陶瓷室内陈设品中重庆粗陶泥材料的运用本文导读：这是一篇关于陶瓷室内陈设品中重庆粗陶泥材料的运用的文章,陶瓷和陶瓷艺术在中国有着悠久的历史早在新石器时代我国先民就掌握了黏土烧制技术，并成为了最早使用陶器的国家之一其中更是有彩陶文化、马家窑与齐家文化等等令人叹文观止的文化遗产 摘 要 陶瓷在我国有着悠久的历史自陶器出现以来，因其多样的可塑性，稳定的耐用性，丰富的装饰性，一直在我国先民的生活中扮演者重要的角色 然而自隋唐以来，随着白瓷、青瓷烧制的逐渐成熟，主导大众审美的统治阶级逐渐偏爱上白瓷与青瓷的洁净无瑕时至今日，大众审美仍然认为只有瓷器才是高贵的，高档的甚至还有人认为粗陶制品是粗糙的，低劣的不得不说这是一种错误的价值观念，是由于对材料的不了解和审美缺失而出现的偏见 我在近几年的陶艺创作中也越来越多的使用到重庆本土出产的粗陶泥，并且在过程中发现重庆粗陶泥具有可媲美瓷泥的烧成温度、非常好的粘性、广泛的泥料、釉料兼容性，丰富的材料肌理和效果非常适合运用于制作陶艺作品然而，目前，此种泥料仍然大量而单一的被用作制作泡菜坛和酒缸、米缸等的材料，烧制上也局限于煤炭烧制。
材料的艺术美感很难被发掘出来 同时，随着人们的生活水平逐渐提高，工艺装饰物品逐渐走出展览馆，走进人们的生活中在常见的室内环境诸如宾馆、酒店、民宿和一些高档的会所都可以看到很多各式各样的装饰物品随着市场对于软装摆件的需求逐渐增大和工业技术的发展，装饰品的材料也越发的多样目前广泛应用于室内软装的材料主要有原木、玻璃钢、玻璃、金属陶瓷材料应用于室内软装多见于瓷板画和骨瓷灯罩、德化白瓷雕塑等，而粗陶泥材质的软装陶艺制品还比较少见 在这样的背景下，将重庆粗陶泥材料应用于陶瓷室内陈设品的制作，探索粗陶泥室内陈设作品与空间的结合方式就显得很有意义 本文主要由三个部分组成，一是从对重庆粗陶泥的历史沿革、材料分布及使用情况、材料已知的工艺特征和艺术效果的梳理二是对于陶瓷室内陈设品的应用现状简介，陶瓷材料应用于室内陈设品相较于其他材料的优势分析以及室内陈设品与空间和人的关系简介三是在前两部分的基础上，使用重庆粗陶泥材料创作一组陶艺室内陈设作品，并通过对实践中所出现的情况的记录与分析最终论证将重庆粗陶泥材料应用于室内陈设品制作的可能性 关键词：重庆粗陶， 陶艺， 室内空间， 陈设。
ABSTRACT Ceramics have a long history in our country. Since the emergence of pottery, it has been playing an important role in the life of our ancestors because of its various plasticity, stable durability and rich decoration. However, since sui and tang dynasties, with the gradual maturity of white porcelain and celadon, the ruling class that dominated public aesthetics gradually favored the purity of white porcelain and celadon. To this day, the public aesthetic still believes that only porcelain is noble and high-grade. Some people even think that rough pottery products are crude and inferior. It has to be said that this is a false value concept,because of the lack of understanding of the material and the lack of aesthetic bias. Artists in recent years, more and more local thick mud materials used in the creation, we can also published in recent years, ceramic art exhibition of works focus more and more found using a variety of coarse clay materials of art. I in ceramic art creation in recent years more and more used to produce thick clay,chongqing and chongqing coarse pottery found in the process of mud is comparable with porcelain clay sintering temperature and good viscosity, a wide range of mud materials, glaze compatibility, a wealth of material texture and the effect is very suitable for use in the production of ceramic art works. However, at present, this kind of mud is still widely used for making the materials such as pickles and wine bowls and rice bowls, and it is also limited to coal burning. The artistic beauty of the material is difficult to be discovered. At the same time, with the economic development of the society, people s living standard gradually improved, the craft decoration items gradually came out of the exhibition hall and into people s life. A variety of decorative items can be found in common indoor environments such as hotels, hotels, homes and some upscale clubs. As the demand for soft furnishing items increases and the development of industrial technology, the materials of decorations are becoming more and more diverse. The materials that are widely used for indoor soft decoration are wood, glass, glass and metal. The application of ceramic materials to indoor soft clothing is often seen in porcelain plate painting and bone porcelain lampshade, dehua white porcelain sculpture,and the soft decoration ceramics of coarse clay materials are relatively rare. The unique texture effect of coarse clay materials and the rustic effect produced by the combination of soil glaze are unmatched by the pure white porcelain. It is the crystallization of a variety of accidental effects, use this effect in interior furnishing adornment to produce can give whole space to create a kind of halcyon, serene, rustic atmosphere. At the same time, the excellent plasticity, viscosity and non-cracking properties of rough clay also provide more possibilities for creation. Based on the analysis of chongqing thick clay material characteristics and technology characteristics and combining with the current situation of the development of ceramic art at home and abroad in recent years, indoor display, on the basis of combined with personal experience, the creation of the chongqing thick clay further argument the feasibility of the application in the creation of indoor display decorations. KEYWORDS:Chongqing coarse pottery,Pottery,Interior space,furnishings。
第 1 章 绪论 1.1 研究背景 陶瓷和陶瓷艺术在中国有着悠久的历史早在新石器时代我国先民就掌握了黏土烧制技术，并成为了最早使用陶器的国家之一其中更是有彩陶文化、马家窑与齐家文化等等令人叹文观止的文化遗产到了隋唐时期，随着白瓷烧制技术的逐渐成熟，以统治阶级为代表的主流审美的重心逐渐偏向于洁净的白瓷、青瓷产品和艺术品，自元代在景德镇设置浮梁瓷局至今，白瓷、青瓷的烧造工艺，装饰技法等已经炉火纯青，并成为大众心目中完美无瑕的代名词而历史悠久的陶土所制作的产品在大众的意识审美中则逐渐沦为了粗糙的、低劣的、不精致的产品，诸如泡菜坛、酒缸、砂锅等作为陶瓷这一大范畴中的"陶";的社会地位大打折扣其实这是由于社会发展的历程和大众对于材料的不了解所导致的随着近几年软装行业的兴起，室内陈设软装饰品的材料愈发多样化同时，笔者在近几年对于粗陶泥特别是重庆本土粗陶泥的使用与研究中发现，重庆粗陶泥其具有的独特的材料特征和艺术效。