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1、 主讲人：2010.10.30Evaluation only.Evaluation only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd.主要内容： 一、书法艺术的哲学精神 二、书法艺术的审美意蕴 三、书法艺术与个体修为 四、当代书法 五、如何练好
2、书法Evaluation only.Evaluation only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd.一、书法艺术的哲学精神（一）易学的阴阳二气（二）儒家的中庸之道（三）道家的崇尚自然（四）禅宗的不立文字Evaluation only.E
3、valuation only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd. （一）易学的阴阳二气1.阴阳与书法肇（zhao)端 易传：“一阴一阳之谓道。”老子：“万物负阴而抱阳”。素问 阴阳应象大论：“阴阳者，天地之道也，万物之纲纪，变化之父母，
4、生杀之本始，神明之府也。”蔡邕九势：“夫书肇于自然，自然既立，阴阳生矣，阴阳既生，形 势出矣。藏头护尾，力在其中，下笔用力，肌肤之丽。故曰：势来不可 止，势去不可遏，惟笔软则奇怪生焉。”蔡邕认为书法遵循了自然阴阳变化的规律，由于书法在书写过程中，在 上下、左右、出入、横竖、头尾、起收等内在结构和运笔方面，采用了 阴阳回顾、上覆下承、疾徐转合、欲左先右、欲右先左等对立统一的因 素，才形成了落笔、转笔、藏锋、藏头、护尾、疾势、掠笔、涩势、横 鳞等“九势”。宇宙天地自然之法成了书法造型的内在依据。书理从自然中来，书法所讲求的运笔结体之理得自客观自然。Evaluation only.Evaluatio
5、n only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd.2.阴阳与书法形式。 用笔：点画之力外露为阳，内敛为阴；直为阳，曲为阴；方为阳，圆为 阴；粗壮为阳，纤细为阴； 用墨：枯渴为阳，湿润为阴；淡为阳，浓为阴。结体：笔画外展为阳， 内敛为阴；倚侧
6、为阳，平静为阴；疏润为阳，致密为阴。 布局：疏朗为阳，密结为阴；倚侧奇险为阳，平正安稳为阴；字大为阳 ，字小为阴；点画多直为阳，多曲为阴；行笔布字流畅为阳，缓涩为阴 ；白多为阳，黑多为阴；虚多为阳，实多为阴。 3.阴阳与书法美学风格。 阳刚之美表现为开放的、外射的、向上的、奔腾的、急速的、动荡的、 热烈的、伸张的、粗犷的、雄浑的、豁达的、厚重的、暴露的等特点。 阴柔之美表现为封闭的、内收的、向下的、平静的、徐缓的、凝结的、 冷淡的、收缩的、纤细的、妍丽的、温婉的、轻巧的、遮蔽的等特点。 （图3） 阳刚与阴柔只可“偏胜”，不可“偏废”。刘熙载艺概云：“书当兼备阴 阳二气，沉著屈郁，阴也；奇拔豪达
7、，阳也。”Evaluation only.Evaluation only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd. 图3.1 颜真卿刘中使帖Evaluation only.Evaluation only. Created with Aspose
8、.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd. 图3.2 赵孟頫违远帖Evaluation only.Evaluation only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with A
9、spose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd. （二）儒家的中庸之道 1.何谓中庸？ “执两用中”，从反面的界定是：“过犹不及”。 对于“中”这一具有普遍性的正道加以具体运 用的方法。 2.体现在品德修养上，要求人的行动必须与 客观实际相适应而合乎事理之宜。 3.在书法上的表现。“一点成一字之规，一字 乃终篇之准。违而不犯，和而不同。”（唐 孙过庭）Evaluation only.Evaluation
10、only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd. 王羲之 丧乱得示二谢帖 逸少一出，揖让礼乐，森严有法，神采攸焕 ，正奇混成。”（明 项穆）Evaluation only.Evaluation only. Created with Aspos
11、e.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd.（三）道家的崇尚自然 孙过庭书谱：“观夫悬针垂露之异，奔雷坠石 之奇，鸿飞兽骇之姿，鸾舞蛇惊之态，绝岸颓峰 之势，临危据槁之形；或重若崩云，或轻如蝉翼 ；导之则泉注，顿之则山安；纤纤乎似初月之出 天涯，落落乎犹众星之列河汉；” 1.创作者的“
12、放逸” 2.创作时精神状态“无为” 3.作品“自然” 4.最高理想“逸品”Evaluation only.Evaluation only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd. 图4.1书谱局部 图4.2 书谱局部 Evaluation on
13、ly.Evaluation only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd.王宠：游包山诗集Evaluation only.Evaluation only. Created with Aspose.Slides for .NET 3.5 Cl
14、ient Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd.倪云林山水：“画中逸品”Evaluation only.Evaluation only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3
15、.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd.（四）禅宗的不立文字 “行到水云处，坐看云起时”。（王维） 1.“借禅喻书” 2.“引禅入书” 3.书法是依赖于文字而生的艺术，而禅宗主 张扫除文字，两者颇有矛盾。 4.典型：怀素自叙帖Evaluation only.Evaluation only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with A
16、spose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 Aspose Pty Ltd.Copyright 2004-2011 Aspose Pty Ltd. 图5.1自叙帖 图5.2自叙帖Evaluation only.Evaluation only. Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0.Created with Aspose.Slides for .NET 3.5 Client Profile 5.2.0.0. Copyright 2004-2011 As
