucky, who stay with th
16、em briefly, then continue on their unspecified way. A boy comes at the end of the first act to tell Vladimir and Estragon that Mr. Godot will not come that day, but most surely the next. A tree which has been bare of leaves is the only setting, and a moon rises to signify that day has ended and night has come as the first act ends. In the second act, the tree miraculously sprouts a few leaves but nothing else has changed for Vladi
