《让理论回归舞台刍论歌唱动力学及其在演唱实践中的运用》由会员分享，可在线阅读，更多相关《让理论回归舞台刍论歌唱动力学及其在演唱实践中的运用（89页珍藏版）》请在金锄头文库上搜索。
1、 硕士研究生学位论文 让理论回归舞台让理论回归舞台刍论歌唱动力学刍论歌唱动力学 及其在演唱实践中的运用及其在演唱实践中的运用 姓 名： 马若思 指 导 教 师 ： 多吉次仁 院系（部所） ： 艺术学院 专 业： 音乐学 研 究 方 向 ： 声乐理论研究 完 成 日 期 ： 2014 年 4 月 I 摘 要 如今，各大院校都增设了培养声乐人才的专业学科，同时，也有越来越多的学生怀揣着对歌唱的远大理想与梦想走进了这座神圣的殿堂。 但是， 却鲜有人能够成为优秀的歌唱家， 原因当然是多方面的。但是有一点是得到质疑的：中国目前有如此多的声乐教师，他们所教授的歌唱方法是否科学？甚至可以说，是否正确？关于歌
2、唱的方法，一直是声乐界所津津乐道的话题，并且众说纷纭。但是根据目前本人所了解的有关歌唱原理和歌唱方法的书籍以及论文所显示， 大多数研究成果仅停留在歌唱的某一个环节进行论述， 或有些综合研究歌唱的成果并不能够使歌唱学习者易于理解。因此，本人致力于研究一种更为详细、系统、科学和易于理解的歌唱方法歌唱动力学，即综合利用多种学科解析歌唱技巧的全方位研究方法。 它以科学系统的方式与通俗易懂的语言向读者展示出歌唱的原理及教授读者如何提高歌唱的技巧。 所要强调的是， 本文并不是对前人研究成果的否定和取代，而是对歌唱方法的科学补充与扩展。 （注：由于歌唱动力学是一种更为科学的歌唱方法， 因此适用于多种类型的专
3、业歌唱， 并不区分美声、民族等唱法。 ） 第一章绪论简要阐述了本文的选题背景、目的、意义以及歌唱动力学的研究现状， 并联系歌唱的起源及中国古代文献中的歌唱理论为依据，为“歌唱动力学”做了充分的历史铺垫。 第二章详细及系统地解析了歌唱动力学的构成。其中包括：歌唱II 的呼吸、歌唱的发声、歌唱的共鸣、歌唱的判断与想象、嗓音的保护与疾病的预防，共五节内容。这五节内容是经过本人周密地构想而得出的结果。 每一节与每一节之间都存在着内在的逻辑联系， 相辅相成。 本文第三章创新性地加入了对歌唱动力学研究的认知拓展。 首先论述了歌唱“动力”的追根溯源问题，本人以严密的思辨能力最终论述出歌唱的“动力”并非仅是呼
4、吸这么简单。此外，歌唱动力学主要运用了跨学科的方法对歌唱进行了研究， 而跨学科正是当下学术界热议的一种科学研究方法， 所以在本文第二章第二节中加入了对跨学科以及跨学科与歌唱动力学的解析。最后，本人又以符号学的理论体系验证了“歌唱动力学”合理化命名的符号价值，由此更能体现出本文理论基础的深厚性。 第四章体现出了本文的副标题让理论“回归”舞台的现实指导意义。以普契尼独幕歌剧贾尼斯基基中劳蕾塔的咏叹调我亲爱的爸爸为例，首先列举了歌唱者在演唱作品前不得不做的几件事情，以便使歌唱者更能充分地诠释出作品所要表达的内涵。随后并以歌唱动力学的方法从不同角度详细地解析了这首作品。 本文不仅以较为完善的理论体系作
5、为支撑， 又以典型的作品案例作为分析。因此具有理论与实践相结合的学术价值和现实指导意义。 关键词 歌唱，动力，跨学科，符号，意大利语， 我亲爱的爸爸 III ABSTRACT Nowadays, many colleges and universities have set specialized programs for cultivating vocal music talents. Meanwhile, there are more and more students with the lofty ideal and dream of singing entering into this
6、 sacred palace. However, there are very few people becoming excellent singers. Of course, the reasons lie in many respects. However, there is one point to doubt: since there are so many vocal music teachers in China, are the singing methods they teach scientific? And are they even correct? The singi
7、ng method has always been the theme about which people take delight in talking in vocal music community, with the opinions on it varying. However, according to the books and papers on singing principles and singing methods learnt by the author, most of the research achievements only focus on discuss
8、ing a certain link in singing; some achievements comprehensively researching singing are difficult for the singing learners to understand. Therefore, the author commits to researching a singing method which is more detailed, systematical, scientific and easy to understand, that is Dynamics of the si
9、nging voice, i.e., an all-around research method for analyzing singing skills by comprehensively applying various disciplines. This method presents the principles of singing to the readers and instructs the readers how to improve the singing skills in a scientific and systematical manner and in IV t
10、he straightaway language. What needs to highlight is that this paper doesnt mean to deny and replace the research achievements of predecessors; instead, it is the scientific supplement and expansion of singing methods. (Note: since Dynamics of the singing voice is a more scientific singing method, i
11、t can be applied to various types of professional singing without distinguishing bel canto and folk singing, etc.) Chapter I the introduction briefs the background, goal and significance for the project selection of this paper, and also briefs the status quo of research on Dynamics of the singing vo
12、ice. In addition, it also makes sufficient historical foreshadowing for “Dynamics of the singing voice” based on the origin of singing and the theories of singing in ancient Chinese literatures. Chapter II systematically analyzes the compositions of Dynamics of the singing voice in details. It inclu
13、des five sections of breathing for singing, phonation for singing, resonance of singing, judgment and imagination of singing, voice protection and disease prevention. The contents of the five sections are the results obtained by the authors elaborate conception; with inner logical connections among
14、the sections, the sections supplement each other well. Chapter III of this paper innovatively adds the cognitive expansion of research on Dynamics of the singing voice. Firstly, it discusses the V origin tracing problem of “dynamics” of the singing voice. With rigorous critical thinking skills, the
15、author ultimately expounds that the “dynamics” of the singing voice is not as simple as breathing. Moreover, Dynamics of the singing voice mainly researches singing by means of cross-disciplinary method which is a scientific research method enjoying hot discussion in contemporary academic community.
16、 Therefore, the author adds analysis on cross-discipline and analysis on the relationship between cross-discipline and Dynamics of the singing voice. Finally, the author verifies the symbolic value of rationalized naming for “Dynamics of the singing voice” in line with the theoretical system of semeiology; this will better reflec
