professional wrestling institution of degradation职业摔跤组织退化

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1、Professional Wrestling: Institution of DegradationOr Reflecting Pool of Society?Correy CampbellEver since I was a little boy, I have marveled at those amazing flying men. My imagination exploded with images of fighting side by side with the titans of the ring. Wrestling has been a staple in my nosta

2、lgia for as long as I can remember. Along with Transformers and Ninja Turtles, my love and admiration for professional wrestling will rest eternally within my soul. Maybe that was a little melodramatic, but my enthusiasm for professional wrestling is quite evident. But as of late, wrasslin has been

3、wrestling with some bad publicity and viscous interest groups like the Parental Television Council (Foley, 417.). The industry of professional wrestling seems to have become the beacon of blame for every parent with a bad child. They accuse wrestling of being too violent, filled to the brim with sex

4、ual innuendo, and for making their children more rebellious and disrespectful to authority figures. But is wrestling the true culprit of being the debacle of child morality in this massive world of entertainment media? Or could it be possible that wrestling is only trying to catch up with the mature

5、 themes and bigger audiences that other media seem to be experiencing as we speak? If the latter is true, then wrestling is merely following the readjusted norm of entertainment in this generation.Let us indulge the opponents of professional wrestling by examining whether or not wrestling has become

6、 too violent. Of course the concept of too violent is relative to different time periods. Follow me as a step back in time to the 1980s when professional wrestling became a national phenomenon in the United States of America. Professional wrestling did not become a nationally televised event until V

7、incent K. McMahon bought his fathers Capitol Wrestling Corporation in full (Layden, 128.) McMahon eventually changed the name to World Wrestling Federation and created the concept of taped matches. McMahon had shows taped in small arenas then had them shipped to NBC where they were broadcast to a na

8、tional audience; live televised shows were no longer necessary. Along with the creation of Pay-Per-View, McMahon was able to turn the World Wrestling Federation into a worldwide entertainment brand (Layden, 196.)During the era of the 80s, McMahons WWF featured wholesome characters like Hulk Hogan, A

9、ndre the Giant, the Ultimate Warrior, and many more. Characters were either good or bad with no gray areas. There were no anti-heroes that kids cheer today like beer-chugging, rule-breaking Stone Cold Steve Austin. Regardless of their allegiances characters never swore, women never wore anything but

10、 semi-classy 80s dresses, and sexual innuendo was never part of the mix at all. But with a formula as simple as wrestling, things had to evolve. People grow weary of seeing the same thing repeated every week. Kids grew tired of the drink your milk and take your vitamins Hulk Hogan types that helped

11、build wrestling to a national televised audience. Wrestling had to change or it would grow stale, crumble, and be swept under the rug. Eventually characters with bigger and better gimmicks began to emerge, each trying to out-shine the other with outlandish personality and death defying moves (Layden

12、, 121-122.) As audiences grew, fear of losing those advertising revenues drove wrestling to up the ante as it were. Naturally, violence began to increase. And one study from the Indiana University showed just how much non-wrestling move violence happened in the WWF in 1999. The study showed that the

13、re were 609 instances of wrestlers being struck by trashcans, stop signs, and anything else they could find in the ring (Foley, 396-400.) In some matches, folding chairs and barbed wire are even used (Foley, 295-296.) Some matches are won only when one wrestler throws another through a table. But th

14、is is nothing compared with the combined numbers of violent acts in shows like the Power Rangers and even Pokemon. Children see these shows everyday rather than once a week! One reason that wrestling became a scapegoat is because it grew in popularity so fast that those who do not follow wrestling n

15、ever saw it coming. Wrestling is still very taboo to many people that cannot in any dignified way appreciate the industry on any level (Foley 431.) But because of their loathing for wrestling, parents fail to realize that more mainstream media has surpassed wrestling in violence, and that wrestling

16、has been trying to catch up all along.Wrestling is merely a reflection of the other entertainment media. The wrestling industry copies movies, popular television shows, and music in order to survive in the decaying world of entertainment. Wrestling feeds of the evil that already exists. Compared to movies, wrestling is harmless. Wrestling is obviously a gimmick, even to children, whereas movies like Jurassic Park and the Mummy are so realistic that the line be

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