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1、 专业 专注 word 可编辑 外国国语语学学院本科生英语专业毕业论语专业毕业论文装订顺订顺序 MLA 格式 注 此格式用于文学学 翻译译方向的论论文 1 毕业论文封面 汉语 2 毕业论文首页 英语 3 致谢 英文 4 毕业论文中文摘要及关键词 5 毕业论文英文摘要及关键词 6 目录 7 正文 8 尾注 可选 9 参考文献 英语文献在前 汉语文献在后 10 附录 可选 附 论文模板 模板内容仅供参考 毕业生可根据实际情况填写 专业 专注 word 可编辑 学号 060501010085 从从后现现代主义视义视角看 等待戈多 的 反戏剧戏剧手法 学 院 名 称 外 国 语 学 院 专 业 名 称
2、 英 语 教 育 年 级 班 别 2002 级 5 班 姓 名 刘 海 涛 指 导 教 师 李 庆 东 河南师范大学 本科毕业论文 20 磅字号 华文中 宋 加粗 居中 四号黑体 黑体 小三 居中 专业 专注 word 可编辑 2007 年 5 月 专业 专注 word 可编辑 A Study of Anti play Techniques on Waiting for Godot from the Perspectives of Postmodernism A Thesis Submitted to Faculty of International Studies of Henan Norm
3、al University in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts By Your name Supervisor Li Qingdong May 5 2007 专业 专注 word 可编辑 专业 专注 word 可编辑 Acknowledgements Times New Roman 三号 粗体 居中 I would like to thank all those who have given me their generous helps commitment and ent
4、husiasm which have been the major driving force to complete the current paper Times New Roman 五号 1 5 倍行距 全文每段首行缩 进 3 5 个字符 专业 专注 word 可编辑 摘要 此处为宋体 小二号 粗体 本文作者尝试从后现代主义的视角去认识 等待戈多 的反戏剧手法 感受 贝克特通过此剧所传达的后现代主义精神 这里 本文关注了四个典型的后现 代主义特征 它们分别是 主体的消失 深层模式削平 不确定性 戏拟和反 讽 通过分析我们不仅看到他对传统戏剧规范所进行的空前激烈的颠覆 也体 会到他作为后现
5、代主义的先驱所传达给我们的后现代主义精神 贝克特高超的 艺术手法不仅在风起云涌的现代主义文学运动中具有独特的艺术价值 而且在 刚刚兴起的后现代主义文学的形式革新中独领风骚 关关键词键词 塞缪尔 贝克特 等待戈多 反戏剧 后现代主义 宋体 小四号 1 5 倍行距 罗马数字 编排页码 宋体 小四号 粗体 专业 专注 word 可编辑 Abstract Times New Roman 三号 粗体 居中 Samuel Barclay Beckett 1906 1989 was an Irish born poet novelist and playwright and is admittedly re
6、garded as one of the greatest masters in the literary world of 20th century His masterpiece Waiting for Godot is widely regarded as a classic of the Theatre of the Absurd The writer of this thesis tries to understand those anti play techniques from the perspectives of postmodernism and perceive the
7、spirit of postmodernism that the play owns Here this thesis focuses on four typical features of postmodernism the dissolution of the subject depth less ness indeterminacy parody and irony By the analysis of Beckett s anti play techniques in Waiting for Godot we can not only perceive how he overthrow
8、s traditional dramatic regulations thoroughly and extraordinarily but also experience the spirit of postmodernism that he conveys to us as a precursor of postmodernism The prominent techniques of Beckett not only have inimitable artistic value in modernism movement which is surging forward at his ti
9、mes but also leads literary excellence in 全文每段首 行缩进 3 5 个字符 专业 专注 word 可编辑 the newly arisen postmodernism Key words Samuel Beckett Waiting for Godot anti play postmodernism Times New Roman 五号 1 5 倍行距 Times New Roman 五号 粗体 专业 专注 word 可编辑 Table of Contents ACKNOWLEDGEMENTS II 摘要 III ABSTRACT V TABLE O
10、F CONTENTS VIII INTRODUCTION 1 PART ONE THE THEORETICAL PREMISES 6 1 1 THE DISSOLUTION OF THE SUBJECT 10 1 2 DEPTH LESS NESS 11 1 3 INDETERMINACY 12 1 3 1 Indeterminacy of the Theme 12 1 3 2 Indeterminacy of Characters 12 1 3 3 Indeterminacy of the Plot 13 1 3 4 Indeterminacy of the Language 13 1 4
11、PARODY AND IRONY 14 PART TWO DEHUMANIZED CHARACTERS AND PAIRING RELATIONSHIPS IN WAITING FOR GODOT 15 PART THREE DIRECT EXPRESSION IN WAITING FOR GODOT 23 3 1 EMPTY STAGE AND MUDDLE HEADED CHARACTERS 24 Times New Roman 三号 粗体 居 中 Times New Roman 五号 1 5 倍行距 专业 专注 word 可编辑 3 2 DISORDERED TEMPORAL STRUC
12、TURE 26 3 3 DEVALUED LANGUAGE AND SILENCE AESTHETICS 28 PART FOUR THE INDETERMINACY IN WAITING FOR GODOT 33 4 1 INDETERMINACY OF THE CHARACTERS 33 4 2 INDETERMINACY OF THE THEME 38 4 3 INDETERMINACY OF THE PLOT 40 PART FIVE WAITING FOR GODOT JUXTAPOSITION OF COMEDY AND TRAGEDY 44 CONCLUSION 50 WORKS
13、 CITED 53 专业 专注 word 可编辑 Introduction Samuel Barclay Beckett 1906 1989 an Irish novelist and playwright is admittedly regarded as one of the greatest masters in the literary world of 20th century In 1969 he was awarded the Nobel Prize for Literature by right of his eminent play Waiting for Godot whi
14、ch has influenced later generations of contemporary playwrights throughout the world Actually Beckett considered himself a much better novelist and he thought of his plays as diversions undertaken at times when work on his fiction had brought him to a creative impasse but since Waiting for Godot was
15、 first performed in Paris on 5 January 1953 the greater part of his literary career has resulted in his special form of writing for the theatre The play contains two acts in which two tramps Vladimir and Estragon wait for someone named Godot who is supposed to keep an appointment with them They are
16、joined by a man and his servant Pozzo and Lucky who stay with them briefly then continue on their unspecified way A boy comes at the end of the first act to tell Vladimir and Estragon that Mr Godot will not come that day but most surely the next A tree which has been bare of leaves is the only setting and a moon rises to signify that day has ended and night has come as the first act ends In the second act the tree miraculously sprouts a few leaves but nothing else has changed for Vladimir and Es
