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1、目 录摘要.1关键词.1正文.31 明清小说中的女性形象及审美特征 .31.1 元末明初小说中的女性形象及审美特征 .31.2 明中叶以后小说中的女性形象及审美特征 .31.3 清初小说中的女性形象及审美特征 .41.4 明清小说中女性形象偏废及原因 .42.聊斋志异中的花狐鬼妖之美 .42.1 外形美 .52.2 内在美 .52.2.1 才智美 .62.2.2 痴情美 .62.2.3 人性美 .73.蒲松龄女性审美特征形成的原因 .93.1 蒲松龄自身遭遇的影响 .93.2 传统文化及客观环境的影响 .93.3 明清思潮对蒲松龄审美特征形成的影响 .103.3.1 主情浪漫思潮的影响 .10
2、3.3.2 经世致用思潮的影响 .103.3.3 感伤情怀的影响 .11参考文献. 13致谢. 141从聊斋志异中的花狐鬼妖看蒲松龄的女性审美【摘要】 聊斋志异作为一部“以传奇法而志怪” 1(鲁迅语)的文言短篇小说，堪称我国古代短篇小说的典范，无论从思想内容和艺术形式它都登上了我国古代短篇小说的高峰。作为一部具有浪漫情怀和理想色彩的小说， 聊斋志异的最大贡献不仅在于它编织了众多美丽动人的故事，还在于它成功地塑造了一系列令人难忘的人物形象，特别是众多美丽、聪明、善良的女性形象。奇特丰富的想象、变幻莫测的故事、神异迷人的艺术风格、凄婉感伤的艺术氛围，构成了它在艺术和审美上的突出特征。这些审美特征除
3、受蒲松龄自身遭遇及客观环境影响外，更重要的是明清主流思潮即主情浪漫思潮、经世致用思潮、感伤情怀的影响。透过这一层层优美凄伤的故事，揭开这一个个天真浪漫的面纱，我们不难看出， 聊斋志异虽然是一部“谈狐说鬼之书” ，但它却从各个方面折射出当时社会人们普遍的思想价值取向和文化观念追求，也反映出当时人们普遍的审美情感、审美爱好和审美追求。【关键词】花狐鬼妖；审美；思潮；女性；2From“Strange Stories from a Chinese Studio”spend fox ghost monster looked that Pu Songlings female aesthetic Abstr
4、act: As one classic Chinese short story of “records strange or supernatural events (Lu Xun language) by the legendary law”, Strange Stories from a Chinese Studio might be called the model of short stories in ancient China. It has reached the summit of short stories in ancient China both in the ideol
5、ogical content and in the artistic form. As a novel with romantic mood and ideal color, the most contribution of Strange Stories from a Chinese Studio lies in that it has not only created numerous beautiful and moving stories, but also portrayed a series of unforgettable characters successfully, esp
6、ecially a lot of beautiful, intelligent, and kind women. The strange and rich imagination, unpredictable stories, miraculous and fascinating art styles, touching and sentimental artistic atmosphere, constituted its prominent characteristics in art and esthetic. These esthetic characteristics besides
7、 receive Pu Songling own bitter experience and the objective environmental effect, the Ming and Qing Dynasties mainstream ideological trend namely main sentiment romantic ideological trend, governs more importantly the ideological trend, the sad mood influence of very practical use Disclosing naive
8、and romantic veil one after another through these beautiful and melancholy stories, we can see that, although Strange Stories from a Chinese Studio” is one “Book about foxes and ghosts”, it actually reflected from each aspect the peoples widespread ideological value orientation and cultural concept
9、pursuit in the society then, as well as the peoples universal esthetic emotion, esthetic hobby and esthetic pursuit at that time. The writer planed to analyze the beauty of foxes and ghosts from the aspect of social mainstream ideological trend, explore the authors esthetic principle so as to have a
10、 deep understanding of the interrelation between specific literature trend and aesthetic appreciation and creativity.Keyword: Spend fox ghost monster ；aesthetic；trend of thought；female3从聊斋志异中的花狐鬼妖看蒲松龄的女性审美作家蒲松龄生于明崇祯十三年（1640） ，卒于清康熙五十四年（1715） ，出身没落地主家庭，他用毕生精力完成创作的聊斋志异享有“我国古典短篇小说之王” 2的盛誉，是我国古代小说创作的又一高峰。全书共 8 卷、491 篇，约 40 余万字。其中以女狐为主要描写对象的有 49 篇，如青凤 、 小翠 、 胡四姐 、 凤仙 、 莲香 、
