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1、 Res en e aco paf5ar Ia pa e c Ia g arra) _ 3 Minuet op. 21 no. 12 4 Landler op. 9 no. 4 6 a anese arr. Sollory Sakura_- . . . - . - -_ 8 Carratera resbaladiza . -9 Valse noble (from Eight Short Pieces for Solo Guitar) . . . _10 Walking (from 8 Discernments) . . - . . . -11 c. Banjo Bill. . . . . .
2、12 Station to Station . 13 Technical Suite (Exercises) . 14 -.c s for this grade: e are from Guitar Duets Initial-Grade 3 2010-2015 published by Trinity Guildhall (TG 008091). :. ado -ory Rondo Valse op. 44 no. 1 Marchinha de Carnaval Danza Andaluza ernative pieces for this grade (2010-2012): Tazzol
3、la :Jo :lesland e oy or -rad. Scottish arr. Fiorentino e Valderrabano Pieces Etude 1 Cfrom Etudes simples 1 serie) Gaelic Song 1 (from Twelve Inventions) Artisane (from Play Piazzolla) Turn to Dust (from The Real Guitar Book vol. 1) Branle de Bourgogne (from Le petit livre de guitare vol. 2) Etude o
4、p. 60 no. 7 (from Complete Studies for Guitar) Charlie is my Darling (from Celtic Music for Classical Guitar) Dance of the Dragon (from String Fingers) Soneto del primer grado (from Hispanae Citharae Ars Viva ed. Emilio Pujol Vilarrubl) Eschig ME7997 Holley Music Holl S007 Boosey 9790060119712 Camde
5、n Music CM191 Les Productions DOZ DZ12 Chanterelle 491 Carisch ML2601 XYZ Huizen Holland XYZ1211 Schott GA 176 -ree pieces to be performed, chosen from the pieces included in this book or from the duets or alternative iece(s) listed for the grade, to form a balanced programme. Full details of duets
6、and alternative pieces are iven above and in the current Guitar Syllabus. One piece may be replaced by the candidates own composition f a similar length and standard to the other pieces chosen. If a duet (or maximum two duets) are chosen, the accompaniment must be played in the examination. Technica
7、l work ee inside back cover for detailS. Supporting tests -o L ests to be chosen from Aural, Improvisation, Musical Knowledge or Sight Reading at candidates choice. ee he current Guitar Syllabus for details. :KJ an -i a es and teachers must refer to the Information (; ; lf f 6 , f f I cresc. pont. 9
8、 ld 2r -r r f -pont. : ld I r r -r f J I; :6 tCJ 11!1 c t r inuet op. 21 no. 12 J r ld r -r I norm. Matteo Carcassi (1792-1853) II r 1t 1 mp r r r T 1E 1 f mp . #I F cresc. r r r : t d If f 1:J J J lnJ cresc. r r r r - r r mp Copyright 2009 Trinity College London m (J i 414j i T i I i I I I I I I I
9、I r I r 3r I r r 2-u 3T I p i p i p ) J I I J poru_ I I I I I I I I I J i I rl l r -r *I ,-f 49 I I norm. p,m. (J I I I I I I I I 2 r r r u r I r_ .d I I I I tJ mp -f 53 r m 57 j (J 4 i T I I I I I I I I I I I r r I i I r I rJ - r 61 rail. (J J I I I I I ,J I I T T I r 1 r T r 1 l r r i I -cresc. f
10、Pin allegretto . = 116-132 “ ; ; , tl . . p a p i -J tasto J I mf p i r r _-3 i m a I 6 /) - 2 -norm. -2 m a i a tnw_, F J ,p . r sf I cresc. I -: an le op. 9 no. 4 I r 4r 1r: - 2J I r 4 f 1- - I I r -: . - r f 1 1 Johann Kaspar Mertz (1806-1856) - I - I 12CVII 4 . -: ) r -r Copyright 2009 Trinity C
11、ollege London - f) . . 33 () 3 a tempo norm. J I p m a J r I. 2J r r o.J r I I I I I r 4 r cresc. t#-1 r I J r i #“ CVII =-p Sak ra arr. Lee Sollory Traditional Japanese Slow and calm J = 80-92 i pont. . Ul!f l;lf lzJ J J lzJ J J li r -li r - - -i i l.v. norm. () I I I I I I I J r . =r I r r Y“ (_ -
12、 J .q J -r r = f c J 11 norm. J J J 3r zj r J - f ( 1) Slowly, bending the string slightly out of tune. 8 I. .q f . r norm. I J -rr.L-J.- harm.l2 (1) . Yzcv-1 pont. J J 1 1 r r-r n J 1 II nif- -J Copyright 2009 Trinity College London 3r cresc. r 21 2 Copyright G Alsbach ; (born 9- S Fine : I Valse n
13、o e from Eight Short Pieces for Solo Guitar Elegant .1 = 108-126 r r pont. r r r r J 4 d J li p if f. r J 1 f: r r Tf nann. j II t r i I r 10 r 1 r I * I * i r i f am. i I i r cresc. r -r r 4d J H p J I r F J r rail. Copyright 2001 guitarissimo publ. (STI Reproduced from Eight Short Pieces GP010. Used by permission of guitarissimo pub. a from 8 Discernments I!“ .-:._ -Rhythmic, Bold r J = 100-120 -= 1“0“ ) 1 n .o r 1 d # J -u- nif 5f ,j J. ; I;? .o ,J r -i l . .w - ,J I: u s . -9 jji:J - j.J-f ; # -u I : J J ; I ;sa .P r r I t # f . If J
