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1、TRADITIONAL: THE HOUSE CARPENTER l1 T LEARNING ZONE EXAMPLE THE HOUSE CARPENTER CD TRACKS 56 Bar 11 Rather than going straight into the melody lets take advantage of this moody tuning and set the scene with a short chordal intra. If you are playing this live then this sort of thing is a great way to
2、 start the performance-although make sure you warm up as there are some big stretches in here! Bar 9) After the doom laden intra we brighten things up a little by stating the J = 9.2 G5 Em7 Em7 G5 melody using only the top four strings. Never be afraid to omit the lowest bass strings for a while (E
3、and A on the sixth and fifth strings); in fact youll find that leaving them out to begin with gives them more impact when brought in later. Bar 13) Subtlely introducing the bass notes iwith these low voiced chords starts to make the arrangement sound bigger and gives a new sense of momentum. G5 Em7
4、1 I c:F1 ,.-. ,. .-., D 6b G D G D b D 6 G D G 0 b D 6 G D G 0 b D 8 G 0 G D f) -t-1. -0 4 4 4 5 5 5 4 2 1 G5 1 I -.-. f) 1 1 I:LJ t-.1. -0 4 4 4 0 5 5 5 7 Gmadd11 1 I =r1 f) I :; li u 5 -()-()- 5 10 Fsus2 1 I 8 ., f) 1-L,.ol 3 -11 u 0 2-2 5 3 3 3 3 13 li li C:i.J t:l:l:l -C:U 0 v 4 4 4 4 4 5 5 5 5
5、5 0 v 1 Em7 G7sus4 -I 3 ,-I 4 r-. -t:=-.1 8l.J=:= I .1 .-. 0 o-o 3-3-5- 4 4 4 4 0 5 5 5 5 5 5 2 1 G7sus4 Gm11 ,.-. ;:L1 I :; :; :; -r-. o-3-3-5 4 4 v v 5- 5 5 5-5 5 5 5 5 v v Eist9 Fsus2sus4 Gm ., 8 -._. 8-:; 1i :; i . ,:; /“, u 2 2 0 2-11 v 0 3 _n. 3 3 3 5 5 5-3 1 3 October 2012 GuitarTechniques 83
6、 ,I i ! ON THE CD TRACKS 55-56 EXAMPLE THE HOUSE CARPENTER CD TRACKS 56 Bar 16) Now the fifth string is added as a pedal point (a repeated note against which a melody is played) in order to give a sense of forward motion. Bars 17-18This is then followed by a brief interlude of arpeggiated chords tha
7、t Gmadd11addb6 Gmadd9add11 Gmadd9 arent part of the tune but will fit perfectly well between both readings of the melody. Bar 27) And finally another chordal passge to end the piece- you could finish after the melody but this descending section adds some colour to finish off. Gm11 -CE c:L1 l “ I .,.
8、 f b D B G D G D 17 .) i v 8 8 10 1v -.1 -4 f ll 1 5 5 2 7 7 5 G7sus4 “ I I l c:r1 n=; b D B G D G D D Bb G D G D 20 23 “ I .) i i i i v 5 5 o-o 5 5 5 D-D-v r-r:l 1 1 1 i v v o-5 5 0 ()-)-Gm sb Am11b9 84 GuitarTeclmiques October 2012 1 i o-o 4 5 5 5 Gm Cadd9/E -1“1=1 2 4 -= 11 v !:-2 5 y 5 2 Cm9 sbto Gm =-i 8 i 4 i i 3 3 5-y 5 5 2 5 5 5 5 5-y y v Gmadd11 I l“i:! c:r1 1 1 1 i i -3 3 5 y o-4 5 5 5-5 5 5 5 5 Ebs Fsus2sus4 .-. ,._, 8 = = 2 : . 1 ll f IHI 1 . -2-2-o-3 5 5 1-o-3 2 1 1 3 Ebmaj7 Gm7
