2011年考研英语(一)真题试卷及答案-干净版本.pdf

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1、Goto 考研网 1 2011 考研考研英语英语(一)真题(一)真题试卷试卷 Section Use of English Directions: Read the following text. Choose the best word(s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1. (10 points) Ancient Greek philosopher Aristotle viewed laughter as “a bodily exercise precious to health.” But

2、_1_some claims to the contrary, laughing probably has little influence on physical fitness Laughter does _2_short-term changes in the function of the heart and its blood vessels, _3_ heart rate and oxygen consumption But because hard laughter is difficult to _4_, a good laugh is unlikely to have _5_

3、 benefits the way, say, walking or jogging does. _6_, instead of straining muscles to build them, as exercise does, laughter apparently accomplishes the _7_, studies dating back to the 1930s indicate that laughter_8_ muscles, decreasing muscle tone for up to 45 minutes after the laugh dies down. Suc

4、h bodily reaction might conceivably help _9_the effects of psychological stress. Anyway, the act of laughing probably does produce other types of _10_ feedback, that improve an individuals emotional state. _11_one classical theory of emotion, our feelings are partially rooted _12_ physical reactions

5、. It was argued at the end of the 19th century that humans do not cry _13_they are sad but they become sad when the tears begin to flow. Although sadness also _14_ tears, evidence suggests that emotions can flow _15_ muscular responses. In an experiment published in 1988,social psychologist Fritz St

6、rack of the University of w rzburg in Germany asked volunteers to _16_ a pen either with their teeth-thereby creating an artificial smile or with their lips, which would produce a(n) _17_ expression. Those forced to exercise their enthusiastically to funny catoons than did those whose months were co

7、ntracted in a frown, _19_ that expressions may influence emotions rather than just the other way around _20_ , the physical act of laughter could improve mood. 1. A among B except Cdespite D like 2. A reflect Bdemend Cindicate Dproduce 3. A stabilizing B boosting C impairing D determining 4. A trans

8、mit Bsustain C evaluate D observe 5. A measurable Bmanageable Caffordable Drenewable 6. A In turn B In fact C In addition D In brief 7. A opposite Bimpossible Caverage D expected 8. A hardens B weakens C tightens Drelaxes 9. A aggravate B generate C morderate D enhance 10. A physical B mental C subc

9、onscious Dintermal 11. A Except for B According to C Due to D As for 12. A with B on C in Dat 13. A unless B until C if D because 14. A exhausts B follows C precedes D supresses 15. A into Bform C towards D beyond 16. A fecth B form C pick D hold 17. A disappointed B excited C joyful D indifferent 1

10、8. A adapted B catered C turned D reacted 19. A suggesting B requiring C mentioning D supposing 20. A Eventually B Consequently C Similatly D Conversely Section Reading Comprehension Part A 2 Directions: Reading the following fours texts. Answer the question below each text by Choosing A,B,C or D. M

11、ark your answer on ANSWER SHEET1.(40points) Text 1 The decision of the New York philharmonic to hire Alan Gilbert as its next music director has been the talk of the classical-music world ever since the sudden announcement of his appointment in 2009. For the most part, the response has been favorabl

12、e, to say the least “Hooray! A t last!” wrote Anthony Tommasini, a sober-sided classical-music critic One of the reason why the appiontment came as such a surprise, however, is that Gilber is commparatively little known Even Tommasini, who had advocated Gilberts appointment in the Times, calls him “

13、an unpretentious musician with no air of the formidable conductor about him.”As a description of the next music director of an orchestra that has hitherto been led by musicians like Gustav Mahler and Pierre Boulez, that semms likely to have struck at least some Times readers as faint prwise For my p

14、art, I have no idea whether Gilbert is a great conductor or even a good one. To be sure, be performs an impressive variety of interesting composition, but it is not necessary for me to visit Avery Fisher Hall, or anywhere else, to hear interesting orchestral music. All I have to do is to go to my CD

15、 shelf, or boot up my computer amd download still more recorded music form iTumes Devoted concertgoers who reply that recording are no substitute for live performance are missing the point. For the time, attention, and money of the art-loving public, classical instrumentalists must compete not only with opera houses, dance troupes , theeater companies, and museums, but also with the recorsed performances of the great classical musicians of the 20th century. The

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