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1、艺术硕士专业学位研究生入学资格考试艺术硕士专业学位研究生入学资格考试（一）考试内容、试题结构和题量 试题涵盖艺术学基础知识和英语两部分内容， 由60%的客观题（含20%的英文题）和40%的 主观题组成一张试卷测试。试卷共计150分，考 试时间为180分钟。试题包含： 1.单项选择填空题（44道题，每题1分，共44分）2.多项选择填空（8道题，每题2分，共16分） 3.英文阅读理解题（15道题，每题2分，共30分）4.论述题（2道题，每题30分，共60分）What is the purpose of the author? What is the tone? What does the pass
2、age mainly deal with? The passage suggests that. What can be concluded from the passage?What is the main idea? What is the topic? What is the subject? What is the best title?提问 整体 About the Whole passag e间接性试题 Indirectly Answered Question直接性试题 Directly Answered QuestionIt can be inferred that_. It i
3、s implied that_. What most likely happened? What was probably the conclusion for_? How does the author feel about_? What does this word mean?According to the passage, who (what. when, where, why) _? In the passage, how Many (how much, how long) _? It is stated that_. It is indicated that_. Which is
4、(not) true? According to the passage, which of the following statements concerning_is nearly accurate?提问部 分About part of the passage Every artist knows in his heart that he is saying something to the public. Not only does he want to say it well, but he wants it to be something which has not been sai
5、d before. He hopes the public will listen and understand-he wants to teach them, and he wants them to learn from him. What visual artists like painters want to teach is easy to make out but difficult to explain, because painters translate their experiences into shapes and colors, not words. They see
6、m to feel that a certain selection of shapes and colors, out of the countless billions possible, is exceptionally interesting for them and worth showing to us. Without their work we shouldnever have noticed these particular shapes and colors, or have felt the delight which they brought to the artist
7、. Most artists take their shapes and colors from the world of nature and from human bodies in motion and repose; their choices indicate that these aspects of the world are worth looking at, that they contain beautiful sights. Contemporary artists might say that they merely choose subjects that provi
8、de an interesting pattern, that there is nothing more in it. Yet even they do not choose entirely without reference to the character of their subjects. If one painter chooses to paint a gangrenous (生坏 疽的) leg and another a lake in moonlight, each of them is directing our attention to a certain aspec
9、t of the world. Each painter is telling us something, showing us something, emphasizing something- all of which mean that, consciously or unconsciously, he is trying to teach us.53. All artists are common in that53. All artists are common in that53. All artists are common in that53. All artists are
10、common in that（ ） A. they use shapes and colors instead of words B. they are trying to teach the public C. what they want to teach is difficult to explain D. they want to learn from the public54. A painter chooses certain shapes and 54. A painter chooses certain shapes and 54. A painter chooses cert
11、ain shapes and 54. A painter chooses certain shapes and colors out of the countless billions possible colors out of the countless billions possible colors out of the countless billions possible colors out of the countless billions possible because he believes theybecause he believes theybecause he b
12、elieves theybecause he believes they（ ） A. are beautiful B. can bring delight to him C. are worth showing to the public D. are particular55. Contemporary artists choose subjects55. Contemporary artists choose subjects55. Contemporary artists choose subjects55. Contemporary artists choose subjects A.
13、 without reference to the character of their subjects B. that only provide the interesting pattern C. that there is no meaning in it D. partly for the meaning of the subjects56. Comparing the painter who paints a 56. Comparing the painter who paints a 56. Comparing the painter who paints a 56. Compa
14、ring the painter who paints a gangrenous leg with the one who paints a lake gangrenous leg with the one who paints a lake gangrenous leg with the one who paints a lake gangrenous leg with the one who paints a lake in moonlight, we can draw the conclusion that in moonlight, we can draw the conclusion
15、 that in moonlight, we can draw the conclusion that in moonlight, we can draw the conclusion that （ ） A. both convey the same meaning B. both show certain aspects of the world C. the latter is more meaningful D. the former is more meaningful57. According to the passage, which of the 57. According to the passage, which of the 57. According to the passage, which of the 57. According to the passage, which of the following statements is true?following statements is true?following statements is true?following statements is true? A. The public could share the artists feelings th
